Still a messiah?

Forty years after his death, Che Guevara has little to offer as a guide for making revolution. So wh

In 1968, when the photographer Don Honeyman was experimenting with Alberto Korda's iconic image of Che Guevara, he discovered something curious. Honeyman had been experimenting with a process of solarisation as a way of making fashion images more exciting and had been asked by a poster company to try the same thing with Korda's photograph of Che - said to be the most reproduced photo in the world. But he was having trouble duplicating the look of the image as it had first been published in Europe by the revolutionary press.

"I worked over the image for several days," Honeyman wrote, "but couldn't seem to get the same idealistic gleam in Che's eyes. I finally compared the first Che with the second, and discovered that some canny designer, presumably at [the original Italian printers], had made Che slimmer and his face longer, by about one-sixth. It was so effective that I, too, stretched him, and it worked like a charm. It doesn't really do to have a revolutionary who's too plump."

There is something fitting about the world's most iconic revolutionary image having been manipulated. Che's legacy, 40 years after his death in a failed attempt to ignite revolution in Bolivia, rests heavily on an image so powerful and so plastic that it still serves both as a generalised inspiration to rebel and as a vehicle for the sale of everything from ashtrays to T-shirts.

The photograph was taken in March 1960 at the funeral of the victims of an explosion on board the French freighter La Coubre in Havana harbour, in which 81 people had died. The Cuban leadership suspected sabotage by the CIA and the funeral, attended by Simone de Beauvoir and Jean-Paul Sartre, among others, became an anti-American rally. Guevara did not speak, and came into view only briefly for Korda, who was recording images of the event from the crowd. Korda had started out as a fashion photographer, but was then Fidel's personal photographer. He managed two shots with his Leica before Guevara disappeared from view.

The pictures were not published in the reports of the event, but Korda pinned them up in his studio in Havana, and in 1967 gave two of them to the Italian publisher Giangiacomo Feltrinelli, who was planning to publish Che's Bolivian Diary. Within six months Che had been assassinated in Bolivia and both Feltrinelli and the Cuban government published the first posters.

Even in death, Che was lucky with his photographers. Freddy Alborta, the only professional photographer allowed to see his body shortly after his execution in Bolivia, wired a haunting photograph of the corpse, lying on a table, surrounded by military men. The image is Christ-like and has been compared both to Andrea Mantegna's Lamentation Over the Dead Christ and to Rembrandt's Anatomy Lecture of Dr Nicolaes Tulp. But it was Korda's lucky shots that ensured Che Guevara was not for gotten. Korda's photograph, suitably doctored, took on a life of its own, creating an irresistible combination of celebrity and rebel glamour that gave Che an influence in a world that had long forgotten the details of his exploits.

Through the image, the complexities of Che's life and thought are reprocessed into an abstraction that can serve any cause. It was later used in a fake Warhol, a fake that Warhol authenticated, on condition that the revenues go to him. Che's transformation from revolutionary martyr to pop celebrity, with all that it implied in ubiquity, was complete. Forty years on, it is still going strong: when the Victoria and Albert Museum in London mounted an exhibition last year of the history of the Korda image, the curators assembled objects from more than 30 countries, used in contexts as diverse as Madonna's album American Life and Ricky Gervais's Politics DVD to Jean-Paul Gaultier's sunglasses campaign. It has been painted as graffiti in Bethlehem, carried in demonstrations from Palestine to Mexico and borrowed by such artists as Pedro Meyer, Vik Muniz, Martin Parr and Annie Leibovitz. It has been used to represent causes as diverse as world trade, anti-Americanism, teenage rebellion and Latin American identity. It has sold dolls, French wine, model cars, cigarette packets, stamps, Swatch watches, Austrian skis, ashtrays, mugs, keyrings and nesting Russian dolls. Nor is it under capitalism only that Che's image stimulates sales: souvenir shops in Cuba are festooned with Che tourist tat, and in Bolivia, where the left-wing president, Evo Morales, has installed Che's image constructed from coca leaves in his presidential suite. Tourist agencies even offer package tours to the spot where he died.

Emotional appeal

Che's durability owes little to his revolutionary achievements, though his revolutionary credentials are authentic. He was radicalised as a young man by the US-backed coup in Guatemala that overthrew the elected government of Jacobo Árbenz and he played a central part in the Cuban revolutionary struggle. After the revolution he served as finance minister, but grew increasingly alienated from the Castro brothers. He went to the Congo to support revolution there before setting out on the fatal Bolivian adventure, hoping to spread revolution across the subcontinent. Ernesto Guevara was certainly a revolutionary, but so were many others whose names have long been forgotten and whose records inspire more critical assessment.

Che's appeal is emotional. His death in Bolivia as a relatively young man created Che as secular Christ, the man who took upon himself the sins of the world and gave his life for the cause of the oppressed. His memory remains available to the oppressed; his image continues to inspire the hope of change and the virtue of rebellion, enhanced rather than diminished by his defeat. Christ, too, was defeated on earth and, again like Christ, Che's death conveys a promise of redemption through inspiration. He is the rock-hero biker revolutionary, the martyr to idealism, a James Dean in fatigues. When Pope John Paul II celebrated mass in Havana's Revolution Square, the giant image of Che that hangs there served as a revolutionary counterpoint.

But beyond his quality of universal icon of rebellion, what survives of Che's life's work? The promotion of Marxism and violent revolution? Forty years after his death, it is hard to imagine what an octogenarian Che would have felt about his younger self or about the world that he did not live to see. Would his personal and political asceticism have survived in an age in which rampant consumerism has captured the mass imagination? Would he have been distressed or gratified that the USSR, embraced by Fidel Castro against his objections, had collapsed? In 1964 he called Russia a "pigsty" because of the conditions in which it kept the workers. Would he have been any more gratified by the conditions of Cuban workers, nearly 50 years after the revolution? Would he have been encouraged by the rise of China, whose revolution he praised, or appalled at China's new character as a state-managed market economy?

In Cuba his image serves the mythology of the revolution that is used to glamorise a sclerotic state structure: old men in freshly laundered fatigues preside over a dollarised economy, heavily dependent on tourism, in which young women turn to prostitution to buy the consumer goods their counterparts in Miami take for granted.

In wider Latin America, his legacy is mixed. The perceived failure of the neoliberal reforms of the 1990s has intensified opposition to the Washington consensus and produced a series of left-wing victories at the ballot box that guarantee his name is honoured - as in 2006, when Daniel Ortega's Sandinista movement, now a party of dubious revolutionary credentials, was elected to power and the party faithful wore Guevara T-shirts to the victory party. Hugo Chávez, the populist leader of Venezuela, who is known for his eagerness to wear the clothes of the Cuban revolution, often dons a Che T-shirt. Some of his ideas, too, are back in vogue with Latin America's new left: pan-Americanism, support for the region's popular movements, nationalisation and centralisation of government. The various "expressions of the popular will" that he favoured over ballot-box democracy - neighbourhood courts and the Committees for the Defence of the Revolution - have found new expression in Venezuela and Bolivia.

But even here, Che might have felt a little unease. He was critical of much of the Latin American left for its rejection of the armed struggle, and grafted his Stalinism on to the tradition of revolutionary petit bourgeois nationalism in Cuba exemplified by José Martí, much as the Sandinistas were to use Sandino as an inspiration in Nicaragua. Yet many of those now most enthusiastic about his memory came to power through the ballot box. Only in Colombia, where he remains an inspirational figure for the dissident Farc, would he recognise true heirs.

Politically, there is no movement that could be called Guevarist. In Peru, Fidelistas and Guevarists are in opposing camps, as they are in Panama and Mexico. For contemporary intellectuals of the left, Che's legacy, with its romanticism and heroisation of the guerrilla, is problematic. For instance, Jorge Castañeda, the Mexican writer and sociologist, wrote in his biography of Che that Che's ideas had nothing to offer present generations. For Castañeda, his "refusal of ambivalence" and his unwillingness to understand life's contradictions were relics of a damaging era in Latin America. In an age in which the absolutes of Marxism and market capitalism were judged to have failed, Che had nothing to say.

Nor has his popularity in the west translated into any coherent politics. Che's image is still carried by the left, but is also adopted by thousands who have only the vaguest idea of his life, beyond the Hollywood version of The Motor cycle Diaries. In London, a small torchlit rally held in Trafalgar Square to commemorate the 35th anniversary of his death gave a flavour of the portmanteau character of Che's image. In the heroic prose of the participants, "banners and placards were held high" and "chants and speeches rang out from the megaphone across Trafalgar Square to the listening ears of the demonstrators and the passing public and readings from Che's writings were read out". Speakers came from Rock Around the Blockade, Fight Racism! Fight Imperialism!, Victory to the Intifada, the Colombia Solidarity Campaign, the Africa Liberation Support Campaign and the people's movement of the Philippines.

To this assorted list, as to oppressed peoples elsewhere, Che has little to offer as a guide to making revolution. What he does have is the messianic image of sacrifice for the sins - or sufferings - of others. Regardless of his failures and contradictions, or the obsolescence of his methods and ideology, the potency of that image, with its symbolic, religious quality, continues to inspire.

As the Portuguese writer José Saramago wrote, in characteristically mystical terms: "Because the photo of Che Guevara was, before the eyes of millions of people, the image of the supreme dignity of the human being. Because Che Guevara is only the other name of what is more just and dignified in the human spirit.

"He represents what sometimes is asleep in us. It represents what we have to wake up to know and to learn to know even ourselves, to add the humble step of each one of us to the common road of all of us."

This article first appeared in the 08 October 2007 issue of the New Statesman, Election fever

Grammar school in 1962. Getty
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What I learned about class after my twin brother and I were separated by the 11-plus

When my twin brother went into a secondary modern school, and I went to a grammar, something more than a private rift opened up: we were assigned to different social classes. 

The cultural schism exposed by Brexit in Britain and the election of Donald Trump in the United States has been a long time in the making. It goes deep, and for many it has been not only a bleak social ­phenomenon, but also a profound personal experience.

When my twin brother went into the C stream of a secondary modern school in the 1950s, and I passed the examination for Northampton Grammar School, something more than a private rift opened up: we were assigned to different social classes. Apprenticed to a carpenter at 15, he did national service, while I remained at school until I went up to Cambridge University. By this time, the breach had become irreparable. Our separate lives were emblematic of divisions in Britain which have only recently been officially acknowledged. My brother made a success of his life restoring historic buildings, but many others did not, consigned to failure at 11, or subsequently ejected from employment that they had imagined would last a lifetime – work scornfully dismissed now as “jobs for life”, as though heavy manual labour were an idle sinecure.

 

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Why do we recognise the true nature of the society we live in only when it is on the verge of dissolution? Perhaps its passing shows up its certainties for the brief, shadowy arrangements that they are. Yet while it remains, it is life itself, the only possible way for human beings to be. No society is exempt from the cycle of ascent, momentary stability and decay, and this is as true in Britain of the industrial era as it was of a declining agrarian society in the 18th century.

In An Essay on the Principle of Population (1798), Thomas Malthus, echoing the French physiocrats, declared that manufacturing would never increase the wealth of the nation because food production was its primary economic purpose. The industrial worker “will have added nothing to the gross produce of the land: he has consumed a portion of this gross product, and has left a bit of lace in return; and though he may sell this bit of lace for three times the quantity of provisions he has consumed whilst he was making it . . . he cannot be considered as having added by his labour to any essential part of the riches of the state”.

Rarely can such predictions have been so swiftly disconfirmed. Industry was already sweeping up people in its compulsions, as Oliver Goldsmith had lamented of a wasting rural life in his poem “The Deserted Village” (1770): “Far, far away, thy children leave the land.” Industry effaced the sensibility of country people and remade it in the image of the rigid discipline of manufacturing, mining and mill. A new kind of human being came into existence: the industrial worker, whose disposition, mutinous and refractory, was observed by the rich with suspicion, as they could not assess its potential for disaffection and tumult. Little was known of the “alien” mentality of the people; as little, perhaps, as that revealed to an astonished establishment by the unanticipated result of the EU referendum.

No wonder the working class became a central preoccupation of governments, reformers and politicians. There was controversy from the beginning over the “true” temper of the worker, then predominantly male, engaged in the making of things, useful and necessary to the prosperity of Britain. Did the workers want a fairer share of the wealth of the country? Did they seek to overthrow the established order? What was simmering in their mysterious, impenetrable communities of poverty?

Researchers ventured into darkest England – to places frequently likened to sites of imperial conquest – and returned with lurid tales of squalor and discontent; at the same time, trade unions and friendly and burial societies were growing, the co-operative movement evolved, and eventually a Labour party emerged which at last appeared to be a definitive expression of the psyche of the working class.

Strengthened as the 20th century dawned, but weakened by war and the Depression, Labour gained new vigour after the defeat of Nazism. With the coming of peace in 1945, both the spread of communism and the dissolution of the European empires made it timely, just and prudent for ruling elites to make concessions to the working class. Hence the marriage of unequals between capitalism and welfare, which at the time promised to be a permanent settlement.

What was regarded as the enduring sensibility of the industrial worker was doomed to follow its agricultural predecessor. It, too, became fully defined only when close to disintegration. When E P Thompson published his splendid Making of the English Working Class in 1963, signs of its decomposition were already detectable. Similarly, The Uses of Literacy, Richard Hoggart’s tender depiction of working-class culture (first published 60 years ago this year), was based on his experiences as a child in the 1920s and 1930s. The historians Eric Hobsbawm and Raymond Williams also framed what looked like a definitive version of the ­working class even as workers from the Caribbean and south Asia, recruited for a waning textile industry and transport and health systems, were transforming it.

Similarly, the consolation that the gritty north was the true source of Britain’s wealth, in contrast to a soft, self-indulgent south, left a long afterglow; it persisted long after the factories had collapsed in clouds of brick dust and splinters of glass and the south, with its financial services and advanced technologies, had become the principal generator of wealth.

 

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Social class was always inflected by individual circumstances. There were other elements involved in the separation from my twin. Our mother’s husband was diagnosed with tertiary syphilis in 1939; at the time, this was curable only by prolonged treatment with injections of arsenic and mercury. Our mother, who looked after the butcher’s shop that we lived above, realised that there would be no children in the marriage. A strong and resourceful woman, she met an engineer working on a construction site near the butcher’s shop she ran while her husband drove his lorry, carrying timber, bricks and glass all over the Midlands. He also carried more tender cargoes, with whom he spent nights in the back of the truck under a tarpaulin intended to protect merchandise from the rain. From one of these cargoes he contracted the disease, the sibilant syllables of which struck terror into those touched by it, much as HIV/Aids was to do half a century later.

Our mother became pregnant with my brother and me. Perhaps it was a fear that the two men in her life might gang up on her that impelled her to keep me and my brother apart, distributing roles that would ensure we never learned truly to know one another, even though we lived in the same house, with its frozen atmosphere, numb with secrets, for the first 18 years of our lives. My brother was practical and good-looking, docile and sweet-tempered; I was clever and fat, demanding and devious. Our schooling played a secondary role, but it did succeed in driving us further apart. Class was only one element in the hidden geometry of kinship.

 

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Even in the 1950s, when the effect of ­prosperity on the working class was discussed in The Affluent Society by John Kenneth Galbraith and The Status Seekers by Vance Packard, it was difficult to sustain belief in the existence of a homogeneous class. In 1959, after three consecutive Conservative electoral victories, even the Daily Mirror doubted whether a Labour party had a future.

Writing In Pursuit of the English in 1960, Doris Lessing described her “search” for the working class as “a platonic image, a grail, a quintessence, and by definition, unattainable”. Having been assured in her native Southern Africa that black workers were “not working class in the true sense”, she came to Britain, where, after encounters with the Communist Party (“not typical”), miners and dockworkers (“very specialised” labour) and workers in a new town (“tainted by capitalism”), she was advised that the true working class could be discovered only somewhere like South Africa, where “the black masses are not yet corrupted by industrialism”.

The erosion of identity of the working class, as it existed between the mid-19th century and the end of the Second World War, went largely unrecognised by its defenders and representatives. It was certainly apparent in Blackburn in 1969, when, for my book City Close-Up, I recorded a torrent of racism and prejudice in working-class areas: this was the outrage of people who had never been consulted on the social and economic mutation of their world. Barbara Castle, the energetic and radical MP for the town, suggested I play down race, because “in a few years it will burn itself out”.

 

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Class itself was already in flux as a result of the unprecedented affluence of the time, and class consciousness was dissolving in the mild acid of consumerism. The differences between my twin and me appeared to be influenced by culture rather than class, because he was economically more successful than I was. This faltering of a sense of class was perhaps a symptom of the triumph of market-based relationships over those that are socially determined; and perceptions of the world had shifted in accordance with this reality.

 

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Distance grew between the way people actually were and an embalmed version of the working class which continued to animate the left. In 1977, I published What Went Wrong?, subtitled Working People and the Ideals of the Labour Movement. In the US the subtitle was presciently amended to Why Hasn’t Having More Made People Happier? – in that advanced country, ideals and the labour movement had become unintelligible concepts.

I interviewed hundreds of elderly Labour activists who, looking at a world changed beyond recognition, spoke of their younger selves with the sad detachment with which people usually speak of the dead; their tone bore the melancholy regret of In memoriam notices.

It was clear four decades ago that the northern industrial towns were “wanting in purpose, looking for the meaning they once derived from their role in producing goods”. In the 1970s the feeling was that immigrants from Asia had somehow usurped the people’s way of life: they lived in houses lately vacated by millworkers; they had a strong sense of family and neighbourhood, as well as powerful cultural and religious traditions – all characteristics supposed to “belong” to Lancashire.

During the economic restructuring in the 1980s, I compared (in my book Unemployment) the experience of being out of work in those days with that of the 1930s, with its poignant tales of officials from the ­Unemployment Assistance Board, sitting in the balcony at the Rialto Cinema to see who was in the stalls when they should have been pounding the pavement looking for work; or Means Test men compelling families to sell an upright piano or a wedding ring before they could receive a penny of state charity. In the 1930s, no one doubted work would return; in the 1980s, industrial work was vanishing.

It seemed the working class in Britain had attained quietus after the miners’ strike in 1984. High unemployment was said to be “frictional” as we moved between epochs, a “creative imbalance” that would one day make us all richer and happier, though not quite yet. The working class was eliminated from the very history that, in some versions of prophecy, was to have ensured its ultimate triumph. Had the working classes died and gone to a heaven shaped in the image of expropriated socialist utopias? Had they been drowned in prosperity or assimilated into an expanding middle class? Whatever their fate, they were no longer of any account in the version of society disseminated by the media. This was reinforced by the collapse of the USSR, and there ceased to be any interest in what might be happening to them. Their sometime heroic role had been unceremoniously annulled.

In the absence of the working class, the rich were transformed: employers no longer exploiters of labour, but philanthropic providers of work. Those amassing fortunes became authors of the doctrines of wealth creationism. The working class, far from the gravedigger of capitalism, was merely a transient irritant. The class reached its zenith, faltered and fell back; and the ­liberatory power once attributed to it was appropriated by the warriors of wealth, who assumed the mantle of destiny of those they had displaced.

The working class was fragmented and dispersed, like the migrants who now constituted such a significant segment of it. New generations grew, not as citizens of this or that town, with its place in a national division of labour, but as dependants of a global market. If “globalisation” is to the 21st century what industrialisation was to the 19th, its significance lies in its disarming of people, no longer able to answer basic needs in the places where they live, but compelled to buy in what they need from countries whose names are only a vague echo of forgotten geography lessons. As the market colonises society, we become subjects of a curiously dematerialising topography: Theresa May could not have expressed it better when she said that “if you believe you’re a citizen of the world, you’re a citizen of nowhere” – although this was not her ­intended meaning.

As the (welfare) state shrank, the market dilated, invasive and predatory. Our lives are so penetrated by its “values” that these now appear in our most intimate relationships – we speak of emotional investment and interrogate our deepest attachments, asking what returns we will get; should we cut our losses; what are our best assets; are we in the market for a new relationship; shall we take a gamble; what is to be gained out of profitless attachments; will it pay dividends; what will it yield? Just as “human nature” serves as a cover for the nature of capitalism, so society provides an alibi for market-induced disorders – obesity and pathologies around eating, unquiet addictions to alcohol, drugs, gambling, celebrity, sex, food; all facilitated by what money, in its own right the most addictive substance known to humanity, can buy.

No wonder this age is characterised by nostalgia for coherence and purpose. It focuses on the recent manufacturing era, even if this was shadowed by grim institutions of factory, chapel, pub, workhouse, cinema and cemetery and the oppression of women and children – just as the Industrial Age directed its yearnings towards a past of sunlit field and flower-filled hedgerow, despite the omnipresence then of overseer, magistrate, bailiff and parish pay-table.

 

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Despite a sense of continuous change, the wounds of social class continued to influence even those to whom it no longer appeared as a force in their lives. My twin brother paid for his early membership of the working class with his death 12 years ago from mesothelioma: his early construction work had exposed him to the baleful effects of asbestos.

 

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The disorientation is profound: demolition of the old workplaces also suppressed the way of life and sensibility that accompanied them. Progressives, no less alarmed by these developments than the reactionaries, applauded them, turning to the growing diversity and pluralism of the labour force. They welcomed the shifting composition of the working population, in which women, ethnic minorities and LGBT people were moulded into a fragile coalition for social progress. That such an alliance contained factions and some incompatible objectives (say, respect for same-sex relationships, at odds with many Muslims and evangelical black churches) was not its greatest failing. This lay in the elevation of social equalities over economic equality, which continued to get worse, even for most of those in the groups favoured by progressives. Moreover, “mobility” was interpreted as a one-way street; few considered the downwardly mobile, many of whom proudly acknowledged their working-class roots. Poverty, too, was redefined: no longer concerned with unanswered need, it was now measured against unattainable wealth.

 

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Personal relationships – which for most people are now more powerful than any sense of social influence – also help to conceal patterns of class and what in 1993 Richard Sennett called its “hidden injuries”. Our mother revealed to my brother and me the secret of our paternity only when both men were dead. This also exposed unsuspected inherited features: my brother had acquired from our biological father his love of restoring buildings, while I had the questionable gift of his radicalism. He had been a member of the Communist Party in the 1930s.

 

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The fluid nature of class complicates the re-emergence of a working class in its new, emancipatory alliance with the super-wealthy – Trump and the funders of Brexit. Its sudden resurrection is attended not by the solidarities of belonging, but by those of a graveyard ideology of hatreds thought to have been conquered. This is a gift to demagogues and “strongmen”, as it enables them to perceive once more the “true” nature of a class whose heart still beats to rhythms of imperial nostalgia and aggressive nationalism.

Perhaps, following the precedents of agrarian and industrial cultures, the cult of the market is finally being acknowledged, just as it, too, is on the point of eclipse. Beneath the chaos of a culture where even truth has become a kind of consumer choice, new patterns of resistance are forming: commitment to a more just distribution of the goods of the Earth and respect for a planet ransacked by an omnivorous market; a rejection of robotics displacing humanity; a rediscovery of our capacity to do and make things freely for ourselves and each other.

But the savage regressions of our time may be not just a momentary disturbance, any more than agrarian and industrial society were. The cycle may have to play itself out, in who knows what ugly and distressing scenes, before the time for remorse comes round once more; then, appalled by our destructiveness, we shall repeat the constantly broken resolution: Never Again.

The great Spanish humanist Juan Luis Vives, whose influence helped shape the Elizabethan poor law, wrote, in On Assistance to the Poor (1526): “. . . the poor are cast out of the churches and wander over the land; they do not receive the sacraments and they hear no sermons. We do not know by what law they live, nor what [are] their practices and beliefs.” After five centuries of upheaval and driven change, and in a radically altered context, his words still have a haunting, prophetic relevance.

Jeremy Seabrook’s most recent book is “The Song of the Shirt”, published in India by Navayana and in the UK by Hurst

This article first appeared in the 06 April 2017 issue of the New Statesman, Spring Double Issue

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