Cameron's EU referendum pledge leaves Labour in a difficult position

If Miliband matches Cameron's referendum offer, he will look weak. If he doesn't, he will look undemocratic. Which will he choose?

David Cameron's speech on the EU was driven not by policy but by politics. Six months ago, the Prime Minister had no intention of promising an in/out referendum on the EU but his recalcitrant backbenchers and an insurgent UKIP forced him into a dramatic reverse ferret. His address, then, was less about outlining a sophisticated vision for the future of the EU (one that Cameron's fantasy of an à la carte Europe, in which Britain picks and chooses which rules it obeys, does not represent) but simply about getting him through the 2015 general election. 

On that limited basis, the speech may prove to be a success. The early reaction from eurosceptic MPs, such as Douglas Carswell, suggests that it will help to unify a Conservative Party that has been badly divided over the EU since the election. 

The biggest long-term problem for Cameron remains that having promised a "fundamental change" in Britain’s relationship with the EU, he will struggle to persuade the eurosceptics in his party that it is in our interests to remain a member if he fails to deliver. The result would be the worst Tory split for decades as some cabinet ministers, such as Iain Duncan Smith and Owen Paterson, argued for an 'out' vote, while others argued for an 'in' vote. But that, if Cameron wins a majority at the general election (and it remains a very large 'if'), is not an issue he will have to face until long after 2015. 

For now, the Prime Minister enjoys the distinction of being the only party leader to have promised to give the electorate a vote over the EU at some point in the near future. This leaves Labour and the Liberal Democrats, both of whom have argued that Cameron's pledge is a rash one, in a difficult position. If they seek they match his offer at some point before 2015 (most likely in the form of a straight in/out vote, rather than one tied to renegotiation), they will look weak; following, not leading. If they do not, they will stand accused of denying the British people a say over an institution that has changed dramatically in the 38 years since the first and only EU referendum in 1975. Will Miliband and Clegg allow Cameron to be the only leader to stand up at the TV debates in 2015 and promise a referendum on the EU? Almost certainly not, which is why both must now work out how to climb down in the most graceful and painless way possible. 

George Eaton is political editor of the New Statesman.

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Ariana and the Arianators: "We really are like a family"

The pop star provides her fans with a chance to express themselves joyfully - their targeting was grimly predictable.

Ariana Grande’s concert at Manchester Arena on 22 May began like any other. Children and teenagers streamed through the doors wearing pink T-shirts, rubber wristbands and animal ears (one of Grande’s signature looks). They screamed when she came on stage and they sang along with every song. It was only once the music had ended, and the 20,000-strong audience began to leave the venue, that the horror began – with a bomb detonated at the main entrance.

The show was just one date on Grande’s Dangerous Woman tour, which began in Phoenix, Arizona in February, moved across the United States and Europe, and had stops scheduled for South America, Japan, Australia and Hong Kong. (Since the Manchester attack, Grande has suspended the tour indefinitely.)

Since releasing her debut album in 2013, Grande has successfully transitioned from teen idol to fully fledged pop star (all three of her studio albums have sold over a million each) with a combination of baby-faced beauty and Mariah Carey-style, breathy vocals. Her most popular records are bubblegum pop with a Nineties R’n’B influence, a combination also expressed in her fashion choices: Nineties grunge meets pastel pinks.

She entered the limelight at 16 on the children’s TV programme Victorious, which ran on the Nickelodeon channel, pursuing her musical ambitions by performing the show’s soundtracks. Many of the young people who grew up watching her as the red-haired arts student Cat Valentine on Victorious would become fans of her pop career – or, as they call themselves, the Arianators.

As she outgrew her child-star status, Grande’s lyrics became more sexually suggestive. Recent songs such as “Side to Side” and “Everyday” are more explicit than any of her previous hits. She has repeatedly insisted that young women should be able to speak openly about sex and feel empowered, not objectified.

“Expressing sexuality in art is not an invitation for disrespect,” she tweeted in December. “We are not objects or prizes. We are QUEENS.”

Grande also has a reputation as something of a gay icon. She has advertised her records on the gay dating app Grindr, headlined shows at Pride Week in New York, and released a single and a lipstick to raise money for LGBTQ charities.

Cassy, a 19-year-old film student and fan, told me the fanbase is “made mostly of young women from 14-23, but I run into guys and non-binary fans all the time.”

“It’s pretty well known that Ariana has got a LGBTQ+ fan base. She’s so outspoken about it and that’s what draws us to her. Because she’s accepting of everyone, no matter who you are.”

Like many child actresses-turned-pop star, Grande has a fan base skewed towards the young and female: teenage and pre-teen girls are by far the majority of her most dedicated supporters. A writer on the Phoenix New Times described the typical Ariana Grande crowd as “pre-tween, tweens, teens, young gay (and fabulous) men, moms with cat ears, and multiple candidates for father of the year”. The Arianators form tight-knit groups on social media. I spoke to several over Twitter after the attack.

Arena concerts, which often have more relaxed age restrictions than nightlife venues, have long been a safe space for children, young people and teenage girls. They provide a secure place for concert-goers to dress up, experiment, play with burgeoning sexualities, dance, scream and cry: to flirt with an adult life still slightly out of reach. Glitter-streaked tears stream down the unapologetic faces of fans touched by an emotion bigger than themselves. It is appalling, if grimly predictable, to see children, teenage girls and young gay men targeted by agents of regressive ideologies for expressing themselves so joyfully. On 23 May, Isis claimed the attack.

Andréa, a 17-year-old fan from France, told me about her first experience of a Grande concert. “It was incredible,” she said. “Everyone was so kind, excited and happy. We really are like a family.”

The fans are devastated by Monday’s bombing. Thousands of messages appeared on social media to commemorate those who lost their lives. “As an Arianator,” Alexandre, aged 16, told me, “I’m really sad and I’m scared.”

“We’re all taking it really hard,” Cassy said. “We’re a family and we lost 22 members of that family last night.”

Ariana began her gig in Manchester with the song that has opened every night of her current tour: “Be Alright”. In it, she repeatedly reassures the crowd, “We’re gonna be all right.” It’s a phrase that her fans are clinging to after the attack. So, too, are the lyrics of “Better Days”, by Grande and her support act Victoria Monét, which was also performed the night of the explosion. “There’s a war right outside our window,” the words go. “I can hear the sirens . . ./I can hear the children crying . . ./I’m hoping for better days . . .”

“It’s hit us all very hard because we’ve lost some of our own,” said one Arianator who runs a popular Twitter account about the tour. “People we interacted with on a daily basis. People that just wanted to have a night of fun. These are dark times, but we are looking forward to better days.”

Anna Leszkiewicz is a pop culture writer at the New Statesman.

This article first appeared in the 25 May 2017 issue of the New Statesman, Why Islamic State targets Britain

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