In a political arena largely devoid of obvious talent Michael Gove is a star turn

Nelson Jones <3 Michael Gove.

I love Michael Gove. In an era of bland managerialist politicians the education secretary stands out for his wit, his openness to ideas and his genuine passion for his job. An interview with almost every other front-rank politician (with the exception, if he counts, of Boris Johnson) has become, even for political junkies, an excruciating self-torture, as carefully-rehearsed phrases cascade through the air, regardless of what question is actually being asked. Gove, by contrast, is a joy to listen to. In one recent exchange on World at One, he failed to dismiss entirely talk of Tory dissatisfaction with David Cameron's leadership in the wake of Ukip's recent advance. But he did give the English language a new word – "bonkerooney" – one that well encapsulates the effect he has on many of his detractors both within and without the world of education.

Gove was doing what he does best – or at least doing what he evidently most enjoys – yesterday, tweaking the noses of the educational establishment. Of course it's a truism of British politics that the minister (whether Labour or Conservative – remember David Blunkett?) must always pose as the lonely champion of parents and children against trendy educationalists and complacent teachers. Gove, though, does it with greater than average conviction. His latest speech, given to an audience of teachers from the private sector, garnered headlines largely because of one of the examples he used: a hitherto-obscure online resource that encouraged Year 11 iGCSE students to depict the rise of Hitler in terms of characters from the Mr Men books. The resource's creator accused Gove of "academic snobbery" and defended his concept as giving students a "challenge to get them to think about it in a different way." But it's hard not to see the concept as both infantile and in rather poor taste.

The example, no doubt, was an extreme one, but it served Gove's wider points about the need for rigour and high expectations in all parts of the school system, from the basics of reading and arithmetic, through the study of literature, history and the sciences to a panoply of extra-curricular activities. Teachers and parents should all be grateful for an education secretary who, in contrast to his predecessor Ed Balls who dropped the word from the title of his department, wants to put education at the centre of national life. Instead he has become a convenient hate-figure, his aims at times wilfully misunderstood.

Take history. Gove has been criticised for curriculum proposals based on dates, facts and "heroes and heroines" of British history. A group of leading historians condemned the proposals' "narrowness", claiming that they risked depriving children of "the vast bulk of the precious inheritance of the past" – by which they meant the study of other peoples and other places. There is indeed something naively Whiggish, to a professional historian, about his view of the subject as telling "the British story of progress". But national myths matter, however open to challenge on particular points of detail. Internalising the broad sweep of history, knowing who came after whom, is essential for a sense of rootedness in one's own culture. And children respond naturally to stories.

History can of course be used to teach analytical skills – skills that are needed properly to get to grips with the subject, indeed. But to concentrate on such an instrumental use of history risks reducing it to discrete nuggets of unconnected and interchangeable material. The internal politics of the Ming dynasty is just as fascinating, objectively, as that of the Tudors, and may with the rise of China become just as "relevant", but it will never be part of the mental furniture of this nation, something that every grounded citizen needs to know. That's why teaching children history should begin with facts, and only then start worrying about interpretation.

The same is true of literature, where again Michael Gove is often criticised for his insistence that children be taught the classics and even memorise poetry. What of creativity and imagination? Well, you can have creativity without a solid grounding in facts – most children are naturally expressive – but imagination needs materials to work with. The best creative writers, and even many "trashier" ones (such as the former Member for Corby) tend to have English degrees. Even those that don't are invariably wide and deep readers.

The techniques used to dissect and analyse literature are, as with history, transferable skills with which young people in the modern world need to be equipped. But, again as with history, studying great literature is valuable for its own sake as well. You can teach the same analytical techniques by studying King Lear or last night's episode of EastEnders. In the second case, you've learned to analyse a text. In the first case, you've learnt to analyse a text and you've read King Lear.

In yesterday's speech, Gove wondered allowed if most parents would rather their 17 year old daughter read Twilight or Middlemarch. It's a telling example; and it's not enough to reply that it's better to be turned on to reading by Stephanie Meyer's vampire saga than turned off by George Eliot. It wasn't Gove's point, exactly, but the message sent out to teenage girls by the Twilight is reactionary and dismal in the extreme: save yourself, act submissive and you too may end up with a drop-dead gorgeous immortal on your arm. Stay away from werewolves. Middlemarch, by contrast, though 150 years older, features a free-thinking, active and educated heroine. If we want our daughters to aspire, which provides the better role model?

Of course there's a powerful strain of nostalgia in Gove's vision, easily caricatured as a desire to return to the bad old days of rote-learning and corporal punishment. But his message is more forward-looking and aspirational than that. There's nothing right-wing, as such, about a firm grounding in basic grammar, however much insisting old-fashioned notions of right and wrong may displease sentimentalists like Michael Rosen. Education has always been the greatest engine of social progress and upward mobility, ever since the butcher's son Thomas Wolsey rose to become the chief minister of Henry VIII. Progressive notions of education in the state sector have given us a cabinet dominated by Old Etonians for the first time in fifty years. Gove, himself a scholarship boy, offers a way out: back to basics, perhaps, but also back to the future.

Yesterday Gove also imagined – gender stereotype alert – a parent seeing her teenage son hunched over a laptop. "You steal a look over his shoulder – and what would please you more – to see him playing Angry Birds, or coding?" Again, he has a point, though I wonder if mention of the addictive iPhone game might not be a subtle dig at David Cameron, who has admitted his own penchant for the kamikaze pig-smashers. It's not enough to reply that in either case the mother would no doubt be relieved that the boy wasn't staring at porn.

Earlier this year I was at a lecture in Cambridge given by Eric Schmidt of Google. Schmidt recalled the stir he caused at the Edinburgh Festival in 2011 when he lamented the decline of computer science in schools in favour of an IT curriculum focused on learning to use software. This time he had a different message. "You have a hero in government," he declared, before outlining a new initiative to teach coding in schools. "His name is Michael Gove." The sentiment went down like the proverbial lead balloon with the predominantly academic audience. It may have been an exaggeration – only time will tell whether his reforms to the curriculum and to school organisation take root and yield fruit – but in a political arena largely devoid of obvious talent he is a star turn.

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The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

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