Techno in Barcelona, the Indie’s founding fathers, and my advice to Australia’s cricket team

Amol Rajan's Diary.

Techno, I recently concluded, is the devil’s music. Even in its wilder and more varied forms, it has the kind of painful monotony that only a satanic imagination could conjure. In mid-June, I was at Sónar, a music festival in Barcelona, where my best-man duties had taken me. With unflinching fortitude, we listened to hour upon hour of this horrible noise, the only occasional glimmers of hope coming when a distant DJ dropped a beat and turned the volume up simultaneously. How on earth people can devote whole evenings, never mind careers, to this remorseless tyranny I shall never know.

Inky dreams

For all that, it was one of the best holidays I’ve ever had – not least because the Catalan sun readied me for my new job as editor of the Independent. It had been some time in the planning. On the flight home, with the techno finally draining from my ears, I took down my suitcase and extracted a battered old copy of Stephen Glover’s Paper Dreams, which documents the birth of the great British institution that I now lead. I bought a second-hand edition for 16p in Exeter shortly after joining the paper and, together with Andrew Neil’s Full Disclosure, Piers Morgan’s The Insider and Max Hastings’s Editor, it convinced me that being a journalist was one of the great privileges available to man. And to be editor? The stuff of dreams.

In the name of the fathers

Glover’s prose captured the zeitgeist beautifully, as indeed did the glorious early editions of the Independent. In preparation for my new assignment, I have buried myself in the archives and, reading those issues, I feel a deep sense of honour. For years, I’ve spoken to some of the great characters who made the paper so brilliant early on, including Glover, Francis Wheen –whose biography of Marx is simply the best book I’ve ever read – and Sebastian Faulks, a team-mate of mine in the Authors Cricket Club.

I think of these men as our founding fathers. The part of George Washington is played by Andreas Whittam Smith, who still writes superb columns for the paper.

Street knowledge

Last week, I asked Andreas what the founding ideals of the Independent were. First, he said, it was of no party or faction: you can’t think of it as left or right; it would always aim to surprise. Second, journalism is a street: we are on one side; the people we write about are on the other. It’s our job not to cross the street. Andreas used to think of his paper as “classic with a twist” – a lovely phrase.

In the coming months, I and the best team of writers and editors in Fleet Street will be animated by the spirit of those founding fathers. I have no intention of turning the clock back; rather, I want the paper to be true to the ideals in our DNA. After all, most of the British public think of themselves as independent-minded. Zeitgeists come and go but scepticism in Britain endures and we shall sing on its behalf.

Credit where it’s due

Two aspects of my appointment attracted most attention: the state-school heritage and skin colour. Naturally, I was thrilled to receive a warm letter from Keith Barbrook, the head teacher of Graveney School in south London, my alma mater. The brown skin business made me feel humble – but also uneasy. I didn’t smash through a glass ceiling, as one commentator put it: I just happened to be the lucky rascal who, when the moment came for an editor of minority extraction, was in the right place. Other people –my parents chief among them – deserve much more credit than me.

Second, the language around these issues is always dangerously loose. In The Meaning of Race, Kenan Malik shows that “race” is a social rather than a scientific category, concocted by (among others) French nationalists in the 19th century who wanted to justify inequality. It is also the first step on a road that ends in fascism. I am all for championing equality and indeed will fight for it, including through better and fairer representation of ethnic minorities. But race ought never to be a homologue of culture. I am an Englishman and a patriot and proud of it.

Gone Walkabout

Talking of nationhood, what on earth is happening to Australia? Our summers used to be defined by the onslaught of their cricketers through Ashes series we were bound to lose – but this lot seem utterly useless. They’re getting thumped on the cricket pitch. One of their players has been dropped after some allegedly drunken shenanigans in – of all places! – a Walkabout bar. And now they’ve dumped their coach just weeks before the biggest contest of all. I used to think that the answer to many of the world’s problems was a programme of mass migration to this beautiful, spacious and plentifully resourced nation. Now I’m not so sure.

The seamy side

So desperate are the tourists that they may fast-track legislation to allow the Pakistanborn Fawad Ahmed to play in this series. Ahmed, an asylum-seeker in a country not known for its liberal attitude to foreigners, has been left out by the selectors – but they retain the option of bringing him in for the last four Tests.

However, I must warn my Australian and, indeed, Pakistani comrades that a technical deficiency is threatening to hold back this sprightly twirlyman. Study pictures of Ah - med closely and you can see that he grips the ball tightly, with the seam running perpendicular to the base of his fingers.

Shane Warne, my hero, could tell him that this is a recipe for failure. Warne gripped the ball loosely and with the seam running perpendicular to the top, rather than bottom, of his fingers. That was what enabled the swerve into the right-hander that made Warne unplayable. Ahmed, by contrast, is a scrambled seam merchant. He may say that he is simply classic with a twist. I say he should log on to Amazon and get hold of a history of spin-bowling, quick.

Amol Rajan is the editor of the Independent

The audience at the Sónar festival in Barcelona. Photograph: Getty Images

This article first appeared in the 01 July 2013 issue of the New Statesman, Brazil erupts

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What it’s like to fall victim to the Mail Online’s aggregation machine

I recently travelled to Iraq at my own expense to write a piece about war graves. Within five hours of the story's publication by the Times, huge chunks of it appeared on Mail Online – under someone else's byline.

I recently returned from a trip to Iraq, and wrote an article for the Times on the desecration of Commonwealth war cemeteries in the southern cities of Amara and Basra. It appeared in Monday’s paper, and began:

“‘Their name liveth for evermore’, the engraving reads, but the words ring hollow. The stone on which they appear lies shattered in a foreign field that should forever be England, but patently is anything but.”

By 6am, less than five hours after the Times put it online, a remarkably similar story had appeared on Mail Online, the world’s biggest and most successful English-language website with 200 million unique visitors a month.

It began: “Despite being etched with the immortal line: ‘Their name liveth for evermore’, the truth could not be further from the sentiment for the memorials in the Commonwealth War Cemetery in Amara.”

The article ran under the byline of someone called Euan McLelland, who describes himself on his personal website as a “driven, proactive and reliable multi-media reporter”. Alas, he was not driven or proactive enough to visit Iraq himself. His story was lifted straight from mine – every fact, every quote, every observation, the only significant difference being the introduction of a few errors and some lyrical flights of fancy. McLelland’s journalistic research extended to discovering the name of a Victoria Cross winner buried in one of the cemeteries – then getting it wrong.

Within the trade, lifting quotes and other material without proper acknowledgement is called plagiarism. In the wider world it is called theft. As a freelance, I had financed my trip to Iraq (though I should eventually recoup my expenses of nearly £1,000). I had arranged a guide and transport. I had expended considerable time and energy on the travel and research, and had taken the risk of visiting a notoriously unstable country. Yet McLelland had seen fit not only to filch my work but put his name on it. In doing so, he also precluded the possibility of me selling the story to any other publication.

I’m being unfair, of course. McLelland is merely a lackey. His job is to repackage and regurgitate. He has no time to do what proper journalists do – investigate, find things out, speak to real people, check facts. As the astute media blog SubScribe pointed out, on the same day that he “exposed” the state of Iraq’s cemeteries McLelland also wrote stories about the junior doctors’ strike, British special forces fighting Isis in Iraq, a policeman’s killer enjoying supervised outings from prison, methods of teaching children to read, the development of odourless garlic, a book by Lee Rigby’s mother serialised in the rival Mirror, and Michael Gove’s warning of an immigration free-for-all if Britain brexits. That’s some workload.

Last year James King published a damning insider’s account of working at Mail Online for the website Gawker. “I saw basic journalism standards and ethics casually and routinely ignored. I saw other publications’ work lifted wholesale. I watched editors...publish information they knew to be inaccurate,” he wrote. “The Mail’s editorial model depends on little more than dishonesty, theft of copyrighted material, and sensationalism so absurd that it crosses into fabrication.”

Mail Online strenuously denied the charges, but there is plenty of evidence to support them. In 2014, for example, it was famously forced to apologise to George Clooney for publishing what the actor described as a bogus, baseless and “premeditated lie” about his future mother-in-law opposing his marriage to Amal Alamuddin.

That same year it had to pay a “sizeable amount” to a freelance journalist named Jonathan Krohn for stealing his exclusive account in the Sunday Telegraph of being besieged with the Yazidis on northern Iraq’s Mount Sinjar by Islamic State fighters. It had to compensate another freelance, Ali Kefford, for ripping off her exclusive interview for the Mirror with Sarah West, the first female commander of a Navy warship.

Incensed by the theft of my own story, I emailed Martin Clarke, publisher of Mail Online, attaching an invoice for several hundred pounds. I heard nothing, so emailed McLelland to ask if he intended to pay me for using my work. Again I heard nothing, so I posted both emails on Facebook and Twitter.

I was astonished by the support I received, especially from my fellow journalists, some of them household names, including several victims of Mail Online themselves. They clearly loathed the website and the way it tarnishes and debases their profession. “Keep pestering and shaming them till you get a response,” one urged me. Take legal action, others exhorted me. “Could a groundswell from working journalists develop into a concerted effort to stop the theft?” SubScribe asked hopefully.

Then, as pressure from social media grew, Mail Online capitulated. Scott Langham, its deputy managing editor, emailed to say it would pay my invoice – but “with no admission of liability”. He even asked if it could keep the offending article up online, only with my byline instead of McLelland’s. I declined that generous offer and demanded its removal.

When I announced my little victory on Facebook some journalistic colleagues expressed disappointment, not satisfaction. They had hoped this would be a test case, they said. They wanted Mail Online’s brand of “journalism” exposed for what it is. “I was spoiling for a long war of attrition,” one well-known television correspondent lamented. Instead, they complained, a website widely seen as the model for future online journalism had simply bought off yet another of its victims.