Techno in Barcelona, the Indie’s founding fathers, and my advice to Australia’s cricket team

Amol Rajan's Diary.

Techno, I recently concluded, is the devil’s music. Even in its wilder and more varied forms, it has the kind of painful monotony that only a satanic imagination could conjure. In mid-June, I was at Sónar, a music festival in Barcelona, where my best-man duties had taken me. With unflinching fortitude, we listened to hour upon hour of this horrible noise, the only occasional glimmers of hope coming when a distant DJ dropped a beat and turned the volume up simultaneously. How on earth people can devote whole evenings, never mind careers, to this remorseless tyranny I shall never know.

Inky dreams

For all that, it was one of the best holidays I’ve ever had – not least because the Catalan sun readied me for my new job as editor of the Independent. It had been some time in the planning. On the flight home, with the techno finally draining from my ears, I took down my suitcase and extracted a battered old copy of Stephen Glover’s Paper Dreams, which documents the birth of the great British institution that I now lead. I bought a second-hand edition for 16p in Exeter shortly after joining the paper and, together with Andrew Neil’s Full Disclosure, Piers Morgan’s The Insider and Max Hastings’s Editor, it convinced me that being a journalist was one of the great privileges available to man. And to be editor? The stuff of dreams.

In the name of the fathers

Glover’s prose captured the zeitgeist beautifully, as indeed did the glorious early editions of the Independent. In preparation for my new assignment, I have buried myself in the archives and, reading those issues, I feel a deep sense of honour. For years, I’ve spoken to some of the great characters who made the paper so brilliant early on, including Glover, Francis Wheen –whose biography of Marx is simply the best book I’ve ever read – and Sebastian Faulks, a team-mate of mine in the Authors Cricket Club.

I think of these men as our founding fathers. The part of George Washington is played by Andreas Whittam Smith, who still writes superb columns for the paper.

Street knowledge

Last week, I asked Andreas what the founding ideals of the Independent were. First, he said, it was of no party or faction: you can’t think of it as left or right; it would always aim to surprise. Second, journalism is a street: we are on one side; the people we write about are on the other. It’s our job not to cross the street. Andreas used to think of his paper as “classic with a twist” – a lovely phrase.

In the coming months, I and the best team of writers and editors in Fleet Street will be animated by the spirit of those founding fathers. I have no intention of turning the clock back; rather, I want the paper to be true to the ideals in our DNA. After all, most of the British public think of themselves as independent-minded. Zeitgeists come and go but scepticism in Britain endures and we shall sing on its behalf.

Credit where it’s due

Two aspects of my appointment attracted most attention: the state-school heritage and skin colour. Naturally, I was thrilled to receive a warm letter from Keith Barbrook, the head teacher of Graveney School in south London, my alma mater. The brown skin business made me feel humble – but also uneasy. I didn’t smash through a glass ceiling, as one commentator put it: I just happened to be the lucky rascal who, when the moment came for an editor of minority extraction, was in the right place. Other people –my parents chief among them – deserve much more credit than me.

Second, the language around these issues is always dangerously loose. In The Meaning of Race, Kenan Malik shows that “race” is a social rather than a scientific category, concocted by (among others) French nationalists in the 19th century who wanted to justify inequality. It is also the first step on a road that ends in fascism. I am all for championing equality and indeed will fight for it, including through better and fairer representation of ethnic minorities. But race ought never to be a homologue of culture. I am an Englishman and a patriot and proud of it.

Gone Walkabout

Talking of nationhood, what on earth is happening to Australia? Our summers used to be defined by the onslaught of their cricketers through Ashes series we were bound to lose – but this lot seem utterly useless. They’re getting thumped on the cricket pitch. One of their players has been dropped after some allegedly drunken shenanigans in – of all places! – a Walkabout bar. And now they’ve dumped their coach just weeks before the biggest contest of all. I used to think that the answer to many of the world’s problems was a programme of mass migration to this beautiful, spacious and plentifully resourced nation. Now I’m not so sure.

The seamy side

So desperate are the tourists that they may fast-track legislation to allow the Pakistanborn Fawad Ahmed to play in this series. Ahmed, an asylum-seeker in a country not known for its liberal attitude to foreigners, has been left out by the selectors – but they retain the option of bringing him in for the last four Tests.

However, I must warn my Australian and, indeed, Pakistani comrades that a technical deficiency is threatening to hold back this sprightly twirlyman. Study pictures of Ah - med closely and you can see that he grips the ball tightly, with the seam running perpendicular to the base of his fingers.

Shane Warne, my hero, could tell him that this is a recipe for failure. Warne gripped the ball loosely and with the seam running perpendicular to the top, rather than bottom, of his fingers. That was what enabled the swerve into the right-hander that made Warne unplayable. Ahmed, by contrast, is a scrambled seam merchant. He may say that he is simply classic with a twist. I say he should log on to Amazon and get hold of a history of spin-bowling, quick.

Amol Rajan is the editor of the Independent

The audience at the Sónar festival in Barcelona. Photograph: Getty Images

This article first appeared in the 01 July 2013 issue of the New Statesman, Brazil erupts

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Is anyone prepared to solve the NHS funding crisis?

As long as the political taboo on raising taxes endures, the service will be in financial peril. 

It has long been clear that the NHS is in financial ill-health. But today's figures, conveniently delayed until after the Conservative conference, are still stunningly bad. The service ran a deficit of £930m between April and June (greater than the £820m recorded for the whole of the 2014/15 financial year) and is on course for a shortfall of at least £2bn this year - its worst position for a generation. 

Though often described as having been shielded from austerity, owing to its ring-fenced budget, the NHS is enduring the toughest spending settlement in its history. Since 1950, health spending has grown at an average annual rate of 4 per cent, but over the last parliament it rose by just 0.5 per cent. An ageing population, rising treatment costs and the social care crisis all mean that the NHS has to run merely to stand still. The Tories have pledged to provide £10bn more for the service but this still leaves £20bn of efficiency savings required. 

Speculation is now turning to whether George Osborne will provide an emergency injection of funds in the Autumn Statement on 25 November. But the long-term question is whether anyone is prepared to offer a sustainable solution to the crisis. Health experts argue that only a rise in general taxation (income tax, VAT, national insurance), patient charges or a hypothecated "health tax" will secure the future of a universal, high-quality service. But the political taboo against increasing taxes on all but the richest means no politician has ventured into this territory. Shadow health secretary Heidi Alexander has today called for the government to "find money urgently to get through the coming winter months". But the bigger question is whether, under Jeremy Corbyn, Labour is prepared to go beyond sticking-plaster solutions. 

George Eaton is political editor of the New Statesman.