Announcing the New Statesman Centenary Issue

We celebrate 100 years with the largest single issue of the magazine in its history.

The New Statesman, founded in 1913, will mark its centenary with a 180-page souvenir issue, to be published on Thursday 11 April. It will be the largest single issue in the magazine’s history. The centenary edition will include contributions from leading writers and political figures, including Julian Barnes, A S Byatt, David Hare, Mark Mazower, Melvyn Bragg, Michael Gove, David Miliband and Robert Skidelsky. There will also be a number of yet-to-be-announced guest writers and reprints of classic articles by T S Eliot, Virginia Woolf, George Orwell and others.

Under the award-winning editorship of Jason Cowley, who joined at the end of 2008, the title has been revitalised, thanks to a stable of talented writers, a series of agenda-setting scoops and notable guest-edits by Jemima Khan, Richard Dawkins, Rowan Williams and the Chinese dissident artist Ai Weiwei.

Among the scoops that have helped to transform the profile of the New Statesman are: Hugh Grant’s hugely popular article “The bugger, bugged”, which turned the tables on a former News of the World journalist; the controversial attack on the austerity policies of the coalition government by the then Archbishop of Canterbury, Rowan Williams, which led to a rift between Downing Street and Lambeth Palace; Vince Cable’s recent intervention on the government’s economic strategy; Jemima Khan’s denunciation of Julian Assange; and the discovery and publication of “Last Letter”, a poem by Ted Hughes about the night his then wife, Sylvia Plath, committed suicide.

Boosted by Kindle and digital subscriptions, the circulation of the magazine is approaching 30,000. Meanwhile, newstatesman.com has had a 300 per cent increase in traffic since 2009. It is now the country’s biggest politics website, with 1.4 million unique visitors and 3.6 million page views during this March alone – exceptional numbers for such a small team. The first episode of a weekly New Statesman podcast went out this week and a new iPad app for the magazine will go live in May.

“A great magazine with the status of a national treasure.”

– Richard Dawkins

 

“The New Statesman distinguishes itself not just by the quality of its writing and the thoughtfulness of its content but by the breadth of its editorial mind - something from which other publications of both left and right can learn much.”

- Simon Heffer, the Daily Mail

 

“A great magazine...grab hold of a copy.”

– Russell Brand

 

“Under its current editorial team, the New Statesman is the best it’s been in my lifetime . . . sharp and interesting and valid.”

– Daniel Finkelstein, the Times

 

“The NS has become a consistent home for important points of view ignored by other media - and therefore plays a crucial role in the moral and intellectual health of the nation.”

– Alain de Botton

 

“The new New Statesman is thoughtful and surprising. Britain needs fresh progressive thinking and debate, and the NS is generating it.”

- David Milliband

Jason Cowley said:

The New Statesman is no longer on life support and is returning to robust health. I’m confident that it is now the best written and most intellectually stimulating magazine in Britain. We have rethought it and relaunched the website. We have broadened our political range and collaborated with some interesting and unexpected people. We have drawn influence from our Fabian tradition but also from Keynesian Liberalism – it is often forgotten that in 1931 the New Statesman merged with the Nation, the old voice of Bloomsbury social liberalism. 

The centenary issue will be full of great journalism and cultural criticism in the best tradition of the magazine. We will be looking back but we’ll also be asking what the next 100 years might bring in politics, public life and culture. Whatever that is, we are now confident that the New Statesman will be here to engage with it, online and on paper.”

Centenary celebrations began on 4 April with a sold-out debate on the future of feminism, chaired by our web editor, Caroline Crampton, and featuring the New Statesman’s crack squad of feminist bloggers. On 18 April, editor Jason Cowley will chair a second debate with the motion “This house believes the left won the 20th century”, in which the Daily Mail’s Simon Heffer, the Huffington Post’s Mehdi Hasan and the New Statesman’s deputy editor, Helen Lewis, will be pitted against ConservativeHome’s Tim Montgomerie, the Independent columnist Owen Jones and Ruth Porter of the Institute of Economic Affairs.

The New Statesman Century, a 300-page special issue of the magazine showcasing the most incisive, influential and amusing articles from the New Statesman archive, will be published in the summer. A book will follow.

In this centenary year, the New Statesman will also be working with Jeremy Vine’s BBC Radio 2 programme on a series featuring some of the leading thinkers and writers of our time. From 29 April and continuing every week into the summer, Jonathan Sachs, Brian May, David Puttnam, Stephen Hawking, Mary Robinson, Susan Greenfield, Alain de Botton and others will attempt to answer the most fundamental question of all: “What makes us human?” Their essays will be read and discussed on Jeremy Vine’s radio show and published in the New Statesman.

The New Statesman was founded on the eve of the First World War by the social reformers and economists Beatrice and Sidney Webb, with support from George Bernard Shaw and other members of the Fabian Society. From defying Fascism under long-standing editor Kingsley Martin, to kicking off the Campaign for Nuclear Disarmament, as well as arguing for women’s, LGBT rights and constitutional reform, the magazine has backed many radical causes over the years, in spite of libel costs and funding difficulties which resulted in near bankruptcy in the 1990s.

Throughout its colourful history, the New Statesman has remained committed to publishing the best writers and journalists. The roll call of great political and cultural writers who have contributed to the magazine includes H G Wells, John Maynard Keynes, Bertrand Russell, Paul Johnson, Julian Barnes, Virginia Woolf, Christopher Hitchens, Will Self and John Gray. More recently, the magazine has been a platform for a new generation of talented journalists such as Laurie Penny, Mehdi Hasan and Helen Lewis.

The New Statesman Centenary Issue will be availble for purchase on newsstands and on our website from next Thursday, 11th April 2013.

Charlotte Simmonds is a writer and blogger living in London. She was formerly an editorial assistant at the New Statesman. You can follow her on Twitter @thesmallgalleon.

Getty
Show Hide image

Theresa May’s stage-managed election campaign keeps the public at bay

Jeremy Corbyn’s approach may be chaotic, but at least it’s more authentic.

The worst part about running an election campaign for a politician? Having to meet the general public. Those ordinary folk can be a tricky lot, with their lack of regard for being on-message, and their pesky real-life concerns.

But it looks like Theresa May has decided to avoid this inconvenience altogether during this snap general election campaign, as it turns out her visit to Leeds last night was so stage-managed that she barely had to face the public.

Accusations have been whizzing around online that at a campaign event at the Shine building in Leeds, the Prime Minister spoke to a room full of guests invited by the party, rather than local people or people who work in the building’s office space.

The Telegraph’s Chris Hope tweeted a picture of the room in which May was addressing her audience yesterday evening a little before 7pm. He pointed out that, being in Leeds, she was in “Labour territory”:

But a few locals who spied this picture online claimed that the audience did not look like who you’d expect to see congregated at Shine – a grade II-listed Victorian school that has been renovated into a community project housing office space and meeting rooms.

“Ask why she didn’t meet any of the people at the business who work in that beautiful building. Everyone there was an invite-only Tory,” tweeted Rik Kendell, a Leeds-based developer and designer who says he works in the Shine building. “She didn’t arrive until we’d all left for the day. Everyone in the building past 6pm was invite-only . . . They seemed to seek out the most clinical corner for their PR photos. Such a beautiful building to work in.”

Other tweeters also found the snapshot jarring:

Shine’s founders have pointed out that they didn’t host or invite Theresa May – rather the party hired out the space for a private event: “All visitors pay for meeting space in Shine and we do not seek out, bid for, or otherwise host any political parties,” wrote managing director Dawn O'Keefe. The guestlist was not down to Shine, but to the Tory party.

The audience consisted of journalists and around 150 Tory activists, according to the Guardian. This was instead of employees from the 16 offices housed in the building. I have asked the Conservative Party for clarification of who was in the audience and whether it was invite-only and am awaiting its response.

Jeremy Corbyn accused May of “hiding from the public”, and local Labour MP Richard Burgon commented that, “like a medieval monarch, she simply briefly relocated her travelling court of admirers to town and then moved on without so much as a nod to the people she considers to be her lowly subjects”.

But it doesn’t look like the Tories’ painstaking stage-management is a fool-proof plan. Having uniform audiences of the party faithful on the campaign trail seems to be confusing the Prime Minister somewhat. During a visit to a (rather sparsely populated) factory in Clay Cross, Derbyshire, yesterday, she appeared to forget where exactly on the campaign trail she was:

The management of Corbyn’s campaign has also resulted in gaffes – but for opposite reasons. A slightly more chaotic approach has led to him facing the wrong way, with his back to the cameras.

Corbyn’s blunder is born out of his instinct to address the crowd rather than the cameras – May’s problem is the other way round. Both, however, seem far more comfortable talking to the party faithful, even if they are venturing out of safe seat territory.

Anoosh Chakelian is senior writer at the New Statesman.

0800 7318496