Today we remember Lincoln as a great redeemer – and that should give Obama hope

Time for the 44th president to prove he can be the heir to the 16th.

Steven Spielberg’s Lincoln is a spectacular movie – “less a biopic than a political thriller, a civics lesson . . . alive with moral energy”, in the words of the New York Times review. Sitting in a preview screening in Soho Square, I cried. I couldn’t help it: the story of how Lincoln pushed the Thirteenth Amendment through a divided House of Representatives in the space of just four months, thereby abolishing the institution of slavery for ever, only to be assassinated, was too moving and melodramatic for even this cynical writer to bear.

The film presents Lincoln as an eloquent and noble commander-in-chief, an intensely moral man and a champion of black America. In this sense, there is nothing new in Spielberg’s depiction of “Honest Abe”. Lincoln has long been considered the greatest ever leader of the United States; he is the Great Emancipator, Preserver of the Union, Redeemer President.

Spielberg joins a long line of Lincoln sanctifiers such as Leo Tolstoy, who breathlessly declared that “the greatness of Napoleon, Caesar or Washington is only moonlight by the sun of Lincoln”. His film is based in part on the historian Doris Kearns Goodwin’s biography (or hagiography?) Team of Rivals: the Political Genius of Abraham Lincoln.

But is the Hollywood take on Lincoln – emancipator of the slaves, assuager of America’s racist past – the whole story? In a scathing letter to the Daily Telegraph on 12 January, the LSE historian Alan Sked wrote: “Abraham Lincoln was a racist who . . . had no intention of freeing slaves who freed themselves by fleeing to Unionist lines . . . Until the day he died, Lincoln’s ideal solution to the problem of blacks was to ‘colonise’ them back to Africa or the tropics.”

Back in 1978, the late left-wing historian Howard Zinn published his bestselling People’s History of the United States, which claimed that Lincoln “set out to fight the slave states in 1861, not to end slavery, but to retain [their] enormous national territory and market and resources”. Zinn quotes Lincoln at a debate in 1858, before he became president: “I am not, nor ever have been, in favour of bringing about in any way the social and political equality of the white and black races . . . nor ever have been in favour of making voters or jurors of Negroes.” In the same year, Lincoln referred to “the superior position assigned to the white race”. (Zinn, incidentally, was building on the work of the African-American writer Lerone Bennet, who wrote a seminal article for Ebony magazine in 1968 entitled: “Was Abraham Lincoln a white supremacist?”.)

To be fair, the film makes clear that Lincoln was not an abolitionist; that role goes to the radical Pennsylvania congressman Thaddeus Stevens – played beautifully by a bombastic and bewigged Tommy Lee Jones. (Dear 20th Century Fox, please can we have a sequel to Lincoln called Thaddeus?)

Spielberg, however, glosses over Lincoln’s earlier, more odious views; the moist-eyed viewer comes away with an image of him as only a lifelong foe of racists and bigots.

So how do you square these two Lincolns, the Great Racist v the Great Emancipator? First, to hold Lincoln to the standards of the 20th or 21st centuries is absurd and unjust; indeed, the slave-turned-statesman Frederick Douglass, speaking only a decade after Lincoln’s death, conceded that the president may have “seemed tardy, cold, dull and indifferent” on abolishing slavery but, “measuring him by the sentiment of his country, a sentiment he was bound as a statesman to consult, he was swift, zealous, radical”.

Second, as the progressive Columbia University historian Eric Foner has argued, over the course of the civil war Lincoln “displayed a remarkable capacity for moral and political growth”. He may not have begun the conflict as an abolitionist but he ended it as one.

Indeed, as Lincoln wrote in April 1864, “If slavery is not wrong, nothing is wrong.” And in his last public speech, in April 1865, he called publicly for (limited) black suffrage – the first time, in Foner’s words, “an American president had endorsed any political rights for blacks”.

On the subject of “moral and political growth”, it is difficult in this, the week of Barack Obama’s inauguration, to avoid comparisons between these two presidents. Obama, like Lincoln, is a tall, skinny lawyer who served in the Illinois state legislature and ended up in the White House in part thanks to his awe-inspiring oratory. The 44th president of the United States sees himself as the heir to the 16th: Obama kicked off his first presidential campaign in 2007 in Lincoln’s home town of Springfield, Illinois, on the weekend of Lincoln’s birthday.

Last November, Obama held a screening of Lincoln at the White House and told Time: “Part of what Lincoln teaches us is that to pursue the highest ideals and a deeply moral cause requires you . . . get your hands dirty.”

The problem with Obama has been that, on a host of first-term issues, ranging from the deficit and financial reform to climate change and gun control, he didn’t merely fail to fight dirty – he didn’t put up a fight at all. Yet the president has kicked off his second term with a much more aggressive stance on gun control after the Newtown massacre, and refusing, on the economy, to be blackmailed by Republicans over the “fiscal cliff”. Obama has also nominated the arch-realist and Iran dove Chuck Hagel to be his defence secretary in the teeth of strong opposition from the pro-Israel lobby.

“We are still capable of great things, big things,” his senior adviser Valerie Jarrett told CNN on the day of the inauguration. As Lincoln showed with the Thirteenth Amendment, it takes only a matter of months to wipe the slate clean and earn a place in the pantheon of great American leaders. America – and the world – are waiting, Mr President.

Mehdi Hasan is a contributing writer to the New Statesman and political director at the Huffington Post, where this article is crossposted.

Daniel Day-Lewis as Abraham Lincoln.

Mehdi Hasan is a contributing writer for the New Statesman and the co-author of Ed: The Milibands and the Making of a Labour Leader. He was the New Statesman's senior editor (politics) from 2009-12.

This article first appeared in the 28 January 2013 issue of the New Statesman, After Chavez

Photo: Getty
Show Hide image

The UK press’s timid reaction to Brexit is in marked contrast to the satire unleashed on Trump

For the BBC, it seems, to question leaving the EU is to be unpatriotic.

Faced with arguably their biggest political-cum-constitutional ­crisis in half a century, the press on either side of the pond has reacted very differently. Confronting a president who, unlike many predecessors, does not merely covertly dislike the press but rages against its supposed mendacity as a purveyor of “fake news”, the fourth estate in the US has had a pretty successful first 150-odd days of the Trump era. The Washington Post has recovered its Watergate mojo – the bloodhound tenacity that brought down Richard Nixon. The Post’s investigations into links between the Kremlin and Donald Trump’s associates and appointees have yielded the scalp of the former security adviser Michael Flynn and led to Attorney General Jeff Sessions recusing himself from all inquiries into Trump-Russia contacts. Few imagine the story will end there.

Meanwhile, the New York Times has cast off its image as “the grey lady” and come out in sharper colours. Commenting on the James Comey memo in an editorial, the Times raised the possibility that Trump was trying to “obstruct justice”, and called on Washington lawmakers to “uphold the constitution”. Trump’s denunciations of the Times as “failing” have acted as commercial “rocket fuel” for the paper, according to its CEO, Mark Thompson: it gained an “astonishing” 308,000 net digital news subscriptions in the first quarter of 2017.

US-based broadcast organisations such as CNN and ABC, once considered slick or bland, have reacted to Trump’s bullying in forthright style. Political satire is thriving, led by Saturday Night Live, with its devastating impersonations of the president by Alec Baldwin and of his press secretary Sean Spicer by the brilliant Melissa McCarthy.

British press reaction to Brexit – an epic constitutional, political and economic mess-up that probably includes a mind-bogglingly destructive self-ejection from a single market and customs union that took decades to construct, a move pushed through by a far-right faction of the Tory party – has been much more muted. The situation is complicated by the cheerleading for Brexit by most of the British tabloids and the Daily Telegraph. There are stirrings of resistance, but even after an election in which Theresa May spectacularly failed to secure a mandate for her hard Brexit, there is a sense, though the criticism of her has been intense, of the media pussy-footing around a government in disarray – not properly interrogating those who still seem to promise that, in relation to Europe, we can have our cake and eat it.

This is especially the case with the BBC, a state broadcaster that proudly proclaims its independence from the government of the day, protected by the famous “arm’s-length” principle. In the case of Brexit, the BBC invoked its concept of “balance” to give equal airtime and weight to Leavers and Remainers. Fair enough, you might say, but according to the economist Simon Wren-Lewis, it ignored a “near-unanimous view among economists that Brexit would hurt the UK economy in the longer term”.

A similar view of “balance” in the past led the BBC to equate views of ­non-scientific climate contrarians, often linked to the fossil-fuel lobby, with those of leading climate scientists. Many BBC Remainer insiders still feel incensed by what they regard as BBC betrayal over Brexit. Although the referendum of 23 June 2016 said nothing about leaving the single market or the customs union, the Today presenter Justin Webb, in a recent interview with Stuart Rose, put it like this: “Staying in the single market, staying in the customs union – [Leave voters would say] you might as well not be leaving. That fundamental position is a matter of democracy.” For the BBC, it seems, to question Brexit is somehow to be unpatriotic.

You might think that an independent, pro-democratic press would question the attempted use of the arcane and archaic “royal prerogative” to enable the ­bypassing of parliament when it came to triggering Article 50, signalling the UK’s departure from the EU. But when the campaigner Gina Miller’s challenge to the government was upheld by the high court, the three ruling judges were attacked on the front page of the Daily Mail as “enemies of the people”. Thomas Jefferson wrote that he would rather have “newspapers without a government” than “a government without newspapers”. It’s a fair guess he wasn’t thinking of newspapers that would brand the judiciary as “enemies of the people”.

It does seem significant that the United States has a written constitution, encapsulating the separation and balance of powers, and explicitly designed by the Founding Fathers to protect the young republic against tyranny. When James Madison drafted the First Amendment he was clear that freedom of the press should be guaranteed to a much higher degree in the republic than it had been in the colonising power, where for centuries, after all, British monarchs and prime ministers have had no qualms about censoring an unruly media.

By contrast, the United Kingdom remains a hybrid of monarchy and democracy, with no explicit protection of press freedom other than the one provided by the common law. The national impulse to bend the knee before the sovereign, to obey and not question authority, remains strangely powerful in Britain, the land of Henry VIII as well as of George Orwell. That the United Kingdom has slipped 11 places in the World Press Freedom Index in the past four years, down to 40th, has rightly occasioned outrage. Yet, even more awkwardly, the United States is three places lower still, at 43rd. Freedom of the press may not be doing quite as well as we imagine in either country.

Harry Eyres is the author of Horace and Me: Life Lessons from an Ancient Poet (2013)

This article first appeared in the 20 July 2017 issue of the New Statesman, The new world disorder