PMQs review: professor Miliband gives Cameron an economics lesson

The Labour leader had the stats on his side but will voters accept his distinction between 'good' borrowing and 'bad' borrowing?

It's often forgotten that Ed Balls isn't the only economist on the Labour frontbench; Ed Miliband also taught the subject at Harvard while on sabbatical from the Treasury and he gave David Cameron a suitably stern lesson at today's PMQs. In a stat-heavy assault on the coalition's economic record, he reminded Cameron that the economy had grown by just 0.4 per cent since October 2010 (it was expected to grow by more than five per cent), that the UK had grown more slowly than 17 of the G20 countries and that this was now the weakest recovery for more than a hundred years. 

Confronted by that record, Cameron played a bad hand as well as he could. He was aided by Labour MPs who foolishly cheered when he conceded that the economy shrank by 0.3 per cent in the most recent quarter, an error that the PM quickly pounced on. "Only honourable members opposite could cheer that news," he fumed. From there, he ridiculed what he called Labour's "three-point plan": "more spending, more borrowing more debt". 

After Miliband noted that the deficit so far this year was £7.2bn (7.3 per cent) higher than last year, Cameron replied, "if he thinks there's a problem with borrowing, why does he want to borrow more?" It is the question that Labour has struggled to answer since the election. The Tories' credit card analogy may be a hackneyed one but it is easier to explain to the electorate than Keynes's paradox of thrift. In response to Cameron, Miliband cried: "he's borrowing for failure!" The Labour leader's hope is that the public will distinguish between the coalition's 'bad' borrowing, driven by higher welfare bills, and his party's 'good' borrowing (a VAT cut, national insurance holiday, higher infrastructure spending and the like). But without explicitly declaring that Labour would borrow for growth (and explaining why), he risks reinforcing the impression that borrowing is always and everywhere a bad thing. 

Miliband, aware that polls show more voters continue to blame Labour (26 per cent) for the cuts than the coalition (21 per cent), has never conceded that his party would, at least temporarily, borrow more than the coalition. For now, with the public more worried about the disappearance of growth, he can avoid further scrutiny. But at some point before the election, Labour will need to say what its plans would mean for deficit reduction. Anything else will allow the Tories to claim they'd make "the same mistakes" all over again. 

Ed Miliband said that David Cameron was "borrowing for failure". Photograph: Getty Images.

George Eaton is political editor of the New Statesman.

YouTube screengrab
Show Hide image

“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.