GDP almost returns to the level it was before Osborne's double-dip

The effects of the second recession have been reversed by 1 per cent growth this quarter.

Cameron's claim yesterday that "the good news will keep coming", while (probably) a mild abuse of his privilege in having seen the GDP figures early, was proved true today. Sort of.

The good news is that we are out of recession; the economy grew by 1.0 per cent over the last quarter. Indeed, given the revisions to previous quarters, that's enough to cancel out the contraction from the quarter before. That is good news, at least insofar as not leaving recession would be very bad indeed.

The bad news is that we are emphatically not out of the doldrums yet. The economy may have recovered from the second, austerity-led recession, but it leaves over-all growth for the last four quarters almost exactly flat (in fact, the economy is still 0.1 per cent smaller than it was at the end of Q3 2011).

As for the economy finally regrowing back to the size it was in 2008, well, there's a long way to go. The classic NIESR graph details just how big the output gap is:

Interestingly, the ONS refused to quantify the effect of the Olympics over all on the GDP figures, but did say that the effect of ticket sales particularly was likely to be a significant part of the growth. Owing to the way the statistics are counted, those sales are not counted for the quarter in which they are made, but the quarter in which they are used. There was, in effect, a transfer of consumption from mid-2011 to mid-2012, and that can't have failed to have an effect. The statistical bulletin reads:

Tickets for the Olympics were sold in tranches through 2011 and 2012 but, in accordance with national accounts principles, these have been allocated to the third quarter, when the output actually occurred. The impact of the ticket sales on GDP can be clearly seen in the lower level data for sports activities, which is part of the Government and other services aggregate in Table B1. Ticket sales were estimated to have increased GDP in the quarter by about 0.2 percentage points. (Emphasis mine)

The agency also urged commentators to look at the growth figures for a longer period than the quarter-on-quarter releases. Coming so soon after Cameron's no-quite-leak, it's hard not to read that response as putting the Prime Minister in his place.

"This may be a good quarter, Mr Cameron, but don't celebrate just yet."


George Osborne. Photograph: Getty Images

Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.