As the North of England's arts and culture is gutted, the London-centric press looks away

Newcastle is to cut 100% of its art funding, but the southern-dominated media can't report it.

At the end of 2011, I signed on at Newcastle City Jobcentre Plus. Because of unusually high service demand, I was given a monthly seven-minute appointment on the fourth floor, halfway up an imposing building that teemed with the freshly down-and-out. Newcastle was grey, perpetually raining, and terminally pessimistic. Down on the second floor, two of my middle-aged relatives, recently made redundant, were signing on too.

For the next six months, I regularly stood in a long queue of fellow twentysomethings, all bemoaning the system that was demonstrably failing us with a poignant sense of camaraderie. That Christmas, I went round every shop in the city centre and dropped off my CV when they began to advertise holiday vacancies; out of 27 stores, not one even called me in for an interview. This stung not just because I’d just graduated from UCL and therefore considered myself academically overqualified, but because I’d spent my university years working part-time in retail. My CV had been constructed around a Jobcentre template for the sector and I didn’t mind the unspoken criteria (often actually voiced if you got to speak to the manager) of being easily laid off in January; I just wanted enough money to return to London, which I’d been driven out of, post-graduation, by skyrocketing rent.

This story was familiar to most of those twentysomethings in the self-styled Queue of Little Hope. Like me, they were northerners who had defected to the south and been left gobsmacked by the relative levels of opportunity there. Those of us who wanted careers in the media knew that the requisite networking, the schmooze-and-boozing, the right-place-right-timing, had to be done in the big city. Unemployment in the North East was high, and wages were low. A girl that I met in the Jobcentre line, who eventually found herself employment with an advertising agency, then reluctantly picked up sex work to supplement her wage. The full-time job she’d been shunted into left her with £15 per week after bills and rent – and strip clubs were stepping up their recruitment drives in the wake of so many disillusioned, penniless female "NEETs" (young people not in education, employment or training) returning home.

Recession tales like this are now, unfortunately, fairly commonplace. But Newcastle has made the headlines in the last few weeks for one very conspicuous decision: to cut 100 per cent of its own arts funding. This sticks out as a particular example of cruelty in a city which had only recently benefited from what many lauded as a cultural regeneration (in 2011, the Turner Prize was hosted by the Baltic Gallery on the local quayside.) Councillor Nick Forbes has already defended the contentious figures behind his reasoning for them in this magazine, and conspiracies about how his own ambitions affected his decisions have been rife. But all of this reporting and speculation has been done in a tone symptomatic of how the London-dominated media speaks about the north: with little actual outrage, and a lot of head-shaking and resigned passivity in its place.

Newcastle will be a "test city" for withdrawal of all arts funding, journalists have suggested; the capital of the North East, razed of its accessible culture and its previously abundant community projects, will be a physical scar on the face of austerity Britain. A commenter on one such article accused Forbes of "martyring a city to prove a political point" – and there’s no doubt that the gravity, the total and profound finality, of 100 per cent as a quantity has attracted attention. It speaks loudly and clearly of the reality of coalition government cuts across the UK, and their often disproportionate effect on the north. When it comes to proposing real action, though, the protests are left to individual institutions in Newcastle itself, bar a few Geordie celebrities who have attempted to generate national interest in a petition they created themselves.

A comprehensive breakdown of Newcastle, presented in statistics and wildly depressing pie-charts on the local council’s website, seems like the numerical manifestation of the old adage "it’s grim up north." Just under a third of Geordie children live in poverty, with 26 per cent qualifying for free school meals. The city’s own internal inequalities are stark: the difference in male life expectancy between the relatively affluent area of South Gosforth compared to the relatively deprived area of Byker is a staggering 12.6 years. In other words, this is no place for southerners’ apathy. It is the place and the time for those with the clear media advantage to stand up for their counterparts. Some publications have been kind enough to pick Newcastle up of late, dust it off, and wonder loudly whether the city will show us all how terrible our national economic situation really is. But the overall impression remains that these particular cuts are an unfortunate but interesting social experiment to keep a sympathetic eye on, rather than a cause worth championing. The apparently politically conscious and fairly diverse cross-section of Londoners I now rub shoulders with were mostly unaware of the North East’s arts situation when I asked them this week.

Part of the problem is undoubtedly that reporters themselves are very rarely from or living in Newcastle. Northerners have always been rare in the national press, and if publications have deigned to have an actual Geordie write a piece on the latest crisis, it has almost always been as a one-off piece rather than by a regular contributor. The Guardian has a blog entitled The Northerner, as if to hammer home how out-of-place that species is in a national newspaper. And the "call to arms" type of reporting that might have dominated front pages if such cuts had been made in London are replaced by vague conceptualising, amused celebrity-chasing, and comment pieces on whether Forbes really is really enacting a self-serving strategy. Meanwhile, High Heaton Library – where my mother became the first of her family to complete an A Level assignment, down the road from my grandparents’ cramped and overcrowded council house – prepares to close its doors.

In Newcastle, where the educational output is well below the national average, accessibility to the arts is vital. It bleeds into every area of life for children who, for the most part, don’t benefit from drama clubs, LAMDA courses, and extracurricular debating societies in their oversubscribed state schools packed with children from low income backgrounds. Down the road, Newcastle University now boasts one of the most academically prestigious - along with one of the most privately educated cohorts - of all higher education institutions across the UK. The wealthy area of Jesmond is now dominated by student housing that has become too expensive for most other residents to afford. In no other British city is such a discrepancy in socio-cultural opportunity more obvious.

Outside the galleries in Newcastle now, sad flyers that plead "NOT 100%" are fluttering in a cold February breeze. The fourth floor of the Jobcentre still boasts a lengthy queue. The north of England has always seemed strangely far away from the south, much further in the collective mind than it ever could be geographically – and it has never seemed so far removed. Will libraries in Heaton and Byker close? Probably. The council continues to hold its final consultations, but the local mood is changing. And sadly, it feels like it will be a very long time until the concerns or the achievements of the North East find their way into the national news again.

Photograph: Getty Images
Holly Baxter is a freelance journalist who writes regularly for The Guardian and The New Statesman. She is also one half of The Vagenda and releases a book on the media in May 2014.
Anoosh Chakelian
Show Hide image

“We need an anti-Conservative force”: Nick Clegg wants to work with Labour after the election

On the campaign trail in Sheffield Hallam, the former Deputy Prime Minister talks about how to challenge Brexit and the “Boudicca” Theresa May.

It’s pouring with rain and Nick Clegg has forgotten his coat. “It was so nice this morning,” he groans, looking doubtfully down at his outfit – a navy v-neck, pale shirt, rumpled blue blazer and dark trousers with some dried dirt splattered on the ankles. Yesterday evening, he and his team of activists had decamped to a pub after the rain became too heavy for doorknocking.

We are taking shelter in the Lib Dem campaign office in Sheffield (this interview took place before the Manchester attack). Teetering towers of envelopes and flyers, rubber bands and canvass papers enclose a handful of volunteers sipping tea and eating mini flapjacks. Giant diamond-shaped orange placards – “Liberal Democrats Winning Here” – are stacked against every spare bit of wall.

Clegg has represented Sheffield Hallam, a largely affluent and residential constituency on the west edge of the south Yorkshire city, for 12 years. It has stayed with him throughout his “Cleggmania” popularity as Lib Dem leader in opposition and his difficult days as Deputy Prime Minister in coalition with the Tories. Now he hopes to win it over as a vocal anti-Brexit champion.

After a relentless campaign by the local Labour party in a bid to “decapitate” the Lib Dems in 2015, Clegg’s majority fell from 15,284 to 2,353. He is hoping Labour is unable to further chip away at his support this time round.

“I’m confident but I’m not complacent,” he tells me, nursing a cup of tea as we wait to go canvassing. He believes voters who punished him last time – for going into government with the Conservatives, and breaking his tuition fees pledge – are changing heart.

“I was a target with a great big cross on me,” he says, tracing across himself with his finger. “I personally always think it was this odd cartoon caricature both made of me but also of how people view me... People stop listening to what you have to say – I distinctly was aware at one point when I literally could’ve said ‘Baa Baa Black Sheep’ and it would’ve made no difference. Whereas now, people are very keen to listen again.

“Those who were critical in the past now take a more nuanced view, perhaps, than they did of what I’ve tried to do in politics, and feel I have a role to play in the big debate on Brexit.”

“I was a target with a great big cross on me”

Even when he’s not raging against Brexit, Clegg exudes Proud European. He uses a Norwegian weather app – “they’ve invented something better than the BBC one!” – on his phone (which appears to have failed him today), and keeps stifling yawns because he was up until 2am reading a Hungarian novel called Portraits of a Marriage. “I really recommend it. It’s by Sándor Márai,” he tells me, eagerly spelling out his name. “Of course, I’m reading it in translation.”

Although Sheffield Hallam voted Remain as a constituency (calculated at about 65 per cent), Clegg is still having trouble with his anti-Brexit message among voters. “It’s a very British attitude,” he smiles. “Lots of people who voted Remain sort of say, ‘oh, come on’. The phrase I keep hearing is: ‘We’d better make the best of it.’”

We encounter this attitude when out doorknocking in Lodge Moor, Fullwood, on the rural edge of the constituency. The streets we visit are inhabited by elderly couples and families in detached bungalows with low, steep rooves and immaculate driveways, and rows of whitewashed semi-detached houses.

One father opens the door, as his young son drags an overzealous yellow labrador away from the threshold. He is an occupational therapist and his wife is a teacher. They also have a child with special needs. Although “Brexit’s a bit of a stress”, he says his family’s priorities are education and the NHS. “I haven’t made my mind up who to vote for,” he tells Clegg. “I do know that I won’t be voting Conservative, but I want to vote for an independent.”

“I’m very keen on staying in Europe but I can’t see a way around it,” says a retired man with fine white hair in a scarlet jumper who lives on the road opposite. Clegg counters: “It may all be too late, it may all be hopeless, but I wouldn’t underestimate how public opinion may shift.” The man will vote Lib Dem, but sees battling Brexit as futile.

“Labour’s days as a party of national government have ended”

“The frustrating thing for us, as Lib Dems” – Clegg tells me – “is I would lay a fairly big wager that it will be precisely those people who will then say in a year or two’s time that this Brexit’s an absolute nonsense,” though he does admit it’s “politically tough” for his party to make Brexit central to its campaign.

“It would be much better if you were leader,” the retired man’s wife chips in, pulling on a blue cardigan as she joins them at the doorway. “Tim [Farron] – he’s a nice man, but he’s not quite the same.”

Clegg as an individual gets a lot of love at almost every doorstep. “You should come to Knit and Natter,” beams one woman involved in the local church. “You don’t have to knit – as long as you can natter!”

When I ask whether he feels nostalgic for Cleggmania, Clegg says he does not “hanker after past glories”. He does, however, miss being in government – and compares Theresa May’s current persona with the woman he knew and worked with in cabinet.

“She has been converted from what I found to be a rather conventional, not wildly exceptional politician by the sort of hysterical sycophancy of the Daily Mail and others into this colossal political figure, this sort of Boudicca,” he splutters. “I’m sure she would say this about herself – she has very little peripheral vision. She’s not an innovative politician. She’s not a big picture politician.”

Although Lib Dem leader Tim Farron has ruled out coalition deals with May’s Conservatives and Jeremy Corbyn’s Labour, Clegg urges his party to work with Labour following the election. “The Labour party is still operating under this illusion that it can win an election – it can’t!” he cries. “It’s irrelevant who’s leader. It doesn’t matter whether it’s Jeremy Corbyn or David Miliband – there is no way that the Labour party can beat the Conservatives under this electoral system . . . It’s impossible.”

“I am self-evidently a pluralist – why else would I go into coalition?”

He believes that because the “pendulum of politics” is stuck on the right that “we can’t continue with business-as-usual after 8 June”.

“If we all just carry on talking to ourselves in our own rabbit hutches, all that will happen is we will carry on with this dreary, soulless, almost perpetual one-party domination by the Conservatives,” he warns. “The dam needs to break within the Labour party, and the moment they understand that they can never win again – that their days as a party of national government have ended – can you start thinking about how to mount a proper challenge to Conservative hegemony.”

Clegg clearly wants an active role in future cooperation. “I am self-evidently a pluralist – why else would I go into coalition?” he asks. “I’ll always be happy to play my part in doing what I think is right, which is that we need a proper anti-Conservative force or forces in British politics.”

Labour’s campaign in Sheffield Hallam is not spooking local Lib Dems as much as in 2015, when it was polling ahead of them in the build-up to the election. Concerns about Corbyn’s leadership and Labour’s vote in favour of Article 50 appear to have dented its once surging support here.

“I’m voting Lib Dem,” declares a middle-aged man in big aviator-framed glasses and a silver chain, opening the door and looking distinctly unimpressed. “But not because it’s you.”

“Ah,” grins Clegg.

“I’m voting Lib Dem because I don’t want Labour in. I don’t want anybody in at the moment; I don’t like anybody’s politics,” he rumbles. “But it made me cringe when I heard Corbyn speak. Because he’s got the giant-sized ripe-flavoured carrots out, and people don’t realise they’ve got to pay for them.”

Clegg will be relying on such voters to keep his seat. But even if he doesn’t win, don’t expect him to disappear from political life until the Brexit negotiations have well and truly concluded. “It would be a dereliction of duty to the country to fall in line with the conspiracy of silence on the terms of Brexit both Labour and the Conservatives are trying to smother this election campaign with,” he says. “It’s the question of the day.”

Anoosh Chakelian is senior writer at the New Statesman.

0800 7318496