For Arabs in Israel, a house is not a home

Three representatives of Hamas have been forced to seek sanctuary at the Red Cross compound in East

Day 33 of the sit-in at the Red Cross compound in East Jerusalem began much like those that preceded it. The three Hamas parliamentarians who have been charged with disloyalty to a state whose jurisdiction they do not recognise awoke at 6am in the meeting room on the second floor of the white stone building in the Sheikh Jarrah area. Ahmad Atoun, who was an imam before he began his brief political career, led the first prayers of the day. The men washed in a bucket, ate breakfast and at ten o'clock came down to the L-shaped courtyard that has become the site of their protest. The plain white walls of the courtyard are decorated with posters that explain their case: "Jerusalem Is An Occupied City." "We Will Stay Here For Ever." "We Will Not Leave Our Homes."

Photographs of the three bearded men, and a fourth colleague who is in prison, were superimposed on an image of the gold-plated Dome of the Rock - the holiest site in the city in which they were born, and from which the Israeli authorities are attempting to expel them.

When I arrived five minutes later, a television crew was setting up outside the green metal gates at the entrance to the courtyard, and one of the teenage boys who attends to the men and their guests was updating the sign that keeps a tally of the length of their confinement. As the numerals changed from 32 to 33, Mohammed Totah, Khaled Abu Arafeh and Ahmad Atoun took their seats beneath the canopy where they would spend the day receiving guests. The chairs lined up against the walls in the traditional Arab manner are constantly in use, and sometimes the courtyard is full to overflowing: on Friday lunchtimes, an awning is erected in the street, and an imam says prayers to the assembled crowd. According to Red Cross officials, most of East Jerusalem society has passed through the courtyard. Three British peers - Jenny Tonge, Nazir Ahmed and Raymond Hylton - have been among the guests.

Despite the uncomfortable conditions in which they live, the three men at the centre of the protest were smartly dressed in pressed shirts and dark trousers. Until 2006, Moham­med Totah taught business administration at al-Quds University and Abu Arafeh was an engineer, while the preacher, Ahmad Atoun, worked for various Islamic charities. Yet their lack of experience did not prevent them from standing as candidates for the "Change and Reform" movement, as Hamas was called in the legislative elections held in the Palestinian territories in January 2006; if anything, it was an advantage, because the endemic corruption of the Palestinian Authority, which was dominated by Yasser Arafat's Fatah party, had turned the voters against the political elite. "People knew we were good Muslims and they trusted us," said Mohammed Totah, a tall and well-mannered man with thinning hair and a neatly trimmed beard.

Hamas, which was set up in the Gaza Strip in 1988, is known in the west for the crude, anti-Semitic rhetoric of its founding charter and for its terrorist activities. Its paramilitary wing has killed several hundred Israeli citizens, through the use of suicide bombers and other means, yet it also runs a network of charitable organisations in the Palestinian territories, and is respected for the even-handed way in which it distributes resources. In 2006, it won 44 per cent of the vote; Mohammed Totah and Ahmad Atoun won two of the 74 seats that gave it a majority in the 132-seat parliament, the Palestinian Legislative Council, and Abu Arafeh became minister for Jerusalem affairs.

“The world witnessed that we were democratically elected," Abu Arafeh said through his colleague Mohammed Totah, who speaks the best English of the three. But the men had little chance to implement their mandate. "The European Union said there must be democratic elections, and we must accept the results," says Mohammed Totah. "But afterwards, they said, 'No, we will not accept Hamas.'"

Four months after the election, the then Israeli minister of the interior revoked the men's rights to residency in Jerusalem and ordered them to leave Jerusalem and Israel "permanently". Events prevented the order being carried out: before the 30-day limit had expired, the Israeli soldier Gilad Shalit was kidnapped by Hamas militants in Gaza, and Israel began arresting officials and representatives of the movement. The three men, together with their colleague Sheikh Mohammed Abu Teir (who is distinguished in the many posters by his bright red beard, which he dyes in honour of a tradition supposedly established by the Prophet Muham­mad), spent the next three and a half years in Israeli prisons.

That none of them has been accused of terrorist offences is irrelevant as far as Israel is concerned - it regards Hamas's paramilitary, political and charitable activities as inextric-ably linked and mutually reinforcing, and the men's attitudes to Hamas's use of violence would do little to persuade it that it is wrong. If they could "secure their rights" by peaceful means, Mohammed Totah said, then they would do so, but negotiations have led nowhere, and under international law they have the right to use all available means to resist the occupation. "It isn't violence," he insisted repeatedly, "it's resistance - and even if you don't want to resist, the occupation will give you no choice. It will come to your house, it will kill your children, it will take your land, it will put you in prison."

The four men were released at the end of May, and the Israeli authorities promptly "unfroze" the 30-day order that had been issued in 2006. Mohammed Abu Teir - the eldest of the four, and the most experienced politician, who has spent a total of 30 years in Israeli prisons - was told to leave Jerusalem by 19 June. The others were told to leave by 3 July.

The concern their case provoked was sufficient to overcome the bitter factional dispute between Fatah and Hamas. All four men went to see Mahmoud Abbas, president of the Palestinian Authority, at his office in Ramallah on two occasions during the 30-day period. He told the men that the deportations were "a red line" and they couldn't be permitted to proceed. In public, he described the decision to deport them as a "grave act", and yet he was unable to do anything to prevent it.

Mohammed Abu Teir said that he would not leave the country where his family has lived for 500 years, or renounce his membership of a parliament to which he was democratically elected, and he was arrested and imprisoned "for staying in Israel illegally". The other three knew their time would come, and sought sanctuary at the Red Cross compound on 1 July. The aim of their protest is simple, says Mohammed Totah: "We want our rights - nothing more - and we will stay here until the international community recognises the justice of our case."

It is not the first time that Israel has attempted to deport Hamas representatives: on 17 December 1992, it responded to the killing of a border police officer by deporting 415 of the organi­sation's leading figures to Lebanon. The tactic was meant to destroy Hamas, but instead it provoked a wave of international condemnation that enhanced its status. "Everyone wanted to meet with them, Hamas became stronger, and, in the end, Israel was forced to bring them back," said Abu Arafeh.

On 18 December 1992, the UN Security Council unanimously adopted Resolution 799, which expressed "its firm opposition" to the measure, and reaffirmed that the "deportation of civilians constitutes a contravention" of Israel's obligations under the Fourth Geneva Convention, which applies "to all the Palestinian territories occupied by Israel since 1967, including Jerusalem". Eighteen years later, the men's lawyers have urged the Security Council to hold Israel accountable by Resolution 799, though Israel is unlikely to comply, simply because it does not recognise East Jerusalem as occupied territory. The international community regards Israel's decision to annex the areas of East Jerusalem that it captured during the Six Day War of 1967 as illegal, but the Israelis insist that Jerusalem is the "eternal and indivisible capital" of the Jewish people.

Since 1967, they have built settlements for 250,000 people on occupied land and devised various policies to combat demographic trends which indicate that the Jewish proportion of the city's population could fall to no more than 50 per cent by 2035. One-off measures, such as the decision to exclude almost a third of the Arab-Palestinian population from the city's first census, and the construction of the "separation wall" along a route designed to "remove 50,000 Arabs from East Jerusalem", as one official put it, are complemented by a long-term policy of revoking and restricting Palestinian residency rights. There are said to be at least 10,000 unregistered children in East Jerusalem; a child who has only one parent with residency rights does not receive a Jerusalem ID, and a person without residency rights cannot win them by marriage - though a person with them may well lose them. Residency rights can be revoked if a resident of East Jerusalem cannot fulfil stringent bureaucratic requirements to prove that the city is their "centre of life", or if they are said to have "severed their connection" to the city.

Israel revoked the residency rights of 8,558 Palestinians between 1967 and 2007, yet this is the first time that it has attempted to do so on the grounds of "disloyalty". Whether rumours that Israel has drawn up a list of 315 people who are next in line for revocation of residency status are true or not, the vagueness of the charge concerns the parliamentarians' lawyer, Hassan Jabareen, general director of the human rights organisation Adalah. "If this decision is final," he told me, "the conclusion is that residency can be revoked from any Palestinian engaging in public political activity. Today it's a Hamas member; tomorrow they'll revoke the residency of a Fatah member, or a senior PA adviser. Or a Palestinian journalist."

The protest tent at the Red Cross compound is just one of several that have been set up across Jerusalem in the past two years. There is another in the village of Silwan, where a group of settlers that controls the archaeological site and visitor attraction known as the "City of David" is attempting to expand the Jewish presence, and another on the far side of Sheikh Jarrah, where settlers have displaced two Palestinian families from their homes.

Sheikh Jarrah is a typically run-down district of East Jerusalem, though also home to many of the city's embassies, hotels and international NGOs. On my way back to the Red Cross compound later in the afternoon, I watched an Orthodox Jew in tailcoat and ringlets emerge from the turning to the contested houses - 300 metres beyond the hotel where Tony Blair maintains lavish headquarters on his rare visits to the Middle East - and walk past a patch of derelict land where a group of Palestinian kids were playing. Such sights are increasingly common in East Jerusalem.

Mahmoud Abbas insists that Israel must stop building settlements as a precondition for starting peace talks, but President Barack Obama's administration has failed to force Israel to comply. Last November, Binyamin Netanyahu's right-wing administration agreed to a ten-month, partial freeze on settlement-building in the West Bank, but it insisted that Jerusalem was exempt. And in March, the interior minister, Eliyahu Yishai, precipitated the most severe breach in US-Israeli relations in years when he announced, during a visit by the US vice-president, Joe Biden, the construction of 1,600 new housing units in East Jerusalem.

The previous day, George Mitchell, the US peace envoy to the Middle East, had announced that the Israelis and Palestinians had agreed to hold four months of indirect peace talks - the first since December 2008, when Israel began the three-week assault on Gaza that it called Operation Cast Lead. Biden had begun the day by asserting America's "absolute, total, unvarnished commitment to Israel's security", but finished it by condemning "the substance and timing of the announcement".

Abbas, whose democratic mandate has expired, and whose credibility with the Palestinian electorate has been severely weakened, had little choice but to pull out of the talks. When they eventually began in May, they made no progress, and yet the Americans pressured both parties to move to face-to-face negotiations.

On 20 August, the US secretary of state, Hillary Clinton, announced that Netanyahu and Abbas will meet in Washington, DC on 2 September. It is highly unlikely that these new talks will lead to a successful conclusion: unless the Israelis renew their moratorium on settlement development, which expires in September, there will be only the briefest opportunity for engagement on the possibility of creating a circumscribed Palestinian state on the West Bank. And in any case, the other final status issues - the right of return for Palestinian refugees and the future of Jerusalem - are likely to prove insurmountable.

The parliamentarians' fate would form no more than an insignificant footnote in any negotiation, and yet it is indicative of the deadlock over the city's status. When I arrived at the compound, I was told that the Palestinian Authority's chief negotiator, Saeb Erekat, had been to see them earlier in the day. It had been a busy afternoon.

At three o'clock, the men had retired upstairs to pray and sleep, and at five they had handed out school leaving certificates to four coachloads of students. In the evening, the men's families arrived to see them. Each man has at least four children, and by eight o'clock, as the call to prayer from a nearby mosque drifted through the evening air, there were as many as 50 people in the courtyard. The men and women formed separate lines facing the wall of the building, their discarded shoes heaped beside the carpets that served as prayer mats, as Ahmad Atoun intoned prayers in a rich baritone.

Afterwards, the guests sat on the chairs beneath the awnings, or remained seated on the mats as a boy distributed bitter coffee in plastic cups and a girl in a blue headscarf passed round an ice-cream tub filled with home-made fig rolls. Children ran in and out of the gates, or darted through the open doors of the Red Cross building. Mohammed Totah gestured towards a girl in a dark dress. "I have an eight-year-old daughter, and she says to me that families all over the world live under one roof - why aren't you allowed to come home?"

The men say the attempt to deport them will prove as counterproductive as the mass deportation of 1992: they see it as another step on the long road to Palestinian liberation. Yet such optimism seems at odds with the precariousness of their situation. The Red Cross does not enjoy diplomatic immunity, and the main police station in East Jerusalem is no more than a hundred metres up the hill.

Israel has recently begun inquiries into the deaths of nine Turkish activists on the Mavi Marmara, the ship that was attacked by Israeli forces as it attempted to carry aid to Gaza in May. Mohammed Totah believes it is only the disastrous consequences of that raid that have prevented their rearrest. "There are no red lines for the occupation, but after they killed nine people on the ship, they don't want to add another crime to their account. They don't want to do it now, but they will come, sooner or later - maybe after a few days, maybe less."

Edward Platt is a contributing writer for the NS. He is working on a book about Hebron.

How Hamas works

The role of Hamas - considered a terrorist organisation by the EU and US - divides broadly into two main spheres of operation: social programmes such as building infrastructure, and the militant operations carried out by the underground Izz ad-Din al-Qassam.

Given its beginnings as a guerrilla movement, Hamas retains a degree of secrecy about its power structures. Gaza is led by the disputed prime minister Ismail Haniyeh (who was dismissed in 2007 by President Mahmoud Abbas but ignored the decree). However, most of the day-to-day decisions are made by the political bureau, chaired by Khaled Meshal and made up of about ten members, many of whom live in exile in Syria.

Major policy decisions are made by the Shura Council, an internal parliament consisting of roughly 50 members inside and outside the Palestinian territories. It cannot meet often, because some of its members are unable to travel into Gaza or the West Bank for fear of assassination.

Meshal's political bureau in Syria is the main fundraising arm of Hamas, and manages relations with Arab and Muslim countries. Some argue that this makes the bureau more pragmatic than the leadership within the territories. However, there is a question mark over how much control Meshal, though the group's leader, has in this uncohesive organisation.

Samira Shackle

This article first appeared in the 30 August 2010 issue of the New Statesman, Face off

MATTHIAS SEIFARTH FOR NEW STATESMAN
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Moby: “The average American IQ is around 98”

Moby, the vegan king of chill-out pop, talks wealth, David Bowie’s hat and the average intelligence of his fellow Americans.

In January 2012, two women walking their nine dogs on the hill beneath the Hollywood sign found a man’s severed head wrapped in a plastic bag. His decomposing feet and hands were discovered nearby. First theories pointed to the work of a Mexican drug cartel, or the murderous Canadian porn actor Luka Magnotta. The story piqued the interest of the electronic dance music mogul Moby, who wrote about it in a New Statesman diary in May this year.

Today, the smell of cedar and pine hits you on the canyon path, which is hot, steep and sandy – an immediate wilderness in one of LA’s most exclusive areas. The Griffith Observatory shines like a strange white temple on the hill. Brad Pitt, a local resident, was doorstepped after the head was discovered: he lives near Moby on the streets of Los Feliz, near Griffith Park, where the only sounds are hedge strimmers and workmen’s radios. Moby’s 1920s mansion is all but obscured by Virginia creeper.

As we sit down at his kitchen table, Moby tells me that the body parts were found to belong to a 66-year-old Canadian flight attendant called Hervey Medellin. Shortly before Medellin’s disappearance, his boyfriend, Gabriel Campos-Martinez, had used a computer in the flat they shared to find an article titled, “Butchering of the human carcass for human consumption”. The head, feet and hands showed signs of having been frozen: the rest of the body was never found. He says it was one of those rare times in life where reality was more intriguing than the conspiracy theories.

Moby, of course, eats no meat. Fifteen minutes’ drive away in the hipster neighbourhood of Silver Lake, his vegan bistro, Little Pine, serves a variety of plant-based dishes, proceeds from which go to animal rights organisations including the Humane Society and Peta. His own music is never played there. We are meeting to talk about his new album – but, he says: “It’s 2016 and people neither buy nor listen to albums. And they certainly don’t listen to the 16th album made by a 51-year-old musician. I don’t care if anyone gives me money for this music or for live shows ever again. Once a record’s released, I couldn’t care less what happens with it. I liked making it, but I don’t care.”

He is currently working his way though the stages of grief outlined by the psychiatrist Elisabeth Kübler-Ross. To denial, anger, bargaining, depression and acceptance he has added a new phase: Schadenfreude. On the night of the US election, he left the house at 6pm west coast time to watch the coverage with some friends. He checked his usual round of sites on his phone: CNN, the New York Times, the Washington Post, Nate Silver’s FiveThirtyEight, the Guardian, the Huffington Post, the BBC, politico.com. He was concerned to see that no one was calling any of the early states; with Obama’s election, exit polls suggested the victory by noon. Days earlier, Moby had been predicting humanity’s “wake-up call” in the form of the destruction of Greenland or a zoonotic virus – but not this. He is softly spoken, with a quick laugh and the kind of intelligence that seems to warm him up from the inside when he talks, but today he is angry.

“It is disturbing on so many levels,” he says. “One, that we have elected an inept racist as president. Two, just seeing how dumb and delusional so many Americans are. Because really – in terms of the subsets of people who would vote for Trump – you have to be delusional, or racist, or stupid. I am so confused as to the fact that such a high percentage of Americans are either really stupid or incredibly bigoted.”

The stupidity of Americans is, he says, a matter of “anthropological curiosity” – or simply demographics. “The average American IQ is around 98,” he notes. “So that honestly means – in a vaguely non-pejorative way – that there are a lot of really, really dumb people. The nonsense that people were spouting before the election – that Trump was a good businessman, for example? This phenomenon has been particularly egregious of late: people have an almost adversarial relationship with evidence. Climate-change deniers are another example.”

As a self-described old-timey alcoholic, Richard Melville Hall (nicknamed Moby by his father in honour of his great-great-great-uncle Herman) has a pervasive interest in neurochemistry. He uses it to explain much of the past six months in Western politics. Our failing political systems – the subject, in fact, of the album he doesn’t want to talk about – are underpinned by “a kind of delusional motivation, which is basically to ignore the countless things that are actually going wrong in the world and focus all your attention on things that are arbitrary. In the United States, you have people who have perfectly good jobs in safe communities who are obsessed about Mexico, crime and unemployment. We have these quasi-Orwellian responses to stimuli, and they come from a place of fear and scarcity. Humans are still built to amass as much wealth as possible, and fight off the enemies as quickly as possible, but the only threats are the ones we generate ourselves.”

There’s a dishcloth on the table, a few magazines, a bit of a draught and Moby in a black hoodie pouring two glasses of water.

Fear and scarcity pervade American society, he says, because social policy is an extension of corporate process and “nothing is free from the cadres of professional lobbyists”. Meanwhile the ravenous news consumption that helped drive Trump reflects a human addiction to the “neurochemical jolt” of engaging with the media.

“People have a profound and almost feral attachment to that which makes them feel good in the moment,” he says. “Without thinking of long-term consequences, does their belief give them a shot of dopamine right at this second? If so, they hold on to it. Eating junk food, voting Brexit and voting for Trump.”

 

***

 

Moby is the model of an addictive personality well-practised at controlling itself. He was a fully fledged alcoholic by his early twenties: at ten, he’d been given champagne and made himself the promise, “I always want to feel this good.” Now, he cannot touch a drink, but his modern-day addiction, he says without a beat, is his phone. Every thought is pursued to extremes. He recently released an animated video for a new song, “Are You Lost In the World Like Me?”, showing a procession of grotesque, phone-addicted cartoon characters filming a girl as she throws herself off a skyscraper and hits the ground.

The house is vaguely baronial, airy and open-plan: all dark wood and furniture polish. An Annie Hall poster in the pool house; a coyote postcard on the kitchen wall.

This particular property is a result of serious downsizing: Moby has a habit of buying very big places, doing them up and then moving out. When he was still in New York, he bought a remote mountaintop retreat in Kent Cliffs, 50 miles north of Manhattan. He created a magnificent bedroom of 1,500 square feet with ten skylights – but quickly learned he could only get a decent night’s sleep when he pulled his mattress into the cupboard. He told the New York Times that, living all alone in the big house, he “felt like Orson Welles at the end of Citizen Kane”.

He moved to LA in 2010, swapped vodka for quinoa smoothies and took the keys for another large building – the Wolf’s Lair, the turreted, 1920s Gothic castle in Hollywood once inhabited by Marlon Brando, with the swimming pool historically used for porn movies and the hidden tiki bar. He bought it for $4m and sold it for $12.5m four years later – allegedly to Banksy. He rattled around in that house, too. Right on cue, he tells me: “I felt like Orson Welles at the end of Citizen Kane.”

On the one hand, these were sensible ­investments for the man who’s sold 20 million records; on the other, large impersonal spaces appealed to Moby long before he was in a position to buy them. Raised by his single mother on food stamps and welfare in Darien, Connecticut, he started his adult life squatting an abandoned lock factory, where he could ride his moped around his bedroom, piss into a bottle and read battered Star Trek paperbacks while working on early demo tapes, rather like a ragged, vegan version of the boy in the movie Big.

He was very happy in his penniless state, as he records in his memoir, Porcelain. He’d like to propose something he calls the End of Wealth – but we’ll come back to that.

In the past few years Moby has broken free from the “Beckettian purgatory of touring”. When his biggest-selling album, Play, was released in 1999, his music career was effectively “over”. Before Play, he had changed creative direction, going from progressive house to ambient to thrashy punk – to which he has just returned – and no one knew what to do with him. The only reason he hadn’t been dropped by his UK label, Mute Records, was that its owner, Daniel Miller, was “an old egalitarian socialist”.

Play sampled slave songs of the Deep South – recorded by the ethnomusicologist Alan Lomax in the 1940s – and wove them into a backdrop of cerebral chill-out. The songs of pain and emotion took on an eerie neutrality, and TV shows and ad companies came calling. He was approached by Will and Grace and Grey’s Anatomy. At that point, selling records and touring were still more lucrative than licensing a song to TV – and licensing a song to TV was still considered selling out. But Moby considers himself an ugly duckling: “If someone who was once unattractive suddenly gets asked out on loads of dates, of course they say yes a lot.” He licensed every song on Play and it became the soundtrack of the millennium.

His memoir was unusual because it concentrated on the ten-year period before he got famous. It captured his enthusiasm – and his strangeness – at its source and showed him to have a sense of humour that may have passed people by the first time round. “I’m in London! London!” he wrote. “Benny Hill, Joy Division, Peter O’Toole!” He visited the vegan café in Covent Garden.

The book is filled with money: or with the constant, practical concern of not having it. Navigating poverty is an everyday routine: he is an “alchemist” turning used beer bottles into nickels at the recycler, and thence into soya milk and oranges. In his early twenties he becomes a Christian, partly so that he can repeat the Sermon on the Mount at Bible classes in the households of Greenwich Village and “judge” the rich children.

Book two, which Faber & Faber is waiting for, is more difficult. The period of his fame and fortune in the 2000s is too much of a cliché. “Ten years ago I was entitled, narcissistic, bottoming out, alcoholic, selfish and feral. Robbie Williams has done that story, so has Ozzy and Mötley Crüe. Who wants to read that? It’s tautological.”

Instead, he has decided to write about the first ten years of his life. It will look into his relationship with his mother, who loved him but raised him in various drug dens. He was at her side when she died in 1997, but he missed her funeral, having woken late in the morning to discover that at some point in the night he must have got up and set his alarm clock three hours late. He took a taxi to the wake, worrying about the fare, and for reasons he can’t really explain, turned up cracking jokes.

He has a strange nostalgia for the kinds of friendships you have in early adulthood, when everyone is equal, “before that point when someone starts making money and they think they’ve won: they’re going to have access to a different kind of happiness”.

In 2003, when he turned 38, he was famous, wealthy and miserable. “I’ve been able to see and inhabit almost every stratum on the socioeconomic scale, from extreme poverty and obscurity to wealth and fame, and it gives me an insight into it,” he says. “Because a lot of people who experience wealth are born into it, and a lot of people who experience poverty never leave it. I can safely say that for me there has been no causal effect between increased fame and wealth and increased basic happiness and well-being.”

When Moby talks about himself, he applies many apologetic epithets: clichéd, meditating, yoga-loving, mealy-mouthed. In 2007 he developed mobygratis.com, a large online resource offering independent film-makers and film students a licence to use his music for free. If their films are commercially successful, the revenue from licence fees must go to the Humane Society. He says he wants to propose a more rational, evidence-based approach to wealth.

“We are still attached to the idea of the redistribution of wealth,” he says. “As progressive lefties, we’re all brought up to think that is a good idea. In the old days, it meant the difference between eating and not eating. Nowadays the person on $30,000 consumes twice the calories of the millionaire, and has a bigger TV and works fewer hours.

“There is an underlying assumption that if wealth were distributed more evenly then people would be happier, but there is unfortunately very little anthropological or sociological evidence to support that idea, unless there are institutions to support the basic needs of community, like food and shelter. Confusing materialism with happiness is the essence of our culture.”

While west LA is plastic surgery and gold-plated toilets, he says, his own neighbourhood is “David Lynch wearing an old T-shirt and mowing the lawn”. Among the millionaires of Los Feliz, conspicuous consumption is frowned upon. He knows several who live “incredibly austere lives. I was having tea with Jim Carrey the other day. He’s basically just giving everything away. He just realised that owning three planes was stressing him out . . .”

In his New Statesman diary, Moby said that life in LA offered him miles and miles of lavender-scented name-dropping.

“Coldplay played the Rose Bowl recent­ly,” he says. “And the Rose Bowl holds 75,000 people. It’s a struggle for me to sell 2,000. At first, I winced with a little jealousy. But then I thought, ‘If my career was at that Coldplay level, how would that actually affect my daily existence? Would it make my shoes fit better? Would it make the water pressure in my shower better?’ As long as you’ve satisfied the basic hierarchy of needs – enough to eat, clean air to breathe, bears not eating your legs – happiness is all where and how you put your attention.”

***

He goes to his kitchen cupboard and from among the colanders and measuring jugs he extracts a black velvet fedora – size seven, silk-lined, from a London company established in 1879. In green marker around the inside rim are the words “With love from David – Christmas 2005”. Bowie gave it to him over Christmas dinner that year. “It’s the hat that he wore in The Man Who Fell to Earth,” Moby says. “There’s this amazing picture of him wearing it with John Lennon and it’s clearly when he was doing a lot of cocaine.”

Moby lived on Mott Street in Little Italy and Bowie lived on Mulberry Street. “I had a little roof deck, and he had a beautiful roof terrace, and we could wave at each other.” They were neighbours and friends, worked on music together, went on tour together, had barbecues together. He says the title of Bowie’s last album, Black Star, is a reference to the 1960 Elvis Presley song of the same name “about the end of a life” (“And when a man sees his black star,/He knows his time, his time has come”).

“David had been sick for a long time,” he says. “Or ill, as you say in the UK. So, David had been ill for a long time. I was very pleased that . . . after he died, people were asking me, ‘How do you feel?’ and I’m like, ‘Actually, I’m just kind of happy that he lived as long as he did.’ Because I . . . had thought, yeah, I had thought that he was going to die a little before that. So.”

The Radiohead singer Thom Yorke lives just up the street from him in Los Angeles but Moby has never met him “as far as I know”. Apart from Bowie, he claims not to have musician friends.

“Musicians – and I’m sure you’ve encountered this many times – have a sense of self-importance that is off-putting,” he says. “It is very hard to be friends with someone who thinks that just by showing up, they’re doing something special. At the end of the day, you want to say to them, ‘You know what? You wrote a couple of good songs. Let’s put it in perspective.’”

He was born on 11 September 1965, and on his 36th birthday he watched the twin towers burning from his roof deck. He tells me that when the second plane hit and it became clear the first was no accident, he heard “the cumulative effect of ten thousand rooftops covered with people, and the weirdest scream. A scream of horror but also a scream of understanding.”

Fifteen years on, he talks about this year’s politics as a Manichaean thing. “Half the world are motivated by fear and desire to move backwards, and the other half are motivated by optimism and a desire to move forward rationally. It’s religious tolerance versus fundamentalism; it’s racism versus inclusion. I wonder if there’s a way we can make peace with that whole other half of humanity who are holding on to a non-evidence-based approach to the future. But I don’t know what it is.” He has known Hillary Clinton for two decades, was a vocal supporter of hers during the election run and released a pair of anti-Trump tracks for Dave Eggers’s music project 30 Days, 50 Songs.

He says that many celebrity Clinton backers were cautious to come out for her during the primaries “because Bernie supporters wanted to crucify you. Now Trump has united and inspired Democrats more than anything since the Vietnam War.”

The election result, he says, might just be “the equivalent of a crystal meth addict going on one last bender. Maybe this bender will finally convince Americans to stop voting for Republicans. Because they are terrible. There has always been an understanding that if everyone in America voted, there would be no Republican politicians. The reason Republicans win is that most Americans don’t vote.

“Those of us on the left who were brought up to be tolerant of people who had different opinions from us – well that’s great, ­unless the opinions are bigoted and wrong. If someone is a climate-change denier, they are wrong. If someone voted for Brexit, they are wrong. If someone voted for Trump, they are wrong. There is a lot of ambiguity in the world, but not about these things.”

The clock ticks towards 11.15am and Moby, ever punctual, is done.

“These Systems Are Failing” is out now on Little Idiot/Mute

Kate Mossman is the New Statesman's arts editor and pop critic.

This article first appeared in the 08 December 2016 issue of the New Statesman, Brexit to Trump