Shame on Vice: There is nothing glamorous about being in so much pain you want to die

The Samaritans do great work offering guidance on depictions of suicide in the media and creative arts. I took them very seriously when writing my debut novel. Vice's glamorous depiction of women writers' last moments was depressingly irresponsible.

Hats off to Vice magazine. It’s rare for a fashion shoot to manage to be grotesque in such a variety of ways. But their ‘Last Words’ piece, in which seven female writers are depicted in an array of charmingly vintage outfits at the moment of their suicide by young models, is staggeringly nasty. We have a waif-like, blonde-haired Virginia Woolf wading into a river in a flowing white gown; a glossy haired Sylvia Plath kneeling in front of an oven; and, perhaps my personal favourite, the Taiwanese author Sanmao hanging herself (according to the caption, the model wears a Vivienne Tam dress and Erickson Beamon necklace.).

Below each photograph is a scattering of crucial details: name; date of birth; age at death; and, of course, method used to kill themselves. (Here, I have to say, Dorothy Parker seems to have been a bit of a disappointment to Vice, with the article reluctantly admitting that she died of “natural causes”; but, it hastily adds, this was “despite several unsuccessful suicide attempts, the first in January 1923, at age 23, by slitting her wrists”. Phew, well done, Dorothy. You just about squeaked in.)

Where do we even start? With the reduction of seven clever, influential women to one final, desperate act? The article makes no mention, obviously, of any of their work. Or with the blithe way Vice exploits this kind of suffering for a fashion shoot? With the lack of insight into the anguish of depression? Or even with the sheer absurdity of the whole thing? It’s reassuring to see, for instance, that Iris Chang found time to apply her pillar box red lipstick perfectly the morning she shot herself in the head, and that Elise Cowen’s lovely Jenni Kayne shoes weren’t scattered too far when she jumped to her death out of a window.

Surprisingly – and once again, congratulations to Vice on this – I’m not sure these things are the most shocking aspects of the shoot. The worst thing is that it is dangerous. Glamourising suicide is deeply irresponsible. As the Samaritans’ website states, “certain types of suicide reporting are particularly harmful and can act as a catalyst to influence the behaviour of people who are already vulnerable”. It points out that over 60 research papers have noted this link between the depiction of suicide in the media and imitative behaviour.

This is something I was anxious about myself whilst writing my first novel, which deals with suicide. It is an issue that anyone tackling the subject must consider. A person may study a beautifully rendered image of a woman wading into a river, and find that suicide begins to seem rather appealing – a graceful, poetic act. But there was nothing graceful or poetic about Virginia Woolf’s death: no one who has read her heartbreaking final letter to her husband Leonard could view it as anything other than frightening and desolate. There is nothing glamorous about being in so much pain you want to die.

It may sound extreme, but romanticising suicide can and does lead to deaths. And these deaths are not stylised and glitzy in the manner of Vice magazine, but ugly and desperate and lonely. That’s what real suicide looks like.

Rebecca Wait’s debut novel, The View on the Way Down, is out now (Picador, £14.99)

Update: Vice.com has removed the shoot from their website

If any of the content of this story affects you, Samaritans are available to talk 24 hours a day, 365 days a year.

Virginia Woolf with her father Leslie Stephen in 1902. Photograph: Getty Images.
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Theresa May’s Brexit speech is Angela Merkel’s victory – here’s why

The Germans coined the word “merkeln to describe their Chancellor’s approach to negotiations. 

It is a measure of Britain’s weak position that Theresa May accepts Angela Merkel’s ultimatum even before the Brexit negotiations have formally started

The British Prime Minister blinked first when she presented her plan for Brexit Tuesday morning. After months of repeating the tautological mantra that “Brexit means Brexit”, she finally specified her position when she essentially proposed that Britain should leave the internal market for goods, services and people, which had been so championed by Margaret Thatcher in the 1980s. 

By accepting that the “UK will be outside” and that there can be “no half-way house”, Theresa May has essentially caved in before the negotiations have begun.

At her meeting with May in July last year, the German Chancellor stated her ultimatum that there could be no “Rosinenpickerei” – the German equivalent of cherry picking. Merkel stated that Britain was not free to choose. That is still her position.

Back then, May was still battling for access to the internal market. It is a measure of how much her position has weakened that the Prime Minister has been forced to accept that Britain will have to leave the single market.

For those who have followed Merkel in her eleven years as German Kanzlerin there is sense of déjà vu about all this.  In negotiations over the Greek debt in 2011 and in 2015, as well as in her negotiations with German banks, in the wake of the global clash in 2008, Merkel played a waiting game; she let others reveal their hands first. The Germans even coined the word "merkeln", to describe the Chancellor’s favoured approach to negotiations.

Unlike other politicians, Frau Merkel is known for her careful analysis, behind-the-scene diplomacy and her determination to pursue German interests. All these are evident in the Brexit negotiations even before they have started.

Much has been made of US President-Elect Donald Trump’s offer to do a trade deal with Britain “very quickly” (as well as bad-mouthing Merkel). In the greater scheme of things, such a deal – should it come – will amount to very little. The UK’s exports to the EU were valued at £223.3bn in 2015 – roughly five times as much as our exports to the United States. 

But more importantly, Britain’s main export is services. It constitutes 79 per cent of the economy, according to the Office of National Statistics. Without access to the single market for services, and without free movement of skilled workers, the financial sector will have a strong incentive to move to the European mainland.

This is Germany’s gain. There is a general consensus that many banks are ready to move if Britain quits the single market, and Frankfurt is an obvious destination.

In an election year, this is welcome news for Merkel. That the British Prime Minister voluntarily gives up the access to the internal market is a boon for the German Chancellor and solves several of her problems. 

May’s acceptance that Britain will not be in the single market shows that no country is able to secure a better deal outside the EU. This will deter other countries from following the UK’s example. 

Moreover, securing a deal that will make Frankfurt the financial centre in Europe will give Merkel a political boost, and will take focus away from other issues such as immigration.

Despite the rise of the far-right Alternative für Deutschland party, the largely proportional electoral system in Germany will all but guarantee that the current coalition government continues after the elections to the Bundestag in September.

Before the referendum in June last year, Brexiteers published a poster with the mildly xenophobic message "Halt ze German advance". By essentially caving in to Merkel’s demands before these have been expressly stated, Mrs May will strengthen Germany at Britain’s expense. 

Perhaps, the German word schadenfreude comes to mind?

Matthew Qvortrup is author of the book Angela Merkel: Europe’s Most Influential Leader published by Duckworth, and professor of applied political science at Coventry University.