Today we remember Lincoln as a great redeemer – and that should give Obama hope

Time for the 44th president to prove he can be the heir to the 16th.

Steven Spielberg’s Lincoln is a spectacular movie – “less a biopic than a political thriller, a civics lesson . . . alive with moral energy”, in the words of the New York Times review. Sitting in a preview screening in Soho Square, I cried. I couldn’t help it: the story of how Lincoln pushed the Thirteenth Amendment through a divided House of Representatives in the space of just four months, thereby abolishing the institution of slavery for ever, only to be assassinated, was too moving and melodramatic for even this cynical writer to bear.

The film presents Lincoln as an eloquent and noble commander-in-chief, an intensely moral man and a champion of black America. In this sense, there is nothing new in Spielberg’s depiction of “Honest Abe”. Lincoln has long been considered the greatest ever leader of the United States; he is the Great Emancipator, Preserver of the Union, Redeemer President.

Spielberg joins a long line of Lincoln sanctifiers such as Leo Tolstoy, who breathlessly declared that “the greatness of Napoleon, Caesar or Washington is only moonlight by the sun of Lincoln”. His film is based in part on the historian Doris Kearns Goodwin’s biography (or hagiography?) Team of Rivals: the Political Genius of Abraham Lincoln.

But is the Hollywood take on Lincoln – emancipator of the slaves, assuager of America’s racist past – the whole story? In a scathing letter to the Daily Telegraph on 12 January, the LSE historian Alan Sked wrote: “Abraham Lincoln was a racist who . . . had no intention of freeing slaves who freed themselves by fleeing to Unionist lines . . . Until the day he died, Lincoln’s ideal solution to the problem of blacks was to ‘colonise’ them back to Africa or the tropics.”

Back in 1978, the late left-wing historian Howard Zinn published his bestselling People’s History of the United States, which claimed that Lincoln “set out to fight the slave states in 1861, not to end slavery, but to retain [their] enormous national territory and market and resources”. Zinn quotes Lincoln at a debate in 1858, before he became president: “I am not, nor ever have been, in favour of bringing about in any way the social and political equality of the white and black races . . . nor ever have been in favour of making voters or jurors of Negroes.” In the same year, Lincoln referred to “the superior position assigned to the white race”. (Zinn, incidentally, was building on the work of the African-American writer Lerone Bennet, who wrote a seminal article for Ebony magazine in 1968 entitled: “Was Abraham Lincoln a white supremacist?”.)

To be fair, the film makes clear that Lincoln was not an abolitionist; that role goes to the radical Pennsylvania congressman Thaddeus Stevens – played beautifully by a bombastic and bewigged Tommy Lee Jones. (Dear 20th Century Fox, please can we have a sequel to Lincoln called Thaddeus?)

Spielberg, however, glosses over Lincoln’s earlier, more odious views; the moist-eyed viewer comes away with an image of him as only a lifelong foe of racists and bigots.

So how do you square these two Lincolns, the Great Racist v the Great Emancipator? First, to hold Lincoln to the standards of the 20th or 21st centuries is absurd and unjust; indeed, the slave-turned-statesman Frederick Douglass, speaking only a decade after Lincoln’s death, conceded that the president may have “seemed tardy, cold, dull and indifferent” on abolishing slavery but, “measuring him by the sentiment of his country, a sentiment he was bound as a statesman to consult, he was swift, zealous, radical”.

Second, as the progressive Columbia University historian Eric Foner has argued, over the course of the civil war Lincoln “displayed a remarkable capacity for moral and political growth”. He may not have begun the conflict as an abolitionist but he ended it as one.

Indeed, as Lincoln wrote in April 1864, “If slavery is not wrong, nothing is wrong.” And in his last public speech, in April 1865, he called publicly for (limited) black suffrage – the first time, in Foner’s words, “an American president had endorsed any political rights for blacks”.

On the subject of “moral and political growth”, it is difficult in this, the week of Barack Obama’s inauguration, to avoid comparisons between these two presidents. Obama, like Lincoln, is a tall, skinny lawyer who served in the Illinois state legislature and ended up in the White House in part thanks to his awe-inspiring oratory. The 44th president of the United States sees himself as the heir to the 16th: Obama kicked off his first presidential campaign in 2007 in Lincoln’s home town of Springfield, Illinois, on the weekend of Lincoln’s birthday.

Last November, Obama held a screening of Lincoln at the White House and told Time: “Part of what Lincoln teaches us is that to pursue the highest ideals and a deeply moral cause requires you . . . get your hands dirty.”

The problem with Obama has been that, on a host of first-term issues, ranging from the deficit and financial reform to climate change and gun control, he didn’t merely fail to fight dirty – he didn’t put up a fight at all. Yet the president has kicked off his second term with a much more aggressive stance on gun control after the Newtown massacre, and refusing, on the economy, to be blackmailed by Republicans over the “fiscal cliff”. Obama has also nominated the arch-realist and Iran dove Chuck Hagel to be his defence secretary in the teeth of strong opposition from the pro-Israel lobby.

“We are still capable of great things, big things,” his senior adviser Valerie Jarrett told CNN on the day of the inauguration. As Lincoln showed with the Thirteenth Amendment, it takes only a matter of months to wipe the slate clean and earn a place in the pantheon of great American leaders. America – and the world – are waiting, Mr President.

Mehdi Hasan is a contributing writer to the New Statesman and political director at the Huffington Post, where this article is crossposted.

Daniel Day-Lewis as Abraham Lincoln.

Mehdi Hasan is a contributing writer for the New Statesman and the co-author of Ed: The Milibands and the Making of a Labour Leader. He was the New Statesman's senior editor (politics) from 2009-12.

This article first appeared in the 28 January 2013 issue of the New Statesman, After Chavez

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How Donald Trump is slouching towards the Republican nomination

There was supposed to be a ceiling above which Trump’s popular support could not climb.

In America, you can judge a crowd by its merchandise. Outside the Connecticut Convention Centre in Hartford, frail old men and brawny moms are selling “your Trump 45 football jerseys”, “your hats”, “your campaign buttons”. But the hottest item is a T-shirt bearing the slogan “Hillary sucks . . . but not like Monica!” and, on the back: “Trump that bitch!” Inside, beyond the checkpoint manned by the Transportation Security Administration and the secret service (“Good!” the man next to me says, when he sees the agents), is a family whose three kids, two of them girls, are wearing the Monica shirt.

Other people are content with the shirts they arrived in (“Waterboarding – baptising terrorists with freedom” and “If you don’t BLEED red, white and blue, take your bitch ass home!”). There are 80 chairs penned off for the elderly but everyone else is standing: guys in motorcycle and military gear, their arms folded; aspiring deal-makers, suited, on cellphones; giggling high-school fatsos, dressed fresh from the couch, grabbing M&M’s and Doritos from the movie-theatre-style concession stands. So many baseball hats; deep, bellicose chants of “Build the wall!” and “USA!”. (And, to the same rhythm, “Don-ald J!”)

A grizzled man in camouflage pants and combat boots, whose T-shirt – “Connecticut Militia III%” – confirms him as a member of the “patriot” movement, is talking to a zealous young girl in a short skirt, who came in dancing to “Uptown Girl”.

“Yeah, we were there for Operation American Spring,” he says. “Louis Farrakhan’s rally of hate . . .”

“And you’re a veteran?” she asks. “Thank you so much!”

Three hours will pass. A retired US marine will take the rostrum to growl, “God bless America – hoo-rah!”; “Uptown Girl” will play many more times (much like his speeches, Donald J’s playlist consists of a few items, repeated endlessly), before Trump finally looms in and asks the crowd: “Is this the greatest place on Earth?”

There was supposed to be a ceiling above which Trump’s popular support could not climb. Only a minority within a minority of Americans, it was assumed, could possibly be stupid enough to think a Trump presidency was a good idea. He won New Hampshire and South Carolina with over 30 per cent of the Republican vote, then took almost 46 per cent in Nevada. When he cleaned up on Super Tuesday in March, he was just shy of 50 per cent in Massachusetts; a week later, he took 47 per cent of the votes in Mississippi.

His rivals, who are useless individually, were meant to co-operate with each other and the national party to deny him the nomination. But Trump won four out of the five key states being contested on “Super-Duper Tuesday” on 15 March. Then, as talk turned to persuading and co-opting his delegates behind the scenes, Trump won New York with 60 per cent.

Now, the campaign is trying to present Trump as more “presidential”. According to his new manager, Paul Manafort, this requires him to appear in “more formal settings” – without, of course, diluting “the unique magic of Trump”. But whether or not he can resist denouncing the GOP and the “corrupt” primary system, and alluding to violence if he is baulked at at the convention, the new Trump will be much the same as the old.

Back in Hartford: “The Republicans wanna play cute with us, right? If I don’t make it, you’re gonna have millions of people that don’t vote for a Republican. They’re not gonna vote at all,” says Trump. “Hopefully that’s all, OK? Hopefully that’s all, but they’re very, very angry.”

This anger, which can supposedly be turned on anyone who gets in the way, has mainly been vented, so far, on the protesters who disrupt Trump’s rallies. “We’re not gonna be the dummies that lose all of our jobs now. We’re gonna be the smart ones. Oh, do you have one over there? There’s one of the dummies . . .”

There is a frenzied fluttering of Trump placards, off to his right. “Get ’em out! . . . Don’t hurt ’em – see how nice I am? . . . They really impede freedom of speech and it’s a disgrace. But the good news is, folks, it won’t be long. We’re just not taking it and it won’t be long.”

It is their removal by police, at Trump’s ostentatious behest, that causes the disruption, rather than the scarcely audible protesters. He seems to realise this, suddenly: “We should just let ’em . . . I’ll talk right over them, there’s no problem!” But it’s impossible to leave the protesters where they are, because it would not be safe. His crowd is too vicious.

Exit Trump, after exactly half an hour, inclusive of the many interruptions. His people seem uplifted but, out on the street, they are ambushed by a large counter-demonstration, with a booming drum and warlike banners and standards (“Black Lives Matter”; an image of the Virgin of Guadalupe, holding aloft Trump’s severed head). Here is the rest of the world, the real American world: young people, beautiful people, more female than male, every shade of skin colour. “F*** Donald Trump!” they chant.

After a horrified split-second, the Trump crowd, massively more numerous, rallies with “USA!” and – perplexingly, since one of the main themes of the speech it has just heard was the lack of jobs in Connecticut – “Get a job!” The two sides then mingle, unobstructed by police. Slanging matches break out that seem in every instance to humiliate the Trump supporter. “Go to college!” one demands. “Man, I am in college, I’m doin’ lovely!”

There is no violence, only this: some black boys are dancing, with liquid moves, to the sound of the drum. Four young Trump guys counter by stripping to their waists and jouncing around madly, their skin greenish-yellow under the street lights, screaming about the building of the wall. There was no alcohol inside; they’re drunk on whatever it is – the elixir of fascism, the unique magic of Trump. It’s a hyper but not at all happy drunk.

As with every other moment of the Trump campaign so far, it would have been merely some grade of the cringeworthy – the embarrassing, the revolting, the pitiful – were Trump not slouching closer and closer, with each of these moments, to his nomination. 

This article first appeared in the 28 April 2016 issue of the New Statesman, The new fascism