Shame on Vice: There is nothing glamorous about being in so much pain you want to die

The Samaritans do great work offering guidance on depictions of suicide in the media and creative arts. I took them very seriously when writing my debut novel. Vice's glamorous depiction of women writers' last moments was depressingly irresponsible.

Hats off to Vice magazine. It’s rare for a fashion shoot to manage to be grotesque in such a variety of ways. But their ‘Last Words’ piece, in which seven female writers are depicted in an array of charmingly vintage outfits at the moment of their suicide by young models, is staggeringly nasty. We have a waif-like, blonde-haired Virginia Woolf wading into a river in a flowing white gown; a glossy haired Sylvia Plath kneeling in front of an oven; and, perhaps my personal favourite, the Taiwanese author Sanmao hanging herself (according to the caption, the model wears a Vivienne Tam dress and Erickson Beamon necklace.).

Below each photograph is a scattering of crucial details: name; date of birth; age at death; and, of course, method used to kill themselves. (Here, I have to say, Dorothy Parker seems to have been a bit of a disappointment to Vice, with the article reluctantly admitting that she died of “natural causes”; but, it hastily adds, this was “despite several unsuccessful suicide attempts, the first in January 1923, at age 23, by slitting her wrists”. Phew, well done, Dorothy. You just about squeaked in.)

Where do we even start? With the reduction of seven clever, influential women to one final, desperate act? The article makes no mention, obviously, of any of their work. Or with the blithe way Vice exploits this kind of suffering for a fashion shoot? With the lack of insight into the anguish of depression? Or even with the sheer absurdity of the whole thing? It’s reassuring to see, for instance, that Iris Chang found time to apply her pillar box red lipstick perfectly the morning she shot herself in the head, and that Elise Cowen’s lovely Jenni Kayne shoes weren’t scattered too far when she jumped to her death out of a window.

Surprisingly – and once again, congratulations to Vice on this – I’m not sure these things are the most shocking aspects of the shoot. The worst thing is that it is dangerous. Glamourising suicide is deeply irresponsible. As the Samaritans’ website states, “certain types of suicide reporting are particularly harmful and can act as a catalyst to influence the behaviour of people who are already vulnerable”. It points out that over 60 research papers have noted this link between the depiction of suicide in the media and imitative behaviour.

This is something I was anxious about myself whilst writing my first novel, which deals with suicide. It is an issue that anyone tackling the subject must consider. A person may study a beautifully rendered image of a woman wading into a river, and find that suicide begins to seem rather appealing – a graceful, poetic act. But there was nothing graceful or poetic about Virginia Woolf’s death: no one who has read her heartbreaking final letter to her husband Leonard could view it as anything other than frightening and desolate. There is nothing glamorous about being in so much pain you want to die.

It may sound extreme, but romanticising suicide can and does lead to deaths. And these deaths are not stylised and glitzy in the manner of Vice magazine, but ugly and desperate and lonely. That’s what real suicide looks like.

Rebecca Wait’s debut novel, The View on the Way Down, is out now (Picador, £14.99)

Update: Vice.com has removed the shoot from their website

If any of the content of this story affects you, Samaritans are available to talk 24 hours a day, 365 days a year.

Virginia Woolf with her father Leslie Stephen in 1902. Photograph: Getty Images.
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Our union backed Brexit, but that doesn't mean scrapping freedom of movement

We can only improve the lives of our members, like those planning stike action at McDonalds, through solidarity.

The campaign to defend and extend free movement – highlighted by the launch of the Labour Campaign for Free Movement this month – is being seen in some circles as a back door strategy to re-run the EU referendum. If that was truly the case, then I don't think Unions like mine (the BFAWU) would be involved, especially as we campaigned to leave the EU ourselves.

In stark contrast to the rhetoric used by many sections of the Leave campaign, our argument wasn’t driven by fear and paranoia about migrant workers. A good number of the BFAWU’s membership is made up of workers not just from the EU, but from all corners of the world. They make a positive contribution to the industry that we represent. These people make a far larger and important contribution to our society and our communities than the wealthy Brexiteers, who sought to do nothing other than de-humanise them, cheered along by a rabid, right-wing press. 

Those who are calling for end to freedom of movement fail to realise that it’s people, rather than land and borders that makes the world we live in. Division works only in the interest of those that want to hold power, control, influence and wealth. Unfortunately, despite a rich history in terms of where division leads us, a good chunk of the UK population still falls for it. We believe that those who live and work here or in other countries should have their skills recognised and enjoy the same rights as those born in that country, including the democratic right to vote. 

Workers born outside of the UK contribute more than £328 million to the UK economy every day. Our NHS depends on their labour in order to keep it running; the leisure and hospitality industries depend on them in order to function; the food industry (including farming to a degree) is often propped up by their work.

The real architects of our misery and hardship reside in Westminster. It is they who introduced legislation designed to allow bosses to act with impunity and pay poverty wages. The only way we can really improve our lives is not as some would have you believe, by blaming other poor workers from other countries, it is through standing together in solidarity. By organising and combining that we become stronger as our fabulous members are showing through their decision to ballot for strike action in McDonalds.

Our members in McDonalds are both born in the UK and outside the UK, and where the bosses have separated groups of workers by pitting certain nationalities against each other, the workers organised have stood together and fought to win change for all, even organising themed social events to welcome each other in the face of the bosses ‘attempts to create divisions in the workplace.

Our union has held the long term view that we should have a planned economy with an ability to own and control the means of production. Our members saw the EU as a gravy train, working in the interests of wealthy elites and industrial scale tax avoidance. They felt that leaving the EU would give the UK the best opportunity to renationalise our key industries and begin a programme of manufacturing on a scale that would allow us to be self-sufficient and independent while enjoying solid trading relationships with other countries. Obviously, a key component in terms of facilitating this is continued freedom of movement.

Many of our members come from communities that voted to leave the EU. They are a reflection of real life that the movers and shakers in both the Leave and Remain campaigns took for granted. We weren’t surprised by the outcome of the EU referendum; after decades of politicians heaping blame on the EU for everything from the shape of fruit to personal hardship, what else could we possibly expect? However, we cannot allow migrant labour to remain as a political football to give succour to the prejudices of the uninformed. Given the same rights and freedoms as UK citizens, foreign workers have the ability to ensure that the UK actually makes a success of Brexit, one that benefits the many, rather than the few.

Ian Hodon is President of the Bakers and Allied Food Workers Union and founding signatory of the Labour Campaign for Free Movement.