Feminists: beware ‘the decoy effect’

The success of a few outlying women does not mean that the struggle is over.

Over the past few decades, the passive wife, mother and hostess has been replaced across mainstream cultural forums by a more assertive and sexually empowered woman. This more confident expression of femininity suggests that women could do or be anything they wanted. Yet this portrayal of the new empowered woman is often hollow, with her choices narrowly centred on shopping, marriage and babies.

IPPR’s new report on the future of feminism reveals a pervading unease about the portrayal of women in public and cultural life, and about the values and views promoted by the media and popular culture among young men and women. Some of the women we interviewed were concerned that the media and ‘celebrity culture’ reinforce traditional gender norms and promote an increasingly narrow way to be a woman, while the realities of women’s lives are rarely represented.

There was consistent concern that, rather than promoting resilience and confidence among women, elements of the media play on and drive women’s anxieties about the way they look. The scrutiny of female celebrities’ appearance in magazines was seen as confusing and suggests that women ‘can never get it right’. Some minority ethnic women raised concerns about the dominance of white beauty norms, and the lucrative sale of damaging hair-straightening and skin-whitening products.

The debate about the representation of women in cultural life has taken on a new dimension in recent years. Across all ages, generations and backgrounds, women expressed concern about the sexualisation of women in popular culture. The portrayal of women in lads’ mags, celebrity culture and pornography was seen to promote an unrealistic view of women’s bodies and of sex. It wasn’t nudity, or even pornography, that offended most of the women we interviewed, but the way in which women are portrayed as objects, reduced to the sum of their body parts – in the words of one woman, ‘as if that’s all we’re good for’. A core concern is the impact on teenage relationships, and the disturbing rise of ‘sexting’, where young people are encouraged to text explicit photos of themselves to their partners, which are in some cases shared more widely or used as leverage in the relationship.

This is what women told us:

“It went from empowering women, to women are just items again. It’s gotten even worse, because women are just portrayed as if they’re just a piece of meat … It’s dead, it’s cold. We’re not even human beings – it’s just, equality’s just gone well out the window.”

Aged 19, Greater Manchester

“I mean nudity itself – there’s nothing wrong with the human body, it’s a wonderful machine. It’s never been bettered anyway, even with a computer! I think the human body is a wonderful thing, and to desecrate it in this way … If you don’t legislate to limit the publication you have to balance that with education to teach these young girls to be proud of their bodies and not to flaunt it in a provocative way, but to be proud of themselves.”

Aged 73, East Yorkshire

“In the magazines, it’s all to do with diet, for women it’s all to do with weight and being conscious of how you look and your appearance … [I’d like to see] successful women, but successful because of their career, not just because their parents are rich. And I’d like it if there was as well, maybe, nothing to do with how you look.”

Aged 17, London

Concern about the portrayal of women in everyday culture appears to have helped drive a feminist renaissance that takes a far broader view than the focus on high-powered role models which permeates mainstream debates. The emergence of new feminist thinkers and writers and the rise of media campaigns tackling sexist advertising and sexualised norms also offer opportunities to harness consumer concerns.

There is a clear risk of the portrayal of more empowered women creating a decoy effect, giving the illusion that women have ‘made it’. Instead, feminism should focus on breaking down stereotypes, to show that there is more than one way to be a girl – or a boy – and reflecting the realities of growing up and growing older in today’s world.

Richard Darlington is Head of News and Dalia Ben-Galim is Associate Director at IPPR

Francois Hollande and ministers at a breakfast for women's rights. Photo: Getty

Dalia Ben-Galim is Director of Policy at Gingerbread. 

ELLIE FOREMAN-PECK FOR NEW STATESMAN
Show Hide image

Craig Oliver, Cameron's attack dog, finally bites

A new book reveals the spiteful after life of Downing Street's unlikely spin doctor.

It must be hard being a spin doctor: always in the shadows but always on-message. The murky control that the role requires might explain why David Cameron’s former director of communications Craig Oliver has rushed out his political memoirs so soon after his boss left Downing Street. Now that he has been freed from the shackles of power, Oliver has chosen to expose the bitterness that lingers among those on the losing side in the EU referendum.

The book, which is aptly titled Unleashing Demons, made headlines with its revelation that Cameron felt “badly let down” by Theresa May during the campaign, and that some in the Remain camp regarded the then home secretary as an “enemy agent”. It makes for gripping reading – yet seems uncharacteristically provocative in style for a man who eschewed the sweary spin doctor stereotype, instead advising Cameron to “be Zen” while Tory civil war raged during the Brexit campaign.

It may be not only politicians who find the book a tough read. Oliver’s visceral account of his side’s defeat on 24 June includes a description of how he staggered in a daze down Whitehall until he retched “harder than I have done in my life. Nothing comes up. I retch again – so hard, it feels as if I’ll turn inside out.”

It’s easy to see why losing hit Oliver – who was knighted in Cameron’s resignation honours list – so hard. Arguably, this was the first time the 47-year-old father-of-three had ever failed at anything. The son of a former police chief constable, he grew up in Scotland, went to a state school and studied English at St Andrews University. He then became a broadcast journalist, holding senior posts at the BBC, ITV and Channel 4.

When the former News of the World editor Andy Coulson resigned as No 10’s communications director in January 2011 because of unceasing references in the press to his alleged involvement in the phone-hacking scandal, Oliver was not the obvious replacement. But he was seen as a scandal-free BBC pen-pusher who exuded calm authority, and that won him the job. The Cameron administration, tainted by its association with the Murdoch media empire, needed somebody uncontroversial who could blend into the background.

It wasn’t just Oliver’s relative blandness that recommended him. At the BBC, he had made his name revamping the corporation’s flagship News at Ten by identifying the news angles that would resonate with Middle England. The Conservatives then put this skill to very good use during their 2015 election campaign. His broadcast expertise also qualified him to sharpen up the then prime minister’s image.

Oliver’s own sense of style, however, was widely ridiculed when he showed up for his first week at Downing Street looking every inch the metropolitan media male with a trendy man bag and expensive Beats by Dre headphones, iPad in hand.

His apparent lack of political affiliation caused a stir at Westminster. Political hacks were perplexed by his anti-spin attitude. His style was the antithesis of the attack-dog mode popularised by Alastair Campbell and Damian McBride in the New Labour years. As Robert Peston told the Daily Mail: “Despite working closely with Oliver for three years, I had no clue about his politics or that he was interested in politics.” Five years on, critics still cast aspersions and question his commitment to the Conservative cause.

Oliver survived despite early wobbles. The most sinister of these was the allegation that in 2012 he tried to prevent the Daily Telegraph publishing a story about expenses claimed by the then culture secretary, Maria Miller, using her links to the Leveson inquiry as leverage – an accusation that Downing Street denied. Nevertheless, he became indispensable to Cameron, one of a handful of trusted advisers always at the prime minister’s side.

Newspapers grumbled about Oliver’s preference for broadcast and social media over print. “He’s made it clear he [Oliver] doesn’t give a s*** about us, so I don’t really give a s*** about him,” a veteran correspondent from a national newspaper told Politico.

Yet that approach was why he was hired. There was the occasional gaffe, including the clumsy shot of a stern-looking Cameron, apparently on the phone to President Obama discussing Putin’s incursion into Ukraine, which was widely mocked on Twitter. But overall, reducing Downing Street’s dependence on print media worked: Scotland voted against independence in 2014 and the Tories won a majority in the 2015 general election.

Then came Brexit, a blow to the whole Cameroon inner circle. In his rush to set the record straight and defend Cameron’s legacy – as well as his own – Oliver has finally broken free of the toned-down, straight-guy persona he perfected in power. His memoir is spiteful and melodramatic, like something straight from the mouth of Malcolm Tucker in The Thick of It. Perhaps, with this vengeful encore to his mild political career, the unlikely spin doctor has finally fulfilled his potential. 

This article first appeared in the 29 September 2016 issue of the New Statesman, May’s new Tories