Announcing the New Statesman Centenary Issue

We celebrate 100 years with the largest single issue of the magazine in its history.

The New Statesman, founded in 1913, will mark its centenary with a 180-page souvenir issue, to be published on Thursday 11 April. It will be the largest single issue in the magazine’s history. The centenary edition will include contributions from leading writers and political figures, including Julian Barnes, A S Byatt, David Hare, Mark Mazower, Melvyn Bragg, Michael Gove, David Miliband and Robert Skidelsky. There will also be a number of yet-to-be-announced guest writers and reprints of classic articles by T S Eliot, Virginia Woolf, George Orwell and others.

Under the award-winning editorship of Jason Cowley, who joined at the end of 2008, the title has been revitalised, thanks to a stable of talented writers, a series of agenda-setting scoops and notable guest-edits by Jemima Khan, Richard Dawkins, Rowan Williams and the Chinese dissident artist Ai Weiwei.

Among the scoops that have helped to transform the profile of the New Statesman are: Hugh Grant’s hugely popular article “The bugger, bugged”, which turned the tables on a former News of the World journalist; the controversial attack on the austerity policies of the coalition government by the then Archbishop of Canterbury, Rowan Williams, which led to a rift between Downing Street and Lambeth Palace; Vince Cable’s recent intervention on the government’s economic strategy; Jemima Khan’s denunciation of Julian Assange; and the discovery and publication of “Last Letter”, a poem by Ted Hughes about the night his then wife, Sylvia Plath, committed suicide.

Boosted by Kindle and digital subscriptions, the circulation of the magazine is approaching 30,000. Meanwhile, has had a 300 per cent increase in traffic since 2009. It is now the country’s biggest politics website, with 1.4 million unique visitors and 3.6 million page views during this March alone – exceptional numbers for such a small team. The first episode of a weekly New Statesman podcast went out this week and a new iPad app for the magazine will go live in May.

“A great magazine with the status of a national treasure.”

– Richard Dawkins


“The New Statesman distinguishes itself not just by the quality of its writing and the thoughtfulness of its content but by the breadth of its editorial mind - something from which other publications of both left and right can learn much.”

- Simon Heffer, the Daily Mail


“A great magazine...grab hold of a copy.”

– Russell Brand


“Under its current editorial team, the New Statesman is the best it’s been in my lifetime . . . sharp and interesting and valid.”

– Daniel Finkelstein, the Times


“The NS has become a consistent home for important points of view ignored by other media - and therefore plays a crucial role in the moral and intellectual health of the nation.”

– Alain de Botton


“The new New Statesman is thoughtful and surprising. Britain needs fresh progressive thinking and debate, and the NS is generating it.”

- David Milliband

Jason Cowley said:

The New Statesman is no longer on life support and is returning to robust health. I’m confident that it is now the best written and most intellectually stimulating magazine in Britain. We have rethought it and relaunched the website. We have broadened our political range and collaborated with some interesting and unexpected people. We have drawn influence from our Fabian tradition but also from Keynesian Liberalism – it is often forgotten that in 1931 the New Statesman merged with the Nation, the old voice of Bloomsbury social liberalism. 

The centenary issue will be full of great journalism and cultural criticism in the best tradition of the magazine. We will be looking back but we’ll also be asking what the next 100 years might bring in politics, public life and culture. Whatever that is, we are now confident that the New Statesman will be here to engage with it, online and on paper.”

Centenary celebrations began on 4 April with a sold-out debate on the future of feminism, chaired by our web editor, Caroline Crampton, and featuring the New Statesman’s crack squad of feminist bloggers. On 18 April, editor Jason Cowley will chair a second debate with the motion “This house believes the left won the 20th century”, in which the Daily Mail’s Simon Heffer, the Huffington Post’s Mehdi Hasan and the New Statesman’s deputy editor, Helen Lewis, will be pitted against ConservativeHome’s Tim Montgomerie, the Independent columnist Owen Jones and Ruth Porter of the Institute of Economic Affairs.

The New Statesman Century, a 300-page special issue of the magazine showcasing the most incisive, influential and amusing articles from the New Statesman archive, will be published in the summer. A book will follow.

In this centenary year, the New Statesman will also be working with Jeremy Vine’s BBC Radio 2 programme on a series featuring some of the leading thinkers and writers of our time. From 29 April and continuing every week into the summer, Jonathan Sachs, Brian May, David Puttnam, Stephen Hawking, Mary Robinson, Susan Greenfield, Alain de Botton and others will attempt to answer the most fundamental question of all: “What makes us human?” Their essays will be read and discussed on Jeremy Vine’s radio show and published in the New Statesman.

The New Statesman was founded on the eve of the First World War by the social reformers and economists Beatrice and Sidney Webb, with support from George Bernard Shaw and other members of the Fabian Society. From defying Fascism under long-standing editor Kingsley Martin, to kicking off the Campaign for Nuclear Disarmament, as well as arguing for women’s, LGBT rights and constitutional reform, the magazine has backed many radical causes over the years, in spite of libel costs and funding difficulties which resulted in near bankruptcy in the 1990s.

Throughout its colourful history, the New Statesman has remained committed to publishing the best writers and journalists. The roll call of great political and cultural writers who have contributed to the magazine includes H G Wells, John Maynard Keynes, Bertrand Russell, Paul Johnson, Julian Barnes, Virginia Woolf, Christopher Hitchens, Will Self and John Gray. More recently, the magazine has been a platform for a new generation of talented journalists such as Laurie Penny, Mehdi Hasan and Helen Lewis.

The New Statesman Centenary Issue will be availble for purchase on newsstands and on our website from next Thursday, 11th April 2013.

Charlotte Simmonds is a writer and blogger living in London. She was formerly an editorial assistant at the New Statesman. You can follow her on Twitter @thesmallgalleon.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.