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John Pilger on the Dagan Plan and Gaza under fire

Every war Israel has waged since 1948 has had the same objective: expulsion of the native people. 

"When the truth is replaced by silence," the Soviet dissident Yevgeny Yevtushenko said, "the silence is a lie." It may appear that the silence on Gaza is broken. The small cocoons of murdered children, wrapped in green, together with boxes containing their dismembered parents, and the cries of grief and rage of everyone in that death camp by the sea can be witnessed on al-Jazeera and YouTube, even glimpsed on the BBC. But Russia's incorrigible poet was not referring to the ephemera we call news; he was asking why those who knew the why never spoke it, and so denied it. Among the Anglo-American intelligentsia, this is especially striking. It is they who hold the keys to the great storehouses of knowledge: the historiographies and archives that lead us to the why.

They know that the horror now raining on Gaza has little to do with Hamas or, absurdly, "Israel's right to exist". They know the opposite to be true: that Palestine's right to exist was cancelled 61 years ago and that the expulsion and, if necessary, extinction of the indigenous people was planned and executed by the founders of Israel. They know, for example, that the infamous "Plan D" of 1947-48 resulted in the murderous depopulation of 369 Palestinian towns and villages by the Haganah (Israeli army) and that massacre upon massacre of Palestinian civilians in such places as Deir Yassin, al-Dawayima, Eilaboun, Jish, Ramle and Lydda are referred to in official records as "ethnic cleansing". Arriving at a scene of this carnage, David Ben-Gurion, Israel's first prime minister, was asked by a general, Yigal Allon: "What shall we do with the Arabs?" Ben-Gurion, reported the Israeli historian Benny Morris, "made a dismissive, energetic gesture with his hand and said, 'Expel them'".

The order to expel an entire population "without attention to age" was signed by Yitzhak Rabin, a future prime minister promoted by the world's most efficient propaganda as a peacemaker. The terrible irony of this was addressed only in passing, such as when the Mapam party co-leader Meir Ya'ari noted "how easily" Israel's leaders spoke of how it was "possible and permissible to take women, children and old men and to fill the road with them because such is the imperative of strategy. And this we say . . . who remember who used this means against our people during the [Second World] War . . . I am appalled."

Every subsequent "war" Israel has waged has had the same objective: the expulsion of the native people and the theft of more and more land. The lie of David and Goliath, of perennial victim, reached its apogee in 1967 when the propaganda became a righteous fury that claimed the Arab states had struck first against Israel. Since then, mostly Jewish truth-tellers such as Avi Shlaim, Noam Chomsky, Tanya Reinhart, Neve Gordon, Tom Segev, Uri Avnery, Ilan Pappé and Norman Finkelstein have undermined this and other myths and revealed a state shorn of the humane traditions of Judaism, whose unrelenting militarism is the sum of an expansionist, lawless and racist ideology called Zionism. "It seems," wrote the Israeli historian Pappé on 2 January, "that even the most horrendous crimes, such as the genocide in Gaza, are treated as discrete events, unconnected to anything that happened in the past and not associated with any ideology or system . . . Very much as the apartheid ideology explained the oppressive policies of the South African government, this ideology - in its most consensual and simplistic variety - allowed all the Israeli governments in the past and the present to dehumanise the Palestinians wherever they are and strive to destroy them. The means altered from period to period, from location to location, as did the narrative covering up these atrocities. But there is a clear pattern [of genocide]."

In Gaza, the enforced starvation and denial of humanitarian aid, the piracy of life-giving resources such as fuel and water, the denial of medicines, the systematic destruction of infrastructure and killing and maiming of the civilian population, 50 per cent of whom are children, fall within the international standard of the Genocide Convention. "Is it an irresponsible overstatement," asked Richard Falk, UN special rapporteur for human rights in the occupied Palestinian territories and international law authority at Princeton University, "to associate the treatment of Palestinians with this criminalised Nazi record of collective atrocity? I think not."

In describing a “holocaust-in-the making”, Falk was alluding to the Nazis’ establishment of Jewish ghettos in Poland. For one month in 1943, the captive Polish Jews, led by Mordechaj Anielewicz, fought off the German army and the SS, but their resistance was finally crushed and the Nazis exacted their final revenge. Falk is also a Jew. Today’s holocaust-in-the-making, which began with Ben-Gurion’s Plan D, is in its final stages. The difference today is that it is a joint US-Israeli project. The F-16 jet fighters, the 250lb “smart” GBU-39 bombs supplied on the eve of the attack on Gaza, having been approved by a Congress dominated by the Democratic Party, plus the annual $2.4bn in warmaking “aid”, give Washington de facto control. It beggars belief that President-elect Obama was not informed. Outspoken about Russia’s war in Georgia and the terrorism in Mumbai, Obama has maintained a silence on Palestine that marks his approval, which is to be expected, given his obsequiousness to the Tel Aviv regime and its lobbyists during the presidential campaign and his appointment of Zionists as his secretary of state and principal Middle East advisers. When Aretha Franklin sings “Think”, her wonderful 1960s anthem to freedom, at Obama’s inauguration on 20 January, I trust someone with the brave heart of Muntader al-Zaidi, the shoe-thrower, will shout: “Gaza!”

The asymmetry of conquest and terror is clear. Plan D is now "Operation Cast Lead", which is the unfinished "Operation Justified Vengeance". This was launched by Prime Minister Ariel Sharon in 2001 when, with George W Bush's approval, he used F-16s against Palestinian towns and villages for the first time.

 

Why are the academics and teachers silent? Are British universities now no more than “intellectual Tescos”?

 

In that same year, the authoritative Jane's Foreign Report disclosed that the Blair government had given Israel the "green light" to attack the West Bank after it was shown Israel's secret designs for a bloodbath. It was typical of new Labour's enduring complicity in Palestine's agony. However, the Israeli plan, reported Jane's, needed the "trigger" of a suicide bombing which would cause "numerous deaths and injuries [because] the 'revenge' factor is crucial". This would "motivate Israeli soldiers to demolish the Palestinians". What alarmed Sharon and the author of the plan, General Shaul Mofaz, then Israeli chief of staff, was a secret agreement between Yasser Arafat and Hamas to ban suicide attacks. On 23 November 2001 Israeli agents assassinated the Hamas leader Mahmoud Abu Hanoud and got their "trigger": the suicide attacks resumed in response to his killing.

Something uncannily similar happened on 4 November last year when Israeli special forces attacked Gaza, killing six people. Once again, they got their propaganda "trigger": a ceasefire sustained by the Hamas government - which had imprisoned its violators - was shattered as a result of the Israeli attacks, and home-made rockets were fired into what used to be called Palestine before its Arab occupants were "cleansed". On 23 December, Hamas offered to renew the ceasefire, but Israel's charade was such that its all-out assault on Gaza had been planned six months earlier, according to the Israeli daily Haaretz.

Behind this sordid game is the "Dagan Plan", named after General Meir Dagan, who served with Sharon during his bloody invasion of Leba non in 1982. Now head of Mossad, the Israeli intelligence organisation, Dagan is the author of a "solution" that has brought about the imprisonment of Palestinians behind a ghetto wall snaking across the West Bank and in Gaza, now effectively a concentration camp. The establishment of a quisling government in Ramallah, under Mahmoud Abbas, is Dagan's achievement, together with a hasbara (propaganda) campaign, relayed through mostly supine, if intimidated western media, notably in the US, which say Hamas is a terrorist organisation devoted to Israel's destruction and is to "blame" for the massacres and siege of its own people over two generations, since long before its creation. "We have never had it so good," said the Israeli foreign ministry spokesman Gideon Meir in 2006. "The hasbara effort is a well-oiled machine."

In fact, Hamas's real threat is its example as the Arab world's only democratically elected government, drawing its popularity from its resistance to the Palestinians' oppressor and tormentor. This was demonstrated when Hamas foiled a CIA coup in 2007, an event ordained in the western media as "Hamas's seizure of power". Likewise, Hamas is never described as a government, let alone democratic. Neither is its proposal of a ten-year truce reported as a historic recognition of the "reality" of Israel and support for a two-state solution with just one condition: that the Israelis obey international law and end their illegal occupation beyond the 1967 borders. As every annual vote in the UN General Assembly demonstrates, most states agree. On 4 January, the president of the General Assembly, Miguel d'Escoto, described the Israeli attack on Gaza as a "monstrosity".

When the monstrosity is done and the people of Gaza are even more stricken, the Dagan Plan foresees what Sharon called a "1948-style solution" - the destruction of all Palestinian leadership and authority, followed by mass expulsions into smaller and smaller "cantonments", and perhaps, finally, into Jordan. This demolition of institutional and educational life in Gaza is designed to produce, wrote Karma Nabulsi, a Palestinian exile in Britain, "a Hobbesian vision of an anarchic society: truncated, violent, powerless, destroyed, cowed . . . Look to the Iraq of today: that is what [Sharon] had in store for us, and he has nearly achieved it."

Dr Dahlia Wasfi is an American writer on Iraq and Palestine. She has a Jewish mother and an Iraqi Muslim father. "Holocaust denial is anti-Semitic," she wrote on 31 December. "But I'm not talking about the World War II, Mahmoud Ahmadinejad [the president of Iran] or Ashkenazi Jews. What I'm referring to is the holocaust we are all witnessing and responsible for in Gaza today and in Palestine over the past 60 years . . . Since Arabs are Semites, US-Israeli policy doesn't get more anti-Semitic than this." She quoted Rachel Corrie, the young American who went to Palestine to defend Palestinians and was crushed by an Israeli bulldozer. "I am in the midst of a genocide," wrote Corrie, "which I am also indirectly supporting, and for which my government is largely responsible."

Reading the words of both, I am struck by the use of "responsibility". Breaking the lie of silence is not an esoteric abstraction, but an urgent responsibility that falls to those with the privilege of a platform. With the BBC cowed, so too is much of journalism, merely allowing vigorous debate within unmovable, invisible boundaries, ever fearful of the smear of anti-Semitism. The unreported news, meanwhile, is that the death toll in Gaza is the equivalent of 18,000 dead in Britain. Imagine, if you can.

Then there are the academics, the deans and teachers and researchers. Why are they silent as they watch a university bombed and hear the Association of University Teachers in Gaza plead for help? Are British universities now, as Terry Eagleton believes, no more than “intellectual Tescos, churning out a commodity known as graduates rather than greengroceries”?

Then there are the writers. In the dark year of 1939, the Third American Writers' Congress was held at Carnegie Hall in New York and the likes of Thomas Mann and Albert Einstein sent messages and spoke up to ensure that the lie of silence was broken. By one account, 2,500 jammed the auditorium. Today, this mighty voice of realism and morality is said to be obsolete; the literary review pages affect an ironic hauteur of irrelevance; false symbolism is all. As for the readers, their moral and political imagination is to be pacified, not primed. The anti-Muslim Martin Amis expressed this well in Visiting Mrs Nabo kov: "The dominance of the self is not a flaw, it is an evolutionary characteristic; it is just how things are."

If that is how things are, we are diminished as a civilised people. For what happens in Gaza is the defining moment of our time, which either grants war criminals impunity and immunity through our silence, while we contort our own intellect and morality, or it gives us the power to speak out. For the moment I prefer my own memory of Gaza: of the people's courage and resistance and their "luminous humanity", as Karma Nabulsi put it. On my last trip there, I was rewarded with a spectacle of Palestinian flags fluttering in unlikely places. It was dusk and children had done this. No one had told them to do it. They made flagpoles out of sticks tied together, and a few of them climbed on to a wall and held the flag between them, some silently, others crying out. They do this every day when they know foreigners are leaving, in the belief that the world will not forget them.

John Pilger, renowned investigative journalist and documentary film-maker, is one of only two to have twice won British journalism's top award; his documentaries have won academy awards in both the UK and the US. In a New Statesman survey of the 50 heroes of our time, Pilger came fourth behind Aung San Suu Kyi and Nelson Mandela. "John Pilger," wrote Harold Pinter, "unearths, with steely attention facts, the filthy truth. I salute him."

This article first appeared in the 12 January 2009 issue of the New Statesman, The destruction of Gaza

Images Wikimedia Commons/Imgur, collage by New Statesman
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The movie that doesn’t exist and the Redditors who think it does

Over the years, hundreds of people online have shared memories of a cheesy Nineties movie called “Shazaam”. There is no evidence that such a film was ever made. What does this tell us about the quirks of collective memory?

In the early Nineties, roughly around 1994, a now 52-year-old man named Don ordered two copies of a brand new video for the rental store his uncle owned and he helped to run.

“I had to handle the two copies we owned dozens of times over the years,” says Don (who wishes to give his first name only). “And I had to watch it multiple times to look for reported damages to the tape, rewind it and check it in, rent it out, and put the boxes out on display for rental.”

In these ways, the film Don is speaking of is exactly like the hundreds of others in his uncle’s shop. In one crucial way, however, it is not. The movie that Don is referring to doesn’t actually exist.

*

“It feels like a part of my childhood has now been stolen from me. How does a movie simply vanish from our history?”

This isn’t Don speaking, but another man – who he has never met – named Carl*. Carl, whose name has been changed because he wishes to remain anonymous, recalls watching a movie called Shazaam with his sister in the early Nineties, and has fond memories of discussing it with her over the last 20 years. In their recollections, the movie starred the American stand-up comedian Sinbad – real name David Adkins – as an incompetent genie who granted wishes to two young children.



Wikimedia Commons

“I’ve taken to Craigslist and have posted a bounty of $1,000 for anyone that can turn up a copy of this movie, whether it was ‘accidentally’ kept from Blockbuster or if someone made their own bootleg VHS copy. I want to be able to make it known that the movie is indeed real,” says Carl.

Meredith Upton, a 25-year-old videographer from Nashville, Tennessee, also remembers the same film. “Whenever I would see Sinbad anywhere in the media I would recall him playing a genie,” she says. “I remember the name of the film as Shazaam. I remember two children accidentally summoning a genie… and they try and wish for their dad to fall in love again after their mother’s passing, and Sinbad can’t [grant the wish].”

Don goes even further. Although he is not certain that the movie was called Shazaam, he has detailed scene-by-scene recollections of the film, which include the children wishing for a new wife for their father, the little girl wishing for her broken doll to be fixed, and the movie finale taking place at a pool party. Don says he remembers the film so vividly because customers would bring the video back to his rental store claiming it didn’t work, and he watched it multiple times to try and find the “problem with the tape”.

Meredith, Don, and Carl are three of hundreds of Redditors who have used the popular social news site to discuss their memories of Shazaam. Together they have scoured the internet to find evidence that the movie existed but each has repeatedly come up empty-handed. Sinbad himself has even taken to Twitter to deny that he ever played such a role.

*

How did this Reddit community grow? It all began in 2009. An anonymous individual took to the question-and-answer website Yahoo! Answers to pose its users a simple question. “Do you remember that sinbad movie?” they wrote. “Wasnt there a movie in the early 90s where sinbad the entertainer / comedian played a genie? … help its driving me nuts!”

At the time, nobody remembered the film, and it took another two years for somebody else to ask about it again online. Reddit user MJGSimple wrote on the site: “It’s a conspiracy! I swear this movie exists, anyone have a copy or know where I can find proof!” Replies to the post were sceptical, claiming MJGSimple simply had a false memory.

It wasn’t until last year that things took a dramatic turn.

On 11 August 2015, the popular gonzo news site VICE published a story about a conspiracy theory surrounding the children’s storybook characters the Berenstain Bears. The theory went like this: many people remember that the bears’ name was spelt “Berenstein” – with an “e” – but pictures and old copies proved it was always spelt with an “a”. The fact that so many people had the same false memory was seen as concrete proof of the supernatural.

“Berenstein” truthers believe in something called the “Mandela Effect”: a theory that a large group of people with the same false memory used to live in a parallel universe (the name comes from those who fervently believe that Nelson Mandela died while in prison). VICE’s article about the theory was shared widely, leading thousands of people to r/MandelaEffect, a subreddit for those with false memories to share their experiences.

It was there, just a few hours after the article was posted, that discussions of Shazaam – or the “Sinbad Genie movie” – took off.

“I was dumbfounded to see that there was no evidence of the movie ever being made,” says Carl. “I quickly searched the internet, scouring every way I know how to search, crafting Boolean strings into Google, doing insite: searches, and nothing. Not a damn thing.”

On the subreddit, discussions about the film went into great detail. Unlike other false memories on r/MandelaEffect, the issue wasn’t a simple misspelling or logo-change, but an entire film's disappearance. Many Redditors revealed they had distinct memories of the cover art of the movie. “It said ‘Sinbad’ in big letters that dwarfed the other print,” says Don, who goes by EpicJourneyMan on Reddit, and also remembers how Sinbad posed on the cover – facing left, with his arms crossed and an eyebrow raised. Jessica*, a 27-year-old office worker from Canada, also remembers the cover. “[It had] a purple background, featuring Sinbad dressed as a genie, back to back with a boy who looks about 11 or 12 years old. Sinbad has an annoyed expression on his face,” she says.

At this point I should mention something I have neglected to mention so far. In 1996, the basketball player Shaquille O'Neal played a genie who helped a young boy find his estranged father in a commercially unsuccessful film. The cover art of the film features Shaq with his arms folded, laughing, in front of a purple background. His name, “Shaq”, dominates the top half of the cover. The movie’s name is Kazaam.


*

Imagine if you woke up this morning and Disney’s 1998 animation A Bug’s Life did not exist. After endlessly scouring the internet, you’d come up with nothing, despite your own distinct memories of a bunch of ants going on wild hijinks through the undergrowth. You’d turn to your best friend, your brother, your mum, and say, “Hey, remember A Bug’s Life? It was about ants”, and your friend/brother/mum would turn to you and says: “No, darling. You’re thinking about Antz.”

This is how those who believe in the “Sinbad genie movie” feel when people say they are simply getting confused about Shaq’s Kazaam. Twin films – remarkably similar movies that are released at the same time – are relatively common, and include Turner & Hooch and K-9 in 1989, Robin Hood: Prince of Thieves and Robin Hood in 1991, Saving Private Ryan and The Thin Red Line in 1998, and Finding Nemo and Shark Tale in 2003-4.


“I remember thinking Shaq’s Kazaam was a rip-off or a revamp of a failed first run, like how the 1991 film Buffy the Vampire Slayer bombed but the late Nineties TV reboot was a sensation,” says Meredith, who is one of many who claim to remember both Shazaam and Kazaam. Don remembers ordering two copies of the former and only one of the latter for the store, while Carl says: “I am one of several people who specifically never saw Kazaam because it looked ridiculous to rip off Shazaam just a few years after it had been released.” When Carl first realised there was no evidence of the Sinbad movie existing, he texted his sister to ask if she remembered the film.

“Her response [was] ‘Of course.’ I told her, ‘Try and look it up, it doesn’t exist’. She tried and texted back with only: ‘What was it called?’ – there was never a question of if it existed, only not remembering the title.”

*

I remember, as a child, that every time my mother bought me a fresh pair of Clarks shoes for the new school year, the shop would offer me a free gift to go with them. It was the late Nineties or early Noughties, and I distinctly remember receiving a lilac pencil case to accompany my new leather numbers. It had different compartments for pencils, rubbers, and sharpeners, and I spent the last week of the holidays drawing a comic book with it by my side on our caravan kitchen table.

There is no evidence that such a promotional offer ever existed. When I ask around, no one remembers it, but when I also ask about another memory I have – of Marks & Spencers’ chicken nuggets shaped like Bugs Bunny – no one remembers those either, despite the fact a Guardian article proves they were real.

I can’t find evidence of the Clarks offer on the internet, though my sister remembers it and a poll that I conducted online shows that at least 500 other people do, too. Does this mean my memory is real? We have become very used to the idea that you can find anything on the internet, yet what do we accept as “proof”? Do we need pictures, videos, and articles, or is the fact that hundreds of others share our memory enough?

Dr Henry Roediger, a professor at the Washington University Memory Lab, doesn’t think so. “Lots of people remember detailed, but utterly false, memories. In fact, we all have them,” he says. “I have published on what we named ‘the social contagion of memory’ and what others call ‘memory conformity’ – that may be at work here.” Roediger explains that frequently one person’s report of a memory influences another’s, and that false memories can spread in this way. “One person’s memory infects another,” he says.

It is clear that this contagion would only be exacerbated online, where an individual can be influenced by multiple people from all around the world in an instant. The existence of the Shazaam Reddit community, therefore, arguably helps a false memory to spread. 

“We often forget whether we actually saw something or whether someone told us about a detail later and we filled in our memories,” he goes on. “People infer events and then remember the inferences as if they actually happened. If someone hears ‘The karate champion hit the cinder block’ they will often later remember that he ‘broke the cinder block.’ But maybe not: maybe he broke his hand. So the inference is remembered as ‘the way it happened.’”

Like accusations that they are misremembering Kazaam however, Shazaam truthers balk at the idea they simply have false memories that have been influenced by one another.

“I try not to read other’s full descriptions of the film because I don’t want to subconsciously influence my own recollection,” says Meredith, while Jessica says that before she started reading about the film she jotted down her own memories, to avoid being influenced by others’. “After doing so, I read what other people remembered about the poster and a few people remembered the exact same poster that I did.”

It is also worth noting that many people seemingly remember the movie independently of the subreddit – with someone different tweeting about it nearly every single day.

So what do these Redditors think has actually happened?

Some truly believe in the Mandela Effect, that there has been some glitch in the world, there are parallel universes, or a timeline has been altered and as such little things have got lost. Some are very active in the r/MandelaEffect community, and have many other false memories, suggesting an element of bandwagon-hopping or a penchant for conspiracy theories.

Others, however, have less fantastical theories. Meredith leans towards the explanation being “some previously undocumented psychological phenomenon”, while Don believes the movie was intentionally “disappeared” because it embarrassed Sinbad and Phil Hartman, who he believes was a writer and producer on the film. Jessica also thinks the film was recalled and destroyed.

Carl’s explanation, however, is the most detailed. Although he considers the movie may have been recalled if DC Comics sued the film’s production company (because of their similarly-named TV show Shazam!), he believes more in either a timeline shift or a computer simulation.

“University of Oxford’s philosopher Nick Bostrom suggested that members of an advanced civilization with enormous computing power might decide to run simulations of their ancestors,” he says, also arguing that quantum computers are now able to run such simulations. “In a day where we can now run these simulations, is this a far-fetched theory?” he argues, noting that the famous scientist Neil deGrasse Tyson put the odds we are living in a computer simulation at 50-50 earlier this year.

“Does it make more sense to argue with the scientific minds of our time exposed to the greatest understanding of the capabilities of modern technology, or to argue with the masses of people who simply write off these effects we are noticing as faulty memories?” Carl asks.

*

As of today, there is no concrete evidence that Shazaam ever existed. A few months ago, Redditors thought they had a breakthrough when they discovered an image of Sinbad in a genie costume on eBay. Sinbad himself, however, tweeted to say that he was dressed that way because he was hosting a Sinbad the Sailor movie marathon.

Some said the image demonstrated where the false memory had originated, others continue to hunt for evidence of a movie they are certain exists.

*Names have been changed.

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Amelia Tait is a technology and digital culture writer at the New Statesman.