What the Lib Dems need to do to get back on track in 2013

Stopping the worst excesses of the Tories is not enough. The party needs radical new policies.

We’re bumping along in the polls at around 10 per cent, we have the most unpopular leader of all the major political parties, and in the last three Westminster by-elections we came third, fifth and eighth, losing our deposits in two of the three campaigns. You might think the Lib Dems go into 2013 with a large black cloud hanging overhead and an awful sense of impending doom. You’d be wrong.

The grassroots are surprisingly chipper. In the most recent Lib Dem Voice survey (fieldwork just before Christmas), 77 per cent of respondents said they continued to support the party being in coalition, 61 per cent said they thought the party was on the right course, and (hold onto your hats) 58 per cent said they were either "very satisfied" or "satisfied" with Nick’s leadership.

How come? Well, partly it’s the Pollyanna lurking inside every Lib Dem. Doing less than spectacularly in mid-term polls is the default expectation for most grassroots members (even if by-election disaster after disaster is something of a novelty), so this doesn’t feel like particularly alien territory for most folk. It’s also true when you look at local election results – and when we think about the 2015 general election, we think of it at a local level – we’ve done rather better in 2013 than most people realise.

And many in the party genuinely look at the good things the Lib Dems have achieved in government – 2 million out of income tax altogether, the pupil premium, Green Investment Bank et al – and think actually, for doing all that, unpopularity is a price worth paying. And that’s a fair point. But I can’t help but feel the party may have listened to the Prime Minister’s call for the country to approach 2013 with a sense of realism and optimism a tad too literally.

So here’s my two pennies' worth for the next 12 months if the Lib Dems are going to get back on electoral track.

We have a ‘new’ positioning of the party as the only repository of both economic competence and social justice. Of course, it’s not new– Nick announced it at conference in September 2011. But it’s not really stuck has it? Might I suggest that this may have something to do with the fact that demonstrating economic competence during the worst economic malaise for 80 plus years is quite tricky? Ditto social fairness, when the last government before you has spent all the money, and you’ve got your coalition partners introducing a benefit cap and apparently encouraging words like ‘feckless’ and ‘workshy’ to be bandied about.

So if that’s the strategy, fine – but we’ll need some rather better communications to get it resonating than we’ve managed to date. Might I suggest ditching the HQ line of ‘the Lib Dems are working to build a stronger economy in a fairer society, enabling every person to get on in life’ for the rather snappier ‘Lib Dems represent the head and the heart’. Folk might actually remember that.

And while stopping the worst excesses of the Tories is as important as ever – the snoopers' charter being just a starter – that won’t be enough. Neither will shouting ‘well, what would you do then?’ on a continuous loop at the Labour Party. We need some new, exciting policy initiatives of our own. Our newly elected federal policy committee needs not just to be thinking about the general election manifesto for 2015. It need to be presenting conference very quickly with some radical new thinking for debate and agreement. And then we need to be presenting it to the country.

As a party, we spent too long on our non-differentiation strategy with our coalition ‘partners’ – and we are now similarly in danger of thinking that if we shout at the Tories about how awful they are for the next 30 months, all will be right in the world. It won’t. We have 12 months to show the country we are still the radical, reforming and creative political party the members all joined. And if we do that, combined with our record to date, we’ve got a half a chance.

Richard Morris blogs at A View From Ham Common, which was named Best New Blog at the 2011 Lib Dem Conference.

Nick Clegg delivers a speech to the Centre Forum at The Commonwealth Club on December 17, 2012 in London. Photograph: Getty Images.

Richard Morris blogs at A View From Ham Common, which was named Best New Blog at the 2011 Lib Dem Conference

A girl in an Ariana Grande top. Photo: Getty
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The joy of teenage girls is the heart of pop - we can't let the Manchester attack change that

What happened in Manchester feels horribly new because it targeted young girls in one of the places where young girls can be themselves to the fullest.

This morning, while the radio news talked of nothing but Manchester, my 10-year-old daughter asked me if it was still safe to go and see Adele at Wembley Stadium in July. The ticket was her big Christmas present and the printout of the order confirmation has been blu-tacked to her wall for months. She’s as excited about it as she has been excited about any event in her life, but now she’s also scared. Could this have happened to her when she saw Ed Sheeran the other week? Could it happen to her at Wembley, or anywhere else? I am sure that there are similar conversations happening across the country. Some long-awaited birthday treats will be cancelled. Red letter days erased from the calendar. Parents can allay their children’s fears (and their own), and decide to go ahead despite them, but they cannot pretend the fear isn’t there, suddenly, where it wasn’t before.

When I first started going to gigs in 1989, I never worried about not coming back. I fretted about missing the last train back to the suburbs, or not having a good view of the stage. You can feel unsafe at a gig, especially if you’re a girl in a moshpit where boys can’t keep their hands to themselves, but usually not life-or-death unsafe. Fatal crowd disasters such as Roskilde in 2000 and Cincinnati in 1979 have spurred the concert industry into making venues as safe as possible. There are sensible, practical measures you can take to avoid crushes.

Terrorism at music venues, however, is relatively new and hard to deal with. This is why the Bataclan massacre in November 2015 had such an enormous impact. There is no hierarchy of tragedy — a death due to terrorism is a death due to terrorism, whether it’s in a concert hall in Paris or a mosque in Iraq — but some tragedies are so close to home that they change the way you think. The first show I attended after the Bataclan (New Order in Brixton) was charged with a strange electricity, as defiance defeated anxiety and the rational mind silenced this new kind of fear. A few weeks later I saw Savages in Paris and it was even more intense. The venue was small and subterranean. I have never paid such close attention to the location of the exits.

Everyone has tried to reassert normality after an atrocity has felt like this: the first time they took the tube after 7/7, or went to work in New York in September 2001, or danced in Miami after the Pulse shootings, or stayed out late in Istanbul after last New Year’s Eve. In some countries the fear is never allowed to fade. What happened in Manchester feels horribly new because it targeted young girls in one of the places where young girls can be themselves to the fullest.

The joy of teenage girls is the heart of pop, and it is often misunderstood, if not patronised and dismissed. Their excitement doesn’t derive purely from fancying the star on the stage — when I saw Taylor Swift or Miley Cyrus (at the MEN arena in fact), the screaming was as intense as it is for any boy band. In fact, it’s not entirely to do with what’s happening on the stage at all. As a critic in my 40s who’s been to hundreds of shows, I may be bothered by an incoherent concept or a mid-set lull, but nobody around me is solely interested in the performance. Even shows that I’ve found disappointing have an ecstatic carnival atmosphere because a pop show is a catalyst for a great night out — one that may have been anticipated for months. The pop star is a vessel for a mess of inchoate desires and thrilling, confusing sensations (Bowie knew this) so the girls aren’t just screaming for the star; they’re screaming for themselves and for each other. They are celebrating music, of course, but also youth, friendship, the ineffable glee of the moment, life at its most unquenchable. It’s a rite of passage that should never be contaminated by even an inkling of dread.

First and foremost, I feel compassion for the victims and their friends and families. Then for the survivors, including Ariana Grande, who will be traumatised for a long time to come. But beyond those immediately affected, this atrocity will cast a long shadow across the youths of countless pop fans. Will something like this happen again? Perhaps not. Statistically, the possibility of an attack at one particular show is minuscule. Over time, the fear will subside, because it always does. My daughter is absolutely still going to see Adele, and she’ll have a whale of a time. But the knowledge that it could happen at all means a loss of innocence.

Dorian Lynskey is a journalist living in London. He blogs at:

33RevolutionsPerMinute.wordpress.com

0800 7318496