The government is building a network of spies to make immigrants' lives impossible

Just try renting a house on a valid student visa after the latest proposals go through.

In the last four years, I have applied for three different types of visas and changed flats four times in the UK. Neither are prospects I ever look forward to. The last time I was searching for a flat was just a few months ago. I saw a cosy flat in Wapping and, walking around the canal and the pretty cobbled streets, decided to put down the "offer money". The landlord refused the offer on the grounds that I was on a student visa (I wasn't – I was on a post-study work visa, but not many people know the difference). I knew at the time that my housing and visa woes were not over.

So when I found another flat that I liked, I explained to the agents that I only had three months left on my current visa but was soon going to apply for a work visa sponsored by my employer. Luckily, I have a permanent job with a well-known employer and the agents accepted my explanation as a convincing one. But it was only that – luck. The agents could have just as easily rejected my explanation.

Every time I have looked for a flat, I have dreaded this situation. I can’t help but think how easily it could get worse if the proposals to make private landlords responsible for checking their tenants’ immigration status are implemented. It is no secret that housing is tight in London and so landlords have a lot more power and decision-making authority than tenants do. It is not unimaginable that if a measure making landlords liable for their tenants’ migrant status is introduced, landlords (and agents) would prefer to not let their properties to migrants at all to avoid "hassle".

These measures are among a number of absurd anti-immigration measures that have been discussed and proposed quite forcefully ever since the prospect of Romanians and Bulgarians being able to move to the UK to live and work has emerged. These have ranged from a negative publicity campaign (that is, "Don’t come to the UK! It’s a dump!") to not allowing children of illegal immigrants to attend schools in the country (because it’s completely the children’s fault for letting their parents come to the country and stay as illegal immigrants). The measures mentioned in the Queen’s speech, the third to be delivered since the Tories took charge, are yet more of the same.

The idea, if we are to draw any coherence in the proposed measures, seems to be to install proxy immigration officers within all vital services to make it difficult for migrants to stay in the country illegally and/or become "benefits tourists". However, the implications of these measures will be beyond just illegal immigrants; in practice, they will affect all immigrants (even the "good ones").

Any migrant in the UK (and I imagine in other countries too) will speak of how life seems to revolve around paperwork at every step of settling into some kind of normalcy – documents to prove your national identity, documents to prove your residence status, documents to prove your "leave to remain", documents to prove your finances and so on. Thankfully, one of the few places I haven’t been asked to produce my passport and visa in order to register is health centres. All I’ve ever been asked for is a proof of address (which is easy to produce, at least once the housing situation has been resolved). Healthcare is a basic human right and I have always liked to think that it is recognised as such in the UK which is why I don’t have to demonstrate the legality of my residence in the country to be able to see a GP.

But now there is speculation about even the NHS becoming another proxy immigration officer by being required to determine the status of migrants before allowing them access to treatment. Would this mean that with three months left on my visa, I would have either limited or no access to a GP? Worse, what would happen to vulnerable migrants, such as domestic workers, who often become "illegal immigrants" because of circumstances not under their control?

Under the new visa rules for migrant domestic workers, domestic workers are no longer allowed to change employers or the type of employment. Domestic workers are often made to work as slaves and abused by their employers. The most significant implication of these changes is that if a domestic worker runs away from the employer, they immediately become illegal immigrants – that is, if they try to escape violence and abuse, they face deportation. Requiring NHS to check residence status of migrants before offering them treatment would mean that healthcare would become yet another service they can’t turn to.

The government’s anti-immigration rhetoric is sloppy populism. The proposals have clearly not been thought through and demonstrate no understanding of current immigration issues, including those caused by the many complicated rules around visas. It needs to be recognised and acknowledged that migrant statuses are not always very straightforward. There are also more complicated situations, such as mine, where my visa was about to run out and I knew I’d apply for a new one but had no evidence to prove that. Or, more importantly, such as that of migrant domestic workers who have to often choose to put up with abuse to continue living in the country to support their families back home.

Obviously, with such complicated situations, the distinction between the "good hardworking legal immigrant" and the "bad illegal leaching immigrant" is not always a clear one, but this anti-immigration discourse creates and contributes to the sentiment that all immigrants are bad, undesirable and to be suspected and scrutinised all the time.

This growing web of proxy immigration officers – schools, landlords, NHS – not only belies the incompetence of the Border Agency but is also immorally and unashamedly targeting basic human rights without any relevance to or understanding of the practical situation. What’s going to be next? Show your resident card before you can buy food?

Papers, please… Photograph: Getty Images

Asiya Islam is a feminist blogger and currently works as equality and diversity adviser at the London School of Economics. She tweets as @asiyaislam.

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How “cli-fi” novels humanise the science of climate change

The paradox is that the harder climate-fiction novels try, the less effective they are.

When the Paris UN Climate Change Conference begins at the end of November, the world’s leaders will review the climate framework agreed in Rio in 1992. For well over 20 years, the world has not just been thinking and talking about climate change, it has also been writing and reading about it, in blogs, newspapers, magazines – and in novels.

Climate change fiction is now a recognisable literary phenomenon replete with its own nickname: “cli-fi”. The term was coined in 2007 by Taiwan-based blogger Dan Bloom. Since then, its use has spread: it was even tweeted by Margaret Atwood in 2013:

It is not a genre in the accepted scholarly sense, since it lacks the plot formulas or stylistic conventions that tend to define genres (such as science fiction or the western). However, it does name a remarkable recent literary and publishing trend.

A 21st-century phenomenon?

Putting a number to this phenomenon depends, partly, on how one defines cli-fi. How much of a novel has to be devoted to climate change before it is considered cli-fi? Should we restrict the term to novels about man-made global warming? (If we don’t, we should remember that narratives about global climatic change are as old as The Epic of Gilgamesh and the Biblical story of the flood.) If we define cli-fi as fictional treatments of climate change caused by human activity in terms of setting, theme or plot – and accept there will be grey areas in the extent of this treatment – a conservative estimate would put the all-time number of cli-fi novels at 150 and growing. This is the figure put forward by Adam Trexler, who has worked with me to survey the development of cli-fi.

This definition also gives us a start date for cli-fi’s history. While planetary climatic change occurs in much 20th-century science fiction, it is only after growing scientific awareness of specifically man-made, carbon-induced climate change in the 1960s and 1970s that novels on this subject emerged. The first is Arthur Herzog’s Heat in 1976, followed by George Turner’s The Sun and the Summer (published in the US as Drowning Towers) in 1987.

At the turn of this century, Maggie Gee and TC Boyle were among the first mainstream authors to publish climate change novels. In this century, we can count Atwood, Michael Crichton, Barbara Kingsolver, Ian McEwan, Kim Stanley Robinson, Ilija Trojanow and Jeanette Winterson as major authors who have written about climate change. The past five years have given us notable examples of cli-fi by emerging authors, such as Steven Amsterdam, Edan Lepucki, Jane Rawson, Nathaniel Rich and Antti Tuomainen.

Creative challenges

Cli-fi is all the more noteworthy considering the creative challenge posed by climate change. First, there is the problem of scale – spatial and temporal. Climate change affects the entire planet and all its species – and concerns the end of this planet as we know it. Novels, by contrast, conventionally concern the actions of individual protagonists and/or, sometimes, small communities.

Added to this is the networked nature of climate change: in physical terms, the climate is a large, complex system whose effects are difficult to model. In socio-cultural terms, solutions require intergovernmental agreement – just what COP21 intends – and various top-down and bottom-up transformations. Finally, there exists the difficulty of translating scientific information, with all its predictive uncertainty, into something both accurate and interesting to the average reader.

Still, cli-fi writers have adopted a range of strategies to engage their readers. Many cli-fi novels could be classified as dystopian, post-apocalyptic or, indeed, both – depicting nightmarish societies triggered by sometimes catastrophic climate events. A future world is one effective way of narrating the planetary condition of climate change.

Some novelists are also careful to underpin their scenarios with rigorous climatic predictions and, in this way, translate science fact into a fictional setting. Kingsolver, who trained as an ecologist, is the best example of this – and Atwood and Robinson are also known for their attempts at making their speculations scientifically plausible. Also, cli-fi novels, particularly those set in the present day or very near future rather than in a dystopian future, tend to show the political or psychological dimensions of living with climate change. Readers can identify with protagonists. To some extent, the global community is represented in fictional everymen or everywomen. Or, often, it is through such characters that science is humanised and its role in combating climate change better understood.

Can cli-fi lead to change?

Could cli-fi affect how we think and act on climate change? The paradox is that the harder cli-fi tries, the less effective it is. Many writers want to inspire change, not insist on it: the line between literature and propaganda is one that most novelists respect. Literature invites us to inhabit other worlds and live other lives. Cli-fi at its best lets us travel to climate-changed worlds, to strive there alongside others and then to return armed with that experience.

In Paris, the UN will seek a global agreement on climate action for the first time in more than 20 years. There is plenty of climate change fiction out there to help provide the mental and psychological space to consider that action.

The Conversation

Adeline Johns-Putra, Reader in English Literature, University of Surrey

This article was originally published on The Conversation. Read the original article.