PMQs review: Harman hammers absent Cameron

With the aid of some fine lines, Labour's deputy leader ridiculed the PM's EU panic.

With David Cameron still away in the US, it was Nick Clegg who manned the dispatch box at today's PMQs, but rather than targeting Clegg, Harriet Harman (who, as is traditional when Cameron is absent, replaced Ed Miliband) chose to concentrate her fire on Cameron. "Why is it that out of the last eight Wednesdays, the Prime Minister has only answered questions in this House once?", she asked. It was a strong stat, and Harman followed it up with another fine line: "He's been busy explaining to President Obama the benefits of Britain's membership of the EU, why is he able to do it in the White House but not in this House?" She went on to ridicule Cameron's dithering over the Queen's Speech EU amendment: "if the Prime Minister was here, would he be voting for the government, against the government or showing true leadership and abstaining?" 

In response, a loyal Clegg resisted the temptation to have fun at Cameron's expense and turned his guns on the absent Miliband, declaring that it was the Labour leader "who should be relieved that there isn't Prime Minister's Questions". Referring to Miliband's recent disastrous World At One interview, he quipped: "he denied that borrowing would go up under Labour's plans 10 times, who said that there isn't enough comedy on Radio 4?" 

As I predicted earlier, Tory MPs seized the opportunity to remind Clegg of his past support for a vote on EU membership, with two brandishing the 2008 Lib Dem leaflet calling for "a real referendum". In response, Clegg insisted that his position had not changed; he supports a referendum the next time that there is a formal change in Britain's relationship with the EU (the 2010 Lib Dem manifesto stated: "The European Union has evolved significantly since the last public vote on membership over thirty years ago. Liberal Democrats therefore remain committed to an in / out referendum the next time a British government signs up for fundamental change in the relationship between the UK and the EU."). 

The Deputy PM went further by stating the coalition's EU referendum lock, which sees a public vote triggered whenever there is a transfer of powers to Brussels, meant that it was a question of "when, not if" a referendum would be held. It was the clearest signal Clegg has ever given that he believes a referendum is now inevitable at some point in the next three-four years. 

In a notable attempt to narrow the distance between himself and Cameron, Clegg said that while the coalition's position on a referendum was clear, Labour had voted against the referendum lock. It's worth noting, however, that since then Miliband has explicitly stated that he would not repeal the legislation. With the negotiations over the post-crisis shape of the EU likely to significantly change Britain's relationship a EU, a referendum looks increasingly inevitable whichever party wins in 2015. 

Harriet Harman asked why "out of the last eight Wednesdays, the Prime Minister has only answered questions in this House once?" Photograph: Getty Images.

George Eaton is political editor of the New Statesman.

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Young people want big ideas – that's why I refuse to dumb down Radio 4

My week, from finding a way through the fog to getting the quarterly audience figures.

I walk to work through Regent’s Park, when possible accompanied by my dogs, which my husband then collects on his bike ride and takes home. If there is time we have coffee together in the small hut just before the inner circle. This is a good way to listen to the Today programme, I find, as I can keep one ear in, achieve a rational, critical detachment and still enjoy the birds, and then add the other ear if a strong interview demands immersion, or take both out altogether when despair creeps up. On the subject of Today, I hope to have some fun with Sarah Sands, whom we have just appointed as the programme’s new editor; it’s good to see an experienced woman brought in at a senior level to the BBC.

 

A winter’s tale

The park through the seasons has become something of an addiction, measured out by inspired planting of appropriate annuals, the names of which I note and discuss with the gardeners when I dare interrupt them.

Memorable events occur quite frequently during this walk: I once stumbled upon a proposal of marriage involving a beautiful young woman who once had worked for me; an elderly Chinese gentleman practises t’ai chi regularly at a certain spot and I imagine talking to him about the changes he has seen in his lifetime back home. I have seen a rare green woodpecker on the grass pecking boldly in plain sight, and hopeless ducks, silent, puffed up, marooned in the fountains, unable to find their way back to the ponds, so close by.

At the start of winter, while walking home one day, I got stuck in the park, with a group of other stragglers, as the gates locked with the onset of darkness. Rather than retreating the way I had come, I accepted the offer (from a rather good-looking stranger) of a lift down from the top of the gate. The atmosphere then was alive, exhilarating, with crowds heading for the Frieze Masters marquee. How different it all is now, in 2017. There’s a new mood, a new American president, a new era.

 

Musical interlude

Recently, Roger Vignoles – the glorious pianist and a close friend – was playing, as he often does, in a lunchtime concert recorded for Radio 3 around the corner from Broadcasting House at the Wigmore Hall, with the baritone Roddy Williams. French songs: Fauré, Poulenc, Honegger, with a handful from Caplet (the latter quite new to me). All thoughts of politics fled, giving way to “L’adieu en barque”, set late one summer’s day on the river, a moment to clear the fog, both within and enveloping us that day in London.

I left an hour later in clear sunshine, feeling smug because we have commissioned Roddy’s Choral ­History of Britain for Radio 4 later this year.

 

Power trip

Waiting for coffee to brew, I was discussing Book of the Week with Gill Carter, commissioning assistant on this slot, when my drama commissioner, Jeremy Howe, put his head round the door. “Clarke Peters (yes, the one from The Wire) is here reading The Underground Railroad for Book at Bedtime.” Assured, deep tones rang out from a tiny studio on the third floor. “I have to keep stopping,” he said, as I thanked him.

Who could not be overcome by this story of slavery and bravery at this moment in American history? I am so glad to bring it to listeners this month. “Can you help?” the producer pleaded as we left. “We’re about to be thrown out of the studio.” That’s real power, I thought, as ten minutes later Jeremy had conjured up the extra time.

Clarke Peters will be back in the autumn with a series about the real history of black music in the UK which, he says, is little understood.

 

Culture and anarchy

This is the time of year when we launch the commissioning round calling for big ideas for next year. It’s a humbling thing to stand in our beloved art-deco Radio Theatre in front of hundreds of programme-makers, hoping that they will be inspired to bring “the best which has been thought and said in the world” (my guiding principle from Matthew Arnold).

I try on these occasions to lay out a little of how I see the shape of the world in the commissioning period ahead. This year the Loneliness of the Long-Distance Runner overcame me. Better perhaps simply to outline the way we commissioned the first week of 2017 to catch the mood. T S Eliot, more or less all New Year’s Day, read by the formidable Jeremy Irons, raised an echo of the Thirties, then a factual series of considerable documentaries across the week described The New World, followed by writers around the globe Imagining the New Truth.

Finally, inspired by Twelfth Night and the spirit of misrule, the comedy writer John Finnemore, one of our favourites, took over as the Lord of Misrule himself.

The imaginative world and writers have never been more needed. Whether it is truth or post-truth, I suspect that dramatic, imagined and creative truth when properly achieved is probably the nearest we can ever get to truth itself.

 

Tuning in

It’s the week of Rajar. These are quarterly audience figures for radio. In the past few months, they tell us, over 11 million people have listened each week to BBC Radio 4, setting new records. Just under half are below our average age of 56 and 1.5 million are under 35. At the moment we seem to have over two million weekly visitors to the website and roughly 20 million monthly global downloads.

Who says young people don’t want intelligent content? Who says that dumbing down is the only way to attract big audiences? We at Radio 4 try to be all about smartening up. We mark Rajar Day (whether the numbers are up or down) with cake, so I make my way to Paul for two tarts, pear and blueberry this time.

Gwyneth Williams is the controller of BBC Radio 4

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times