Shame on Vice: There is nothing glamorous about being in so much pain you want to die

The Samaritans do great work offering guidance on depictions of suicide in the media and creative arts. I took them very seriously when writing my debut novel. Vice's glamorous depiction of women writers' last moments was depressingly irresponsible.

Hats off to Vice magazine. It’s rare for a fashion shoot to manage to be grotesque in such a variety of ways. But their ‘Last Words’ piece, in which seven female writers are depicted in an array of charmingly vintage outfits at the moment of their suicide by young models, is staggeringly nasty. We have a waif-like, blonde-haired Virginia Woolf wading into a river in a flowing white gown; a glossy haired Sylvia Plath kneeling in front of an oven; and, perhaps my personal favourite, the Taiwanese author Sanmao hanging herself (according to the caption, the model wears a Vivienne Tam dress and Erickson Beamon necklace.).

Below each photograph is a scattering of crucial details: name; date of birth; age at death; and, of course, method used to kill themselves. (Here, I have to say, Dorothy Parker seems to have been a bit of a disappointment to Vice, with the article reluctantly admitting that she died of “natural causes”; but, it hastily adds, this was “despite several unsuccessful suicide attempts, the first in January 1923, at age 23, by slitting her wrists”. Phew, well done, Dorothy. You just about squeaked in.)

Where do we even start? With the reduction of seven clever, influential women to one final, desperate act? The article makes no mention, obviously, of any of their work. Or with the blithe way Vice exploits this kind of suffering for a fashion shoot? With the lack of insight into the anguish of depression? Or even with the sheer absurdity of the whole thing? It’s reassuring to see, for instance, that Iris Chang found time to apply her pillar box red lipstick perfectly the morning she shot herself in the head, and that Elise Cowen’s lovely Jenni Kayne shoes weren’t scattered too far when she jumped to her death out of a window.

Surprisingly – and once again, congratulations to Vice on this – I’m not sure these things are the most shocking aspects of the shoot. The worst thing is that it is dangerous. Glamourising suicide is deeply irresponsible. As the Samaritans’ website states, “certain types of suicide reporting are particularly harmful and can act as a catalyst to influence the behaviour of people who are already vulnerable”. It points out that over 60 research papers have noted this link between the depiction of suicide in the media and imitative behaviour.

This is something I was anxious about myself whilst writing my first novel, which deals with suicide. It is an issue that anyone tackling the subject must consider. A person may study a beautifully rendered image of a woman wading into a river, and find that suicide begins to seem rather appealing – a graceful, poetic act. But there was nothing graceful or poetic about Virginia Woolf’s death: no one who has read her heartbreaking final letter to her husband Leonard could view it as anything other than frightening and desolate. There is nothing glamorous about being in so much pain you want to die.

It may sound extreme, but romanticising suicide can and does lead to deaths. And these deaths are not stylised and glitzy in the manner of Vice magazine, but ugly and desperate and lonely. That’s what real suicide looks like.

Rebecca Wait’s debut novel, The View on the Way Down, is out now (Picador, £14.99)

Update: Vice.com has removed the shoot from their website

If any of the content of this story affects you, Samaritans are available to talk 24 hours a day, 365 days a year.

Virginia Woolf with her father Leslie Stephen in 1902. Photograph: Getty Images.
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The problems with ending encryption to fight terrorism

Forcing tech firms to create a "backdoor" to access messages would be a gift to cyber-hackers.

The UK has endured its worst terrorist atrocity since 7 July 2005 and the threat level has been raised to "critical" for the first time in a decade. Though election campaigning has been suspended, the debate over potential new powers has already begun.

Today's Sun reports that the Conservatives will seek to force technology companies to hand over encrypted messages to the police and security services. The new Technical Capability Notices were proposed by Amber Rudd following the Westminster terrorist attack and a month-long consultation closed last week. A Tory minister told the Sun: "We will do this as soon as we can after the election, as long as we get back in. The level of threat clearly proves there is no more time to waste now. The social media companies have been laughing in our faces for too long."

Put that way, the plan sounds reasonable (orders would be approved by the home secretary and a senior judge). But there are irrefutable problems. Encryption means tech firms such as WhatsApp and Apple can't simply "hand over" suspect messages - they can't access them at all. The technology is designed precisely so that conversations are genuinely private (unless a suspect's device is obtained or hacked into). Were companies to create an encryption "backdoor", as the government proposes, they would also create new opportunities for criminals and cyberhackers (as in the case of the recent NHS attack).

Ian Levy, the technical director of the National Cyber Security, told the New Statesman's Will Dunn earlier this year: "Nobody in this organisation or our parent organisation will ever ask for a 'back door' in a large-scale encryption system, because it's dumb."

But there is a more profound problem: once created, a technology cannot be uninvented. Should large tech firms end encryption, terrorists will merely turn to other, lesser-known platforms. The only means of barring UK citizens from using the service would be a Chinese-style "great firewall", cutting Britain off from the rest of the internet. In 2015, before entering the cabinet, Brexit Secretary David Davis warned of ending encryption: "Such a move would have had devastating consequences for all financial transactions and online commerce, not to mention the security of all personal data. Its consequences for the City do not bear thinking about."

Labour's manifesto pledged to "provide our security agencies with the resources and the powers they need to protect our country and keep us all safe." But added: "We will also ensure that such powers do not weaken our individual rights or civil liberties". The Liberal Democrats have vowed to "oppose Conservative attempts to undermine encryption."

But with a large Conservative majority inevitable, according to polls, ministers will be confident of winning parliamentary support for the plan. Only a rebellion led by Davis-esque liberals is likely to stop them.

George Eaton is political editor of the New Statesman.

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