Chelsea Manning, pronouns and the press

It's been a fraught year for relations between trans people and the British press, from Richard Littlejohn singling out transsexual teacher Lucy Meadows, to the reaction to Chelsea Manning's announcement.

It has been a year of fraught relations between trans people and the British press, with Julie Burchill’s shabby, incoherent (and swiftly retracted) broadside in The Observer in January and Richard Littlejohn singling out transsexual teacher Lucy Meadows in the Daily Mail before her death in March. Unkind and unfair coverage – in particular the use of old names, incorrect pronouns and the trashing of people’s identities – has long concerned the community, with individual writers entering the mainstream media and organisations such as Trans Media Watch and All About Trans holding dialogues with editors and journalists in efforts to change the culture.

This has made progress, but also provoked virulently transphobic responses from certain conservative, socialist and radical feminist commentators; amongst other things, Pvt Chelsea Manning’s announcement that she wishes to live as a woman after being imprisoned for providing classified information to Wikileaks has provided a high-profile test case for the current nature of newspaper coverage of trans-related stories. For those following the case, Manning’s gender dysphoria was well known, but Manning and her family asked that Manning be referred to by male pronouns before the sentencing, and it was only last week that it became widely reported.

Largely, the broadsheets focused on the difficulties that Manning will face in a men’s jail, generally handling this more sensitively than in the US. Using elements of the familiar first-person transition story whilst questioning its clichés, All About Trans activist Paris Lees documented her youthful experiences of an all-male prison in a sensitive Guardian piece. All About Trans met Channel 4 News’s Cathy Newman as part of their media engagement, and Newman quoted Lees in a Telegraph article on the consequences of pressure for male-born gender dysphoric people to meet masculine expectations, and the additional challenges, particularly the heightened risk of physical and sexual assault, that transphobia might bring. (The specific problems of the US prison system for trans prisoners were also highlighted in Jane Fae’s New Statesman blog.)

Many trans people noted which pronouns were used: Trans Media Watch’s guidance advises the use of those which most closely match an individual’s presentation, and avoiding ‘old’ names and photos, but in Manning’s case, both were established in the public domain. Adam Gabbatt in the Guardian began with ‘the US soldier who was sentenced as Bradley Manning’ before using Chelsea, she and her; the Mail’s long, surprisingly delicate response used Manning’s male name just twice – in the headline and the opening sentence – with female pronouns and her chosen name thereafter, emphasising the US Army’s refusal to fund treatment and the statement from Manning’s lawyer answering accusations of narcissism. In this context, the BBC’s use of male pronouns across their website was especially disheartening.

If this seems broadly positive, it should be noted that the British press were covering an American case. US outlets emphasised the cost of Manning’s transition (but not of incarcerating her), and British publications frequently highlight the taxpayer contribution towards gender reassignment for prisoners who are not otherwise newsworthy. The Daily Star's 'Rot in hell you traitor’ and Brendan O’Neill’s tediously inevitable and inevitably tedious Spiked diatribe telling Manning that she cannot determine her own gender identity suggest that had this occurred in Britain, the newspapers may have discredited Manning with the tired transphobic tropes deployed by Burchill and Littlejohn.

 

Private Chelsea (formerly Bradley) Manning revealed that wishes to live as a woman last month. Photograph: Getty Images.

Juliet Jacques is a freelance journalist and writer who covers gender, sexuality, literature, film, art and football. Her writing can be found on her blog at and she can be contacted on Twitter @julietjacques.

This article first appeared in the 02 September 2013 issue of the New Statesman, Syria: The west humiliated

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The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

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