As the North of England's arts and culture is gutted, the London-centric press looks away

Newcastle is to cut 100% of its art funding, but the southern-dominated media can't report it.

At the end of 2011, I signed on at Newcastle City Jobcentre Plus. Because of unusually high service demand, I was given a monthly seven-minute appointment on the fourth floor, halfway up an imposing building that teemed with the freshly down-and-out. Newcastle was grey, perpetually raining, and terminally pessimistic. Down on the second floor, two of my middle-aged relatives, recently made redundant, were signing on too.

For the next six months, I regularly stood in a long queue of fellow twentysomethings, all bemoaning the system that was demonstrably failing us with a poignant sense of camaraderie. That Christmas, I went round every shop in the city centre and dropped off my CV when they began to advertise holiday vacancies; out of 27 stores, not one even called me in for an interview. This stung not just because I’d just graduated from UCL and therefore considered myself academically overqualified, but because I’d spent my university years working part-time in retail. My CV had been constructed around a Jobcentre template for the sector and I didn’t mind the unspoken criteria (often actually voiced if you got to speak to the manager) of being easily laid off in January; I just wanted enough money to return to London, which I’d been driven out of, post-graduation, by skyrocketing rent.

This story was familiar to most of those twentysomethings in the self-styled Queue of Little Hope. Like me, they were northerners who had defected to the south and been left gobsmacked by the relative levels of opportunity there. Those of us who wanted careers in the media knew that the requisite networking, the schmooze-and-boozing, the right-place-right-timing, had to be done in the big city. Unemployment in the North East was high, and wages were low. A girl that I met in the Jobcentre line, who eventually found herself employment with an advertising agency, then reluctantly picked up sex work to supplement her wage. The full-time job she’d been shunted into left her with £15 per week after bills and rent – and strip clubs were stepping up their recruitment drives in the wake of so many disillusioned, penniless female "NEETs" (young people not in education, employment or training) returning home.

Recession tales like this are now, unfortunately, fairly commonplace. But Newcastle has made the headlines in the last few weeks for one very conspicuous decision: to cut 100 per cent of its own arts funding. This sticks out as a particular example of cruelty in a city which had only recently benefited from what many lauded as a cultural regeneration (in 2011, the Turner Prize was hosted by the Baltic Gallery on the local quayside.) Councillor Nick Forbes has already defended the contentious figures behind his reasoning for them in this magazine, and conspiracies about how his own ambitions affected his decisions have been rife. But all of this reporting and speculation has been done in a tone symptomatic of how the London-dominated media speaks about the north: with little actual outrage, and a lot of head-shaking and resigned passivity in its place.

Newcastle will be a "test city" for withdrawal of all arts funding, journalists have suggested; the capital of the North East, razed of its accessible culture and its previously abundant community projects, will be a physical scar on the face of austerity Britain. A commenter on one such article accused Forbes of "martyring a city to prove a political point" – and there’s no doubt that the gravity, the total and profound finality, of 100 per cent as a quantity has attracted attention. It speaks loudly and clearly of the reality of coalition government cuts across the UK, and their often disproportionate effect on the north. When it comes to proposing real action, though, the protests are left to individual institutions in Newcastle itself, bar a few Geordie celebrities who have attempted to generate national interest in a petition they created themselves.

A comprehensive breakdown of Newcastle, presented in statistics and wildly depressing pie-charts on the local council’s website, seems like the numerical manifestation of the old adage "it’s grim up north." Just under a third of Geordie children live in poverty, with 26 per cent qualifying for free school meals. The city’s own internal inequalities are stark: the difference in male life expectancy between the relatively affluent area of South Gosforth compared to the relatively deprived area of Byker is a staggering 12.6 years. In other words, this is no place for southerners’ apathy. It is the place and the time for those with the clear media advantage to stand up for their counterparts. Some publications have been kind enough to pick Newcastle up of late, dust it off, and wonder loudly whether the city will show us all how terrible our national economic situation really is. But the overall impression remains that these particular cuts are an unfortunate but interesting social experiment to keep a sympathetic eye on, rather than a cause worth championing. The apparently politically conscious and fairly diverse cross-section of Londoners I now rub shoulders with were mostly unaware of the North East’s arts situation when I asked them this week.

Part of the problem is undoubtedly that reporters themselves are very rarely from or living in Newcastle. Northerners have always been rare in the national press, and if publications have deigned to have an actual Geordie write a piece on the latest crisis, it has almost always been as a one-off piece rather than by a regular contributor. The Guardian has a blog entitled The Northerner, as if to hammer home how out-of-place that species is in a national newspaper. And the "call to arms" type of reporting that might have dominated front pages if such cuts had been made in London are replaced by vague conceptualising, amused celebrity-chasing, and comment pieces on whether Forbes really is really enacting a self-serving strategy. Meanwhile, High Heaton Library – where my mother became the first of her family to complete an A Level assignment, down the road from my grandparents’ cramped and overcrowded council house – prepares to close its doors.

In Newcastle, where the educational output is well below the national average, accessibility to the arts is vital. It bleeds into every area of life for children who, for the most part, don’t benefit from drama clubs, LAMDA courses, and extracurricular debating societies in their oversubscribed state schools packed with children from low income backgrounds. Down the road, Newcastle University now boasts one of the most academically prestigious - along with one of the most privately educated cohorts - of all higher education institutions across the UK. The wealthy area of Jesmond is now dominated by student housing that has become too expensive for most other residents to afford. In no other British city is such a discrepancy in socio-cultural opportunity more obvious.

Outside the galleries in Newcastle now, sad flyers that plead "NOT 100%" are fluttering in a cold February breeze. The fourth floor of the Jobcentre still boasts a lengthy queue. The north of England has always seemed strangely far away from the south, much further in the collective mind than it ever could be geographically – and it has never seemed so far removed. Will libraries in Heaton and Byker close? Probably. The council continues to hold its final consultations, but the local mood is changing. And sadly, it feels like it will be a very long time until the concerns or the achievements of the North East find their way into the national news again.

Photograph: Getty Images
Holly Baxter is a freelance journalist who writes regularly for The Guardian and The New Statesman. She is also one half of The Vagenda and releases a book on the media in May 2014.
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The Manchester attack will define this election: Broadcasters have a careful line to tread

It's right that the government should be given a chance to respond, but they must not be allowed to use it to campaign.

Every election campaign has its story, its place in the political history of this country. 2017 will forever be known for Manchester and the horror of the attack on Britain's young; and fighting terrorism will be a theme, overt or underlying, of what we see and hear between now and polling day.

The broadcasters have covered the events comprehensively yet sensitively. But they are aware that we're in an election campaign too; and when other news drives aside the carefully-balanced campaign formats, ministerial appearances give them a dilemma.

The fact is that what the Prime Minister and Home Secretary are doing in response to Manchester is newsworthy. It was Theresa May's duty to implement the recommendations of her security advisers on the elevation of the terror alert, and it would have been unthinkable for the news channels not to broadcast her various statements.

But it is also true that, if the bomb hadn't been detonated, Tuesday would have been a day in which the PM would have been under relentless damaging scrutiny for her u-turn on social care. All the opposition parties would have been in full cry across the airwaves. Yet in the tragic circumstances we found ourselves, nobody could argue that Downing Street appearances on the terror attack should prompt equal airtime for everyone from Labour to Plaid Cymru.

There are precedents for ministers needing to step out of their party roles during a campaign, and not be counted against the stopwatch balance of coverage. Irish terrorism was a factor in previous elections and the PM or Northern Ireland secretary were able to speak on behalf of the UK government. It applied to the foot and mouth epidemic that was occupying ministers' time in 2001. Prime ministers have gone to foreign meetings before, too. Mrs Thatcher went to an economic summit in photogenic Venice with her soulmate Ronald Reagan three days before the 1987 election, to the irritation of Neil Kinnock.

There are plenty of critics who will be vigilant about any quest for party advantage in the way that Theresa May and Amber Rudd now make their TV and radio appearances; and it’s inevitable that a party arguing that it offers strength and stability will not object to being judged against these criteria in extreme and distressing times.

So it's necessary for both broadcasters and politicians to be careful, and there are some fine judgements to be made. For instance, it was completely justifiable to interview Amber Rudd about the latest information from Manchester and her annoyance with American intelligence leaks. I was less comfortable with her being asked in the same interview about the Prevent strategy, and with her response that actions would follow "after June", which edges into party territory and would be a legitimate area to seek an opposition response.

When the campaigning resumes, these challenges become even greater. Deciding when the Prime Minister is speaking for the government and nation, or when she is leader of the Conservative Party, will never be black and white. But I would expect to see the broadcast bulletins trying to draw clearer lines about what is a political report and what is the latest from Manchester or from G7. They must also resist any efforts to time ministerial pronouncements with what's convenient for the party strategists' campaign grid.

There might also usefully be more effort to report straight what the parties are saying in the final days, with less spin and tactical analysis from the correspondents. The narrative of this election has been changed by tragedy, and the best response is to let the politicians and the public engage as directly as possible in deciding what direction the nation should now take.

Roger Mosey is the Master of Selwyn College, Cambridge. He was formerly editorial director and the director of London 2012 at the BBC.

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