"Who will bully the bullies?"

In a disturbing account of an angry incident in London, Boris Johnson's old friend fights back against his detractors in the press.

The Spectator recently published an article in which I argued that the BBC journalist Eddie Mair, as a member of the British media, was in no position to point his finger at my old friend Boris Johnson, the Mayor of London, and call him “a nasty piece of work”. While many understood the point, the reaction on the part of a press which has taken umbrage at my consistent refusal to recognise a moral authority that I do not accept it possesses was less favourable.

One journalist in particular took it upon himself to resort to insult. He had approached me by email with a list of questions that seemed serious enough but which I sensed could be bait to occasion a meeting and thereby instil credibility to a subsequent character assassination, a favourite ploy of British journalists. I declined his invitation in the politest terms and with tedious predictability an article about me soon appeared in a prominent newspaper, its bad faith outmatched only by its incompetence.

In particular, it was the journalist’s insulting of my wife which proved that he had not conducted even an iota’s actual study. Had he done so, he would have realised that his calumny would trigger only one response.

That response came early one recent morning when, having discovered his address and flown into London from South Africa where I live, I waited for him to emerge from his house, chased him, and then, having knocked him to the ground, emptied over his head a sack of horse manure rendered slurry by the addition of bottled water – a concoction made possible courtesy of Hyde Park Riding School and the springs of Evian. The aim had been not to hurt him but to humiliate him as he had sought to humiliate my wife. And humiliate him is exactly what I did, in front of his neighbours who had poured out on to the street at the sound of his screams.

A click of the mouse is all that separates the journalist’s embarrassment from worldwide dissemination because I had brought along two accomplices, who did not touch him, and whose role it was to film the events as they unfolded. But here is the difference. That click of the mouse did not occur – precisely because I saw no point in causing additional hurt to the journalist’s family.

Did such considerations inform the News of the World when it published its video of Max Mosley’s recreation with a group of ladies liberal with their affections? Did the News of the World ask itself: “How will this impact on Mr Mosley’s family? What pos - sible good will come of publishing these tapes? Will society become a better place as a consequence? Or will it become a darker one by pandering to the basest voyeuristic instincts in us all?”

Did it, or any of Britain’s other newspapers, wrestle with similar questions on countless equivalent occasions?

Instead, the News of the World invoked a “public interest” defence – Fleet Street’s favourite – the gist being that the wearing of supposedly Nazi-like apparel had justified Mr Mosley’s exposure, an argument dismissed as patent sophistry by Mr Justice Eady in a high court judgment that is a masterpiece of prose and reasoning.

And when the wife of the journalist at the centre of this story emerged from her home to see me standing over her husband warning him never to repeat his mistake, did I bring her into it? Did I pour manure over her and attempt to humiliate her as her spouse had done my wife? No.

The sad truth is that, bar the odd exception, the most ruthless armed robbers I met in jail had more honour and more sense of code than the British media.

In fact, the real reason for some editors’ desire to degrade is money, coupled with a psychological need to bring the rest of the population down to their own level. The response by the publicity-sensitive Daily Mail editor, Paul Dacre, to Justice Eady’s judgment could hardly be more revealing:

. . . if mass-circulation newspapers . . . don’t have the freedom to write about scandal, I doubt whether they will retain their mass circulations . . . If the News of the World can’t carry such stories as the Mosley orgy, then it, and its political reportage and analysis [sic], will eventually probably die.

It is an argument that could be relied upon by the drug dealer: “I only give the people what they want. Were there no demand for my product, there’d be no market. I’m just a disciple of Adam Smith.”

However, for me, the person who spreads the disease is in fact far more blameworthy than the one in whom the disease originates. And that is exactly how the media make money – just as Mr Dacre states – not by upholding “democracy”, but by spreading sickness: an orgy here, a topless celebrity there, a beheading of a soldier somewhere else; all for our simple, pay-per-view, pay-as-youread entertainment.

Britain is a vulgar and aggressive country. Step off the plane and it hits you in the face. Now travel back in time, perhaps only 50 years, to a pre-Murdochian age. Watch some television or listen to the radio or open a newspaper and compare. How sad. The truth is that the media know all of this yet bemoan Britain’s moral decline, blind to just how implicated they are in that decline.

Lord Leveson asked the question: “Who guards the guardians?”

I beg your pardon? Murdoch, Dacre, Lebedev, Desmond et al – “guardians”?!

That surely is a term which implies leadership of some kind: a sense of moral authority and of trust; a notion of lifting the people, not degrading them.

The better question, it seems to me, would have been: “Who will bully the bullies?”

Leveson also quoted Thomas Jefferson: “Where the press is free and every man able to read, all is safe.”

But there are huge assumptions here – the first being that the media are indeed “free”. They are not. The British press is controlled by a handful of corporations in turn owned by a handful of rather unpleasant individuals, all with virtually identical agendas. The result is that consent is not reached through rational dialogue between the media and their audience, but instead is manufactured. One comes across very little that is genuinely novel or enlightening in Britain’s media; the newspapers and television stations all essentially accept the same liberal, free-market line. The resulting uniformity is herd-like and dangerous, and the consequence is that we no longer have an intelligentsia to speak of. Whereas in countries such as France, where privacy laws are stronger, debate is in fact, counter-intuitively, far broader: from Marxist analysis to Marine Le Pen – a real difference; from the Guardian to the Telegraph– no real difference.

But what about instances such as the uncovering of the phone-hacking scandal? Surely a clear example of why our media should remain unfettered?

In fact, as anyone who had even the remotest knowledge of the workings of the British press could have told you decades before the arrest of the News of the World’s royal correspondent Clive Goodman, newspapers in this country – and not just those belonging to News International – were involved in all manner of illegal trespass on people’s privacy, by no means limited to phone-hacking, and enjoyed corrupt relationships with the police. Why should it be that the establishment wakes up only when the victims of such trespass are the royal family?

The truth is that the British media are seldom ahead of the curve instead of behind it. An example: the press’s catastrophic failure even to hint at impending financial meltdown. Or how about its analysis of Islam and politics in the Middle East? Embarrassing. The second, implied assumption in Jefferson’s remark is that the media must be free to tell the truth. If we reach the point when the man on the street, while being entertained by what he reads or watches, believes not a word of it, then what is the point of a “free” press?

And the third assumption is that the average man will, upon receipt of truthful information, exercise his reason to arrive at rational decisions, in the process becoming a valuable contributor to a free society. It is here that Leveson’s reference to “guardians” has meaning – because the media as prime purveyors of information have an educative function: to lead people out of the darkness and into the light.

Our politicians are complicit in what has been a long process of decadence, claiming that they defend a “free” press because of its emancipatory power, while in truth they care only for its manipulative power, believing in their Diana-like delusion that they can manipulate the journalists to their own ends more than the journalists will manipulate them.

For those of us with a less bleak view of humanity, let us hope that once the cycle’s nadir is reached things will improve, and that a space will open up for a media that we can trust again. What form this eventuality might take I can only guess at but this I know: the least of its priorities will be profit. Perhaps, reminiscent of the 18th-century-type merchant who, his fortune made, rejects the Harvard Business School manual and puts his money into unprofitable land for honour rather than the bottom line, we will rediscover individuals ready to lose their shirt for love of their trade.

Cynicism yielding once more to ideals? I see Messrs Murdoch and Dacre entertained by my naivety and doubtless the usual barbs will follow from underlings who resent those who are not frightened of them. In the meantime, I will hope to bump into such people when they are separated from their laptops and cappuccinos.

The dogs bark but the caravan moves on and the reader will be heartened by confirmation that, unlike prime ministers and other timid souls, this particular caravan will never be deflected from its course by a few mongrels yapping in Wapping.

Darius Guppy is an Anglo-Iranian businessman and essayist and lives in Cape Town, South Africa

Darius Guppy. Image: Dan Murrell

This article first appeared in the 15 July 2013 issue of the New Statesman, The New Machiavelli

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The Tinder dating app isn't just about sex – it's about friendship, too. And sex

The lines between sex, love and friendship are blurrier than ever, as I found out quickly while using the app.

The first time I met someone using Tinder, the free dating app that requires users to swipe left for “no” and right for “yes” before enabling new “matches” to chat, it was an unqualified success. I should probably qualify that. I was newly single after five years in a committed relationship and wasn’t looking for anything more than fun, friendship and, well, who knows. A few weeks earlier I had tried to give my number to a girl in a cinema café in Brixton. I wrote it on a postcard I’d been using as a bookmark. She said she had a boyfriend, but wanted to keep the postcard. I had no date and I lost my page.

My Tinder date was a master’s student from Valencia called Anna (her name wasn’t really Anna, of course, I’m not a sociopath). When I arrived at the appointed meeting place, she told me I was far more handsome IRL (“in real life”) than my pictures suggested. I was flattered and full of praise for the directness of continental Europeans but also thought sadly to myself: “If only the same could be said about you.”

Anna and I became friends, at least for a while. The date wasn’t a success in the traditional sense of leading us into a contract based on exclusivity, an accumulating cache of resentments and a mortgage, but it had put me back in the game (an appropriate metaphor – people speak regularly of “playing” with the app).

According to Sean Rad, the co-founder who launched Tinder in late 2012, the service was invented for people like me. “It was really a way to overcome my own problems,” he told the editor of Cosmopolitan at an event in London last month. “It was weird to me, to start a conversation [with a stranger]. Once I had an introduction I was fine, but it’s that first step. It’s difficult for a lot of people.” After just one outing, I’d learned two fundamental lessons about the world of online dating: pretty much everyone has at least one decent picture of themselves, and meeting women using a so-called hook-up app is seldom straightforwardly about sex.

Although sometimes it is. My second Tinder date took place in Vienna. I met Louisa (ditto, name) outside some notable church or other one evening while visiting on holiday (Tinder tourism being, in my view, a far more compelling way to get to know a place than a cumbersome Lonely Planet guide). We drank cocktails by the Danube and rambled across the city before making the romantic decision to stay awake all night, as she had to leave early the next day to go hiking with friends. It was just like the Richard Linklater movie Before Sunrise – something I said out loud more than a few times as the Aperol Spritzes took their toll.

When we met up in London a few months later, Louisa and I decided to skip the second part of Linklater’s beautiful triptych and fast-track our relationship straight to the third, Before Midnight, which takes place 18 years after the protagonists’ first meet in Vienna, and have begun to discover that they hate each others’ guts.

Which is one of the many hazards of the swiping life: unlike with older, web-based platforms such as Match.com or OkCupid, which require a substantial written profile, Tinder users know relatively little about their prospective mates. All that’s necessary is a Facebook account and a single photograph. University, occupation, a short bio and mutual Facebook “likes” are optional (my bio is made up entirely of emojis: the pizza slice, the dancing lady, the stack of books).

Worse still, you will see people you know on Tinder – that includes colleagues, neighbours and exes – and they will see you. Far more people swipe out of boredom or curiosity than are ever likely to want to meet up, in part because swiping is so brain-corrosively addictive.

While the company is cagey about its user data, we know that Tinder has been downloaded over 100 million times and has produced upwards of 11 billion matches – though the number of people who have made contact will be far lower. It may sound like a lot but the Tinder user-base remains stuck at around the 50 million mark: a self-selecting coterie of mainly urban, reasonably affluent, generally white men and women, mostly aged between 18 and 34.

A new generation of apps – such as Hey! Vina and Skout – is seeking to capitalise on Tinder’s reputation as a portal for sleaze, a charge Sean Rad was keen to deny at the London event. Tinder is working on a new iteration, Tinder Social, for groups of friends who want to hang out with other groups on a night out, rather than dating. This makes sense for a relatively fresh business determined to keep on growing: more people are in relationships than out of them, after all.

After two years of using Tinder, off and on, last weekend I deleted the app. I had been visiting a friend in Sweden, and took it pretty badly when a Tinder date invited me to a terrible nightclub, only to take a few looks at me and bolt without even bothering to fabricate an excuse. But on the plane back to London the next day, a strange thing happened. Before takeoff, the woman sitting beside me started crying. I assumed something bad had happened but she explained that she was terrified of flying. Almost as terrified, it turned out, as I am. We wound up holding hands through a horrific patch of mid-air turbulence, exchanged anecdotes to distract ourselves and even, when we were safely in sight of the ground, a kiss.

She’s in my phone, but as a contact on Facebook rather than an avatar on a dating app. I’ll probably never see her again but who knows. People connect in strange new ways all the time. The lines between sex, love and friendship are blurrier than ever, but you can be sure that if you look closely at the lines, you’ll almost certainly notice the pixels.

Philip Maughan is Assistant Editor at the New Statesman.

This article first appeared in the 26 May 2016 issue of the New Statesman, The Brexit odd squad