Revealed: how Osborne misled MPs over the deficit

The Chancellor said that borrowing was forecast to fall this year but the small print of the Office for Budget Responsibility document suggests otherwise.

Against expectations, George Osborne announced in his Budget speech that the deficit was forecast to fall "this year and next". He insisted that this was the case even if special factors (such as the transfer of the Royal Mail pension fund) are excluded. 

But scour the small print of the Office for Budget Responsibility document and it emerges that the Chancellor misled the House. As Table 4.36 shows, "excluding Royal Mail, APF and SLS transfers" (the final column), borrowing is forecast to rise from £121bn in 2011-12 to £123.2bn in 2012-13. As in last year's Autumn Statement, when he banked the 4G receipts early, Osborne has once again relied on smoke and mirrors to disguise his fiscal failings. 

This isn't mere pedantry; consistent deficit reduction is crucial to Osborne's narrative that "we're on the right track". But as the figures below show, that is far from the case. 

George Osborne poses for pictures outside 11 Downing Street in London before the Budget. Photograph: Getty Images.

George Eaton is political editor of the New Statesman.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.