Boris Johnson's climate change "scepticism" is an embarrassment to London's scientists

The Mayor's suggestion that we are heading for a "mini Ice Age"shows that he does not understand the basic science behind global warming.

Boris Johnson has become a real embarrassment to London's scientific community after his latest outburst of climate change ‘scepticism’, which exposes not just a glaring weakness in his own knowledge but also within his team of advisers.

On Monday, Johnson used his Telegraph column to muse on the global climatic implications of a few days of wintry weather in the UK in January. He concluded that it might be time for policy-makers to consider whether the earth is heading for a "mini Ice Age".

This is complete rubbish, of course, and shows not only that Johnson does not understand the basic science behind global warming but also that he cannot distinguish between anecdote and evidence, or between weather and climate.

Claiming to be "an empiricist", Johnson suggested that this is "the fifth year in a row that we have had an unusual amount of snow" and that "I don’t remember winters like this". Unfortunately, his commitment to observational analysis apparently does not extend to consulting the Met Office’s records, which would have shown him that although the average temperatures in the UK during winters 2008-09, 2009-10 and 2010-11 were below average, last winter was actually warmer than average, as were most winters since 2000.

Furthermore, he would have discovered that the UK’s climate bears the unmistakeable footprint of global warming, with the seven warmest years on record all occurring since 2000. So why does the Mayor claim we are experiencing global cooling?

Well, it seems that the only person Johnson consults on this issue is his friend Piers Corbyn, who rejects the overwhelming evidence that rising atmospheric levels of greenhouse gases is driving the unambiguous rise in global average temperatures, and instead holds the sun directly responsible for trends in the Earth’s climate.

The trouble with Dr Corbyn’s theory, which he has not published in any peer-reviewed scientific journal, is that it is not supported by evidence. He does not even believe that the earth’s climate is controlled by the amount of energy radiated from the sun, but instead blames its magnetic activity, which increases and decreases cyclically about every 11 years and so clearly cannot be the main driver of global warming.

Johnson’s description of Dr Corbyn’s theory is an almost verbatim reproduction from one of his earlier columns last July (clearly the £250,000 he is allegedly paid each year is not high enough to guarantee original content for its readers), and is punctuated with references to JMW Turner, Shakespeare and the Aztecs, but largely devoid of scientific insight.

This latest gaffe follows his decision last year to invite Matt Ridley, a prominent climate change ‘sceptic’ and former chairman of Northern Rock, to speak at City Hall about how environmental risks are overblown, as part of the cultural celebration that accompanied the Olympics.

Perhaps we should not be surprised by all this given the complete lack of scientific education that Johnson has received. However, the Mayor has to take scientific evidence and expert knowledge into account when making many important decisions, not the least of which is how to adapt the capital’s transport system and infrastructure to withstand the impacts of global warming. He should not be relying on the fanciful theories of friends when it comes to issues that affect the lives and livelihoods of Londoners.

Johnson should make better use of the fact that the capital is home to many world class universities and scientific societies where he could consult genuine experts, most of whom now cringe every time he holds forth about climate change. But it is also time that the Mayor of London followed the example of central government departments by adding a professional and credible chief scientific adviser to his team.

Mayor of London Boris Johnson gestures as he addresses students at The Indian School of Business (ISB) campus in Hyderabad on November 28, 2012. Photograph: Getty Images.

Bob Ward is policy and communications director of the Grantham Research Institute on Climate Change and the Environment at London School of Economics and Political Science.

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How “cli-fi” novels humanise the science of climate change

The paradox is that the harder climate-fiction novels try, the less effective they are.

When the Paris UN Climate Change Conference begins at the end of November, the world’s leaders will review the climate framework agreed in Rio in 1992. For well over 20 years, the world has not just been thinking and talking about climate change, it has also been writing and reading about it, in blogs, newspapers, magazines – and in novels.

Climate change fiction is now a recognisable literary phenomenon replete with its own nickname: “cli-fi”. The term was coined in 2007 by Taiwan-based blogger Dan Bloom. Since then, its use has spread: it was even tweeted by Margaret Atwood in 2013:

It is not a genre in the accepted scholarly sense, since it lacks the plot formulas or stylistic conventions that tend to define genres (such as science fiction or the western). However, it does name a remarkable recent literary and publishing trend.

A 21st-century phenomenon?

Putting a number to this phenomenon depends, partly, on how one defines cli-fi. How much of a novel has to be devoted to climate change before it is considered cli-fi? Should we restrict the term to novels about man-made global warming? (If we don’t, we should remember that narratives about global climatic change are as old as The Epic of Gilgamesh and the Biblical story of the flood.) If we define cli-fi as fictional treatments of climate change caused by human activity in terms of setting, theme or plot – and accept there will be grey areas in the extent of this treatment – a conservative estimate would put the all-time number of cli-fi novels at 150 and growing. This is the figure put forward by Adam Trexler, who has worked with me to survey the development of cli-fi.

This definition also gives us a start date for cli-fi’s history. While planetary climatic change occurs in much 20th-century science fiction, it is only after growing scientific awareness of specifically man-made, carbon-induced climate change in the 1960s and 1970s that novels on this subject emerged. The first is Arthur Herzog’s Heat in 1976, followed by George Turner’s The Sun and the Summer (published in the US as Drowning Towers) in 1987.

At the turn of this century, Maggie Gee and TC Boyle were among the first mainstream authors to publish climate change novels. In this century, we can count Atwood, Michael Crichton, Barbara Kingsolver, Ian McEwan, Kim Stanley Robinson, Ilija Trojanow and Jeanette Winterson as major authors who have written about climate change. The past five years have given us notable examples of cli-fi by emerging authors, such as Steven Amsterdam, Edan Lepucki, Jane Rawson, Nathaniel Rich and Antti Tuomainen.

Creative challenges

Cli-fi is all the more noteworthy considering the creative challenge posed by climate change. First, there is the problem of scale – spatial and temporal. Climate change affects the entire planet and all its species – and concerns the end of this planet as we know it. Novels, by contrast, conventionally concern the actions of individual protagonists and/or, sometimes, small communities.

Added to this is the networked nature of climate change: in physical terms, the climate is a large, complex system whose effects are difficult to model. In socio-cultural terms, solutions require intergovernmental agreement – just what COP21 intends – and various top-down and bottom-up transformations. Finally, there exists the difficulty of translating scientific information, with all its predictive uncertainty, into something both accurate and interesting to the average reader.

Still, cli-fi writers have adopted a range of strategies to engage their readers. Many cli-fi novels could be classified as dystopian, post-apocalyptic or, indeed, both – depicting nightmarish societies triggered by sometimes catastrophic climate events. A future world is one effective way of narrating the planetary condition of climate change.

Some novelists are also careful to underpin their scenarios with rigorous climatic predictions and, in this way, translate science fact into a fictional setting. Kingsolver, who trained as an ecologist, is the best example of this – and Atwood and Robinson are also known for their attempts at making their speculations scientifically plausible. Also, cli-fi novels, particularly those set in the present day or very near future rather than in a dystopian future, tend to show the political or psychological dimensions of living with climate change. Readers can identify with protagonists. To some extent, the global community is represented in fictional everymen or everywomen. Or, often, it is through such characters that science is humanised and its role in combating climate change better understood.

Can cli-fi lead to change?

Could cli-fi affect how we think and act on climate change? The paradox is that the harder cli-fi tries, the less effective it is. Many writers want to inspire change, not insist on it: the line between literature and propaganda is one that most novelists respect. Literature invites us to inhabit other worlds and live other lives. Cli-fi at its best lets us travel to climate-changed worlds, to strive there alongside others and then to return armed with that experience.

In Paris, the UN will seek a global agreement on climate action for the first time in more than 20 years. There is plenty of climate change fiction out there to help provide the mental and psychological space to consider that action.

The Conversation

Adeline Johns-Putra, Reader in English Literature, University of Surrey

This article was originally published on The Conversation. Read the original article.