Over the years I have been living in the Hovel, I have taken a mild interest in the changing use of what was once the Beatles’ Apple Boutique, nearby on the corner of Baker Street and Paddington Street. (I love the band with a fierce love and have discovered that every possible stage and nuance of a relationship is covered by at least one of their songs.) For eight months, this was where they sold smelly Afghan coats, velvet loons and Mary Quant knock-offs. When they realised that because of their trusting, open-door policy everyone was nicking the stuff left, right and centre, they gave up and officially let the grubby hippies pick up everything they wanted for free.
I have always been grimly amused by the subsequent history of what used to be the epicentre of the doomed counterculture. When I moved into the Hovel, almost six years ago to the day, the ground floor of the building was an employment agency. Then, for about a year or so, when everyone got jobs and no one needed employment agencies any more, it was a void, its windows splashed with whitewash. Now, it has become an estate agent’s.
This is cheering news. Everyone needs estate agents’; the people who work in them are the unsung heroes and heroines of the neoliberal project. Many is the time I have, on a whim, feigned an interest in a property in one of the swankier parts of town, simply so I could stroll around some A-list gaff whilelistening to a git in a shiny suit exhaust his stock of superlatives.
Actually, never is the time I have done this and indeed the last time I did anything remotely like it was in 1994, when my wife announced that we were buying the weirdly planned and pleasingly shabby old house off the “wrong” side of the Uxbridge Road, where she and our cat and our children still reside. On that occasion, the estate agent was charming and honest and was also a huge fan of mine because I had been quoted on the back of Fever Pitch, a book that is popular among estate agents, for some reason.
Back to Baker Street. “A unique opportunity to own the ultimate piece of Beatles memorabilia”, announces the sign in an estate agent’s but curiously not the one on the ground floor of the building. The sign shows a charming street scene: the Apple Boutique being mobbed by a crowd of monochrome young people. (Just look at the people in that picture, or in the last minutes of the Let It Be film, as a bemused public looks up at the Savile Row roof on which the Beatles are playing their last gig – there’s not a merry prankster to be seen among them, just dark suits and slim ties.)
This, it would appear, is a picture of the end-of-the-show free-for-all sale, hence the crowd; the building in the picture has been painted white, in deference to the outraged complaints of local shopkeepers when it was first decorated with psychedelic rainbows. The design company, as I recall, wascalled the Fool. Oh, heady, innocent days when you could call your design company the Fool!
“A boutique development of five stunning apartments in the former headquarters of Apple, the Beatles’ record company”, continues the sign. “To preregister your interest, please contact . . . ” It goes on, incidentally, to boast that the company was formed a year or two after John Lennon was shot, although it doesn’t put it quite like that.
The snag is, I don’t think I’ve got enough money to put a financial stake into a property on the corner of Baker and Paddington Streets. A quick, nauseating look at my bank balance at the cashpoint of the Barclays directly opposite reveals that I have about £0.00 to last me until the end of the month, once I have taken certain essential expenses into account. (Michael Gove: it is not about the “poor decisions” I have made. I suppose I could stop drinking, if I listened to certain counsels. But I can’t, for reasons I will explain in terms that even an imbecile can understand – I have to drink this much in order to deaden the pain of having to drink this much in order to deaden the pain of having to live like this. Got that?)
However, I don’t want to miss this opportunity to walk through this heritage, to look out of windows that Ringo Starr once looked from. And if I am asked whether I have the funds, I could reply that I do, for I have love; and, if four of the building’s previous owners were correct, that is all I need.