Grant Shapps should give Obama his campaign line back

The Conservative chairman borrows Obama's "don't give them the keys back" line. But it's his party that crashed the car again.

It's well known that most Conservative cabinet ministers supported Barack Obama's re-election and in an interview in today's Independent, Tory chairman Grant Shapps borrows one of the US president's favourite campaign lines.

Shapps tells the paper: "We are in a global race. Britain is on the right track, don't go back. Don't give the keys to the guys who crashed the car in the first place. Do you want to go through all this pain again?"

Obama told a Democratic fundraiser in May 2010: "So after they drove the car into the ditch, made it as difficult as possible for us to pull it back, now they want the keys back.  No! You can’t drive! We don't want to have to go back into the ditch! We just got the car out! We just got the car out!" He used the analogy again at a labour day rally in Milwaukee in September of that year.

It's a good line, but unfortunately for Shapps it's not one the Conservatives have any right to use. While the US economy enjoyed a sustained recovery under Obama (with 13 consecutive quarters of growth), the UK fell into a double-dip recession (and is at risk of a triple-dip). To adapt Obama's analogy, the Tories didn't drive the car out of the ditch; they drove it back in (you could call it a double-ditch recession).

When Labour left office, the economy was recovering, with growth of 0.4 per cent in Q3 of 2009, 0.4 per cent in Q4, 0.6 per cent in Q1 of 2010 and 0.7 per cent in Q2 (see this table for the full data). Since then, it has stagnated. Over the last year, the US economy has grown by 2.3 per cent, while the UK hasn't grown at all. As a result, while the US economy is now 2.3 per cent above its pre-recession peak, the UK remains 3.1 per cent below.

If and when Shapps's party boasts a comparable record, he might be entitled to borrow Obama's line. But until then, he should gracefully return it to its original owner.

Conservative chairman Grant Shapps speaks at the party's conference in Birmingham last year. Photograph: Getty Images.

George Eaton is political editor of the New Statesman.

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The boy who lies: what the Daily Prophet can teach us about fake news

The students at Hogwarts are living in an echo chamber of secrets.

They can make objects levitate, conjure up spirit animals and harness the power of invisibility. But perhaps the strangest thing about the witches and wizards of the Harry Potter universe is that despite all their magic, they still rely on old-fashioned print media for their news.

Although the Daily Prophet bills itself as “the wizarding world’s beguiling broadsheet of choice”, the reality is that its readers have no choice at all. Wizards don’t have their own television network – the risk of muggles accidentally tuning in was deemed too high – they don’t generally use the internet, and rival publications are virtually non-existent. (No, Witch Weekly doesn’t count.)

JK Rowling clearly sought to satirise the press in her portrayal of the Prophet, particularly through its poisonous celebrity journalist Rita Skeeter and her tenuous relationship with the truth. And in doing so, the author highlighted a phenomenon that has since become embedded within the muggle political landscape – fake news, and how quickly it can spread.

In the run-up to the recent French presidential election, an Oxford University study found that up to a quarter of related political stories shared on Twitter were fake – or at least passing off “ideologically extreme” opinion as fact.

While they don’t have social media at Hogwarts – probably for the better, despite the countless Instagram opportunities that would come with living in an enchanted castle – made-up stories travel fast by word of mouth (or owl.) The students are so insulated from the outside world, the house system often immersing them in an echo chamber of their peers, they frequently have no way to fact-check rumours and form rational opinions about current events.

When the Ministry of Magic flatly refuses to believe that Voldemort has returned – and uses the Prophet to smear Harry and Dumbledore – most students and their parents have no choice but to believe it. “ALL IS WELL”, the Prophet’s front page proclaims, asking pointedly whether Harry is now “The boy who lies?”

While Harry eventually gets his side of the story published, it’s in The Quibbler – a somewhat niche magazine that’s not exactly light on conspiracy theories – and written by Skeeter. He is telling the truth – but how is anyone to really know, given both the questionable magazine and Skeeter’s track record?

After Voldemort’s followers take over the Ministry, the Prophet stops reporting deaths the Death Eaters are responsible for and starts printing more fake stories – including a claim that muggle-born wizards steal their magical powers from pure-bloods.

In response, Harry and his allies turn to their other meagre sources such as The Quibbler and Potterwatch, an underground pirate radio show that requires a password to listen – useful to some, but not exactly open and accessible journalism.

Rowling is clear that Harry’s celebrity makes it hard for him to fit in at Hogwarts, with fellow students often resenting his special status. Do so many believe the Prophet’s smear campaign because they were unconsciously (or actively) looking forward to his downfall?

We are certainly more likely to believe fake news when it confirms our personal biases, regardless of how intelligently or critically we think we look at the world. Could this explain why, at the start of last week, thousands of social media users gleefully retweeted a Daily Mail front page calling on Theresa May to step down that was blatantly a poorly-edited fake?

The non-stop Hogwarts rumour mill illustrates the damage that a dearth of reliable sources of information can cause to public debate. But at the other end of the scale, the saturation of news on the muggle internet means it can also be hugely challenging to separate fact from fiction.

No one is totally free from bias – even those people or sources whose opinions we share. In this world of alternative facts, it is crucial to remember that all stories are presented in a certain way for a reason – whether that’s to advance a political argument, reaffirm and promote the writer’s own worldview, or stop an inconvenient teenage wizard from interfering with the Ministry of Magic’s plans.

Now read the other articles included in the New Statesman’s Harry Potter Week.

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