Iain Duncan Smith "hits back" at the left, misses, smacks self in face

5 ways in which the Daily Mail just demonised Iain Duncan Smith.

In today's Daily Mail is a piece in the defence of Iain Duncan Smith against the left. Well, that's what the headline says it is - "Iain Duncan Smith Hits Back At The Left".  But start reading the piece itself and you begin to see the defence is rather double-edged. More of a skewering, really, than a defence. Read on, and you realise the piece is actually a masterclass in the art of damning by faint praise - these people know what they're doing, by God, and they're doing it well. Get to the end, and your thoughts have actually come full circle - the piece IS hitting back at the left -  it's showing the left how it's done. The left, the piece suggests, have been trying their hardest to demonise this man, and they've got nowhere. Here though, it seems to continue, is how to do it. This, right here in your vegan, roll-up stained hands is the definitive template for taking down a Tory MP. Let's just break it down again, for those slower lefties at the back:

First, ignore any defence of Iain Duncan Smith that might actually work - his principles, his intelligence, or the difficult nature of his job - or if you have to just give them a passing mention. Focus on his poverty. Yes, make a real case for this now rich man having at one point been poor (although he wasn't actually that poor).

Second, when bringing up the time he was poor, be careful to stress the ways in which he was better off than the average benefits claimant. For example, that he had somewhere to live, free of charge:

During those days of hardship, he would leave the house each morning and go looking for work, only returning in the evening after his future wife, Betsy Fremantle, had arrived home from her secretarial job.

The honest truth is that I lived illegally with Betsy in the bedsit, trying to pretend I was not there. I didn’t have any money, which is why I tried to avoid the landlady,’ recalls Duncan Smith.

Point out exactly why he makes an easy target now, and then pair that with a comically weak defence:

Fortunately for his enemies, he makes an easy target because he lives today in a £2 million 16th-century house in acres of farmland in Buckinghamshire.

He does not own the house, which belongs to his in-laws Lord and Lady Cottesloe, nor will he inherit it. He moved in a decade ago when Betsy’s parents, who are in their 80s and in frail health, couldn’t manage the property.

The personal vilification we have endured over where we live is outrageous,’ he says. ‘I am not involved in the property and Betsy does not have a financial interest. We don’t get a bean from the farm and have never drawn any income from her parents.’

In fact, screw it: you can't have too much lavish description of his wealth (or too much comic bathos to follow):

It was home to Sir Thomas Fremantle, an admiral who served with Lord Nelson in the Napoleonic wars, and whose son, also called Thomas, was a Conservative politician and the first Baron Cottesloe.

Betsy’s grandfather, the 4th Lord Cottesloe, was the unpaid chairman of the Arts Council and instrumental in the creation of the National Theatre. One of the National’s three theatres bears the Cottesloe name.

Duncan Smith says: ‘It is upsetting when they keep on about our privileged lifestyle. When times got tough we adjusted our spending accordingly.’

Make sure any points you make in this piece in his defence can be undermined by something you wrote earlier:

Duncan Smith knows the personal abuse will continue and that the Left will continue to exaggerate his wealth. In fact, the only property he owns is a one-bedroom former council flat in London.

..and from the Mail in 2001:

And for the final flourish, every time you suggest he is poor, make sure you "contextualise" this poverty in the right way. He's poor because he spent all his money from the yacht sale on soufflés, or he's poor because he spent all of his trust fund on skiing holidays, or...

Most of the money from the sale of their Fulham home, after they moved in with their in-laws, was spent on their children’s private education. Their eldest son went to a state primary school and won a scholarship to Eton.

Daily Mail, you have done us proud.

Iain Duncan Smith. Photograph: Getty Images

Martha Gill writes the weekly Irrational Animals column. You can follow her on Twitter here: @Martha_Gill.

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The UK press’s timid reaction to Brexit is in marked contrast to the satire unleashed on Trump

For the BBC, it seems, to question leaving the EU is to be unpatriotic.

Faced with arguably their biggest political-cum-constitutional ­crisis in half a century, the press on either side of the pond has reacted very differently. Confronting a president who, unlike many predecessors, does not merely covertly dislike the press but rages against its supposed mendacity as a purveyor of “fake news”, the fourth estate in the US has had a pretty successful first 150-odd days of the Trump era. The Washington Post has recovered its Watergate mojo – the bloodhound tenacity that brought down Richard Nixon. The Post’s investigations into links between the Kremlin and Donald Trump’s associates and appointees have yielded the scalp of the former security adviser Michael Flynn and led to Attorney General Jeff Sessions recusing himself from all inquiries into Trump-Russia contacts. Few imagine the story will end there.

Meanwhile, the New York Times has cast off its image as “the grey lady” and come out in sharper colours. Commenting on the James Comey memo in an editorial, the Times raised the possibility that Trump was trying to “obstruct justice”, and called on Washington lawmakers to “uphold the constitution”. Trump’s denunciations of the Times as “failing” have acted as commercial “rocket fuel” for the paper, according to its CEO, Mark Thompson: it gained an “astonishing” 308,000 net digital news subscriptions in the first quarter of 2017.

US-based broadcast organisations such as CNN and ABC, once considered slick or bland, have reacted to Trump’s bullying in forthright style. Political satire is thriving, led by Saturday Night Live, with its devastating impersonations of the president by Alec Baldwin and of his press secretary Sean Spicer by the brilliant Melissa McCarthy.

British press reaction to Brexit – an epic constitutional, political and economic mess-up that probably includes a mind-bogglingly destructive self-ejection from a single market and customs union that took decades to construct, a move pushed through by a far-right faction of the Tory party – has been much more muted. The situation is complicated by the cheerleading for Brexit by most of the British tabloids and the Daily Telegraph. There are stirrings of resistance, but even after an election in which Theresa May spectacularly failed to secure a mandate for her hard Brexit, there is a sense, though the criticism of her has been intense, of the media pussy-footing around a government in disarray – not properly interrogating those who still seem to promise that, in relation to Europe, we can have our cake and eat it.

This is especially the case with the BBC, a state broadcaster that proudly proclaims its independence from the government of the day, protected by the famous “arm’s-length” principle. In the case of Brexit, the BBC invoked its concept of “balance” to give equal airtime and weight to Leavers and Remainers. Fair enough, you might say, but according to the economist Simon Wren-Lewis, it ignored a “near-unanimous view among economists that Brexit would hurt the UK economy in the longer term”.

A similar view of “balance” in the past led the BBC to equate views of ­non-scientific climate contrarians, often linked to the fossil-fuel lobby, with those of leading climate scientists. Many BBC Remainer insiders still feel incensed by what they regard as BBC betrayal over Brexit. Although the referendum of 23 June 2016 said nothing about leaving the single market or the customs union, the Today presenter Justin Webb, in a recent interview with Stuart Rose, put it like this: “Staying in the single market, staying in the customs union – [Leave voters would say] you might as well not be leaving. That fundamental position is a matter of democracy.” For the BBC, it seems, to question Brexit is somehow to be unpatriotic.

You might think that an independent, pro-democratic press would question the attempted use of the arcane and archaic “royal prerogative” to enable the ­bypassing of parliament when it came to triggering Article 50, signalling the UK’s departure from the EU. But when the campaigner Gina Miller’s challenge to the government was upheld by the high court, the three ruling judges were attacked on the front page of the Daily Mail as “enemies of the people”. Thomas Jefferson wrote that he would rather have “newspapers without a government” than “a government without newspapers”. It’s a fair guess he wasn’t thinking of newspapers that would brand the judiciary as “enemies of the people”.

It does seem significant that the United States has a written constitution, encapsulating the separation and balance of powers, and explicitly designed by the Founding Fathers to protect the young republic against tyranny. When James Madison drafted the First Amendment he was clear that freedom of the press should be guaranteed to a much higher degree in the republic than it had been in the colonising power, where for centuries, after all, British monarchs and prime ministers have had no qualms about censoring an unruly media.

By contrast, the United Kingdom remains a hybrid of monarchy and democracy, with no explicit protection of press freedom other than the one provided by the common law. The national impulse to bend the knee before the sovereign, to obey and not question authority, remains strangely powerful in Britain, the land of Henry VIII as well as of George Orwell. That the United Kingdom has slipped 11 places in the World Press Freedom Index in the past four years, down to 40th, has rightly occasioned outrage. Yet, even more awkwardly, the United States is three places lower still, at 43rd. Freedom of the press may not be doing quite as well as we imagine in either country.

Harry Eyres is the author of Horace and Me: Life Lessons from an Ancient Poet (2013)

This article first appeared in the 20 July 2017 issue of the New Statesman, The new world disorder