Tom Watson accuses May of "a cover-up" over child abuse claims

Labour MP says inquiry into allegations involving a senior Conservative politician is "the next stage of a cover-up".

After criticising the BBC for failing to respond adequately to allegations of child abuse by Jimmy Savile, the government is determined not to be seen to make the same mistake in the case of the alleged north Wales paedophile ring.

In a Commons statement earlier today, Theresa May announced the details of two inquiries into allegations of sexual abuse involving a former senior Conservative politician. The Home Secretary told MPs that north Wales police chief Mark Polin had invited Keith Bristow, the director general of the National Crime Agency, to "assess the allegations recently received, to review the historic police investigations and investigate any fresh allegations". He will produce an initial report on the case by April 2013. In addition, May confirmed that the government would ask "a senior independent figure" to lead an investigation into the 1996-2000 Waterhouse Inquiry, which is accused of failing to consider all allegations of abuse. "Given the seriousness of the allegations, we will make sure that this work is completed urgently," she added.

Responding for Labour, Yvette Cooper warned that having more than one inquiry risked causing confusion and called for "a single, overarching review". But it was Tom Watson, who first aired the new allegations at PMQs last month, who made the most notable intervention when he accused May of instituting "the next stage of a cover-up". The Labour MP told the Commons:

The lesson of Hillsborough and hacking is that a narrow-down investigation is the basic building block of a cover-up. To limit this inquiry to north Wales and Savile would in my view be a dereliction of the Home Secretary's duty. It would guarantee that many sickening crimes will remain uninvestigated and some of the most despicable paedophiles will remain protected by the establishment that has shielded them for 30 years.

Whether you were raped or tortured as a child in Wales or in Whitehall you are entitled to be heard. The media may be transfixed by the spectre of a paedophile cabinet minster abusing children, but what actually matters is that thousands and thousands of children, whose lives have been ground into nothing, who prefer to kill themselves than carry on, who have nowhere to turn, to whom nobody listens, whom nobody helps. Does she sincerely want to start making amends or can she live with being what she’s just announced – the next stage of a cover-up.

May was careful to warn MPs that using parliamentary privilege to name the Thatcher-era Tory could jeopardise any future prosecution. For the record, the individual in question has denied all of the allegations. He told the Daily Telegraph:

Some guy said I was in the habit of taking young men from Wrexham in my Rolls-Royce.

But I have only been to Wrexham once and I didn’t visit the children’s home, I made a speech to the constituency. I was with an official at all times. I never had a Rolls Royce.

When the inquiry was taking place I hired a lawyer to watch it in case there was any mention of my name. The point is that it is totally without any grounds whatsoever.

Labour MP Tom Watson warned that "many sickening crimes will remain uninvestigated". Photograph: Getty Images.

George Eaton is political editor of the New Statesman.

Show Hide image

Young people want big ideas – that's why I refuse to dumb down Radio 4

My week, from finding a way through the fog to getting the quarterly audience figures.

I walk to work through Regent’s Park, when possible accompanied by my dogs, which my husband then collects on his bike ride and takes home. If there is time we have coffee together in the small hut just before the inner circle. This is a good way to listen to the Today programme, I find, as I can keep one ear in, achieve a rational, critical detachment and still enjoy the birds, and then add the other ear if a strong interview demands immersion, or take both out altogether when despair creeps up. On the subject of Today, I hope to have some fun with Sarah Sands, whom we have just appointed as the programme’s new editor; it’s good to see an experienced woman brought in at a senior level to the BBC.

 

A winter’s tale

The park through the seasons has become something of an addiction, measured out by inspired planting of appropriate annuals, the names of which I note and discuss with the gardeners when I dare interrupt them.

Memorable events occur quite frequently during this walk: I once stumbled upon a proposal of marriage involving a beautiful young woman who once had worked for me; an elderly Chinese gentleman practises t’ai chi regularly at a certain spot and I imagine talking to him about the changes he has seen in his lifetime back home. I have seen a rare green woodpecker on the grass pecking boldly in plain sight, and hopeless ducks, silent, puffed up, marooned in the fountains, unable to find their way back to the ponds, so close by.

At the start of winter, while walking home one day, I got stuck in the park, with a group of other stragglers, as the gates locked with the onset of darkness. Rather than retreating the way I had come, I accepted the offer (from a rather good-looking stranger) of a lift down from the top of the gate. The atmosphere then was alive, exhilarating, with crowds heading for the Frieze Masters marquee. How different it all is now, in 2017. There’s a new mood, a new American president, a new era.

 

Musical interlude

Recently, Roger Vignoles – the glorious pianist and a close friend – was playing, as he often does, in a lunchtime concert recorded for Radio 3 around the corner from Broadcasting House at the Wigmore Hall, with the baritone Roddy Williams. French songs: Fauré, Poulenc, Honegger, with a handful from Caplet (the latter quite new to me). All thoughts of politics fled, giving way to “L’adieu en barque”, set late one summer’s day on the river, a moment to clear the fog, both within and enveloping us that day in London.

I left an hour later in clear sunshine, feeling smug because we have commissioned Roddy’s Choral ­History of Britain for Radio 4 later this year.

 

Power trip

Waiting for coffee to brew, I was discussing Book of the Week with Gill Carter, commissioning assistant on this slot, when my drama commissioner, Jeremy Howe, put his head round the door. “Clarke Peters (yes, the one from The Wire) is here reading The Underground Railroad for Book at Bedtime.” Assured, deep tones rang out from a tiny studio on the third floor. “I have to keep stopping,” he said, as I thanked him.

Who could not be overcome by this story of slavery and bravery at this moment in American history? I am so glad to bring it to listeners this month. “Can you help?” the producer pleaded as we left. “We’re about to be thrown out of the studio.” That’s real power, I thought, as ten minutes later Jeremy had conjured up the extra time.

Clarke Peters will be back in the autumn with a series about the real history of black music in the UK which, he says, is little understood.

 

Culture and anarchy

This is the time of year when we launch the commissioning round calling for big ideas for next year. It’s a humbling thing to stand in our beloved art-deco Radio Theatre in front of hundreds of programme-makers, hoping that they will be inspired to bring “the best which has been thought and said in the world” (my guiding principle from Matthew Arnold).

I try on these occasions to lay out a little of how I see the shape of the world in the commissioning period ahead. This year the Loneliness of the Long-Distance Runner overcame me. Better perhaps simply to outline the way we commissioned the first week of 2017 to catch the mood. T S Eliot, more or less all New Year’s Day, read by the formidable Jeremy Irons, raised an echo of the Thirties, then a factual series of considerable documentaries across the week described The New World, followed by writers around the globe Imagining the New Truth.

Finally, inspired by Twelfth Night and the spirit of misrule, the comedy writer John Finnemore, one of our favourites, took over as the Lord of Misrule himself.

The imaginative world and writers have never been more needed. Whether it is truth or post-truth, I suspect that dramatic, imagined and creative truth when properly achieved is probably the nearest we can ever get to truth itself.

 

Tuning in

It’s the week of Rajar. These are quarterly audience figures for radio. In the past few months, they tell us, over 11 million people have listened each week to BBC Radio 4, setting new records. Just under half are below our average age of 56 and 1.5 million are under 35. At the moment we seem to have over two million weekly visitors to the website and roughly 20 million monthly global downloads.

Who says young people don’t want intelligent content? Who says that dumbing down is the only way to attract big audiences? We at Radio 4 try to be all about smartening up. We mark Rajar Day (whether the numbers are up or down) with cake, so I make my way to Paul for two tarts, pear and blueberry this time.

Gwyneth Williams is the controller of BBC Radio 4

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times