Another suitcase in another hall? Photo: Dan Kitwood/Getty Images
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The new lodger moved in and out of the Hovel in a day. Who’d want to live with a middle-aged man?

Unlike others, we have no choice but to live with ourselves - still. A 27 hour residency seems a little brief.

What, ladies and gentlemen, is the shortest you have ever lived in a place? That is, moved in somewhere, with your stuff, and then moved out again? The Hovel can boast a new record: 27 hours, for its latest occupant.

The previous one, whom I’ve written about before as the country girl who seemed more used to giving horses sugar lumps than negotiating London traffic, got streetwise very quickly and we rubbed along together fine for months, but in the end found a place more to her liking. Her replacement, who was invited round to check the place out, declared herself satisfied, and early last Sunday evening she moved in with a couple of big suitcases and a brand-new Marks and Sparks duvet.

I introduced her to my boys, who were, along with me, digesting Sunday lunch, and they were civil and handsome. She went out for dinner and came back with a man she introduced as her “friend”.

Uh-oh, I thought, because, as I may have said before, the wall separating our bedrooms is so thin that the occupant of one can hear what the occupant of the other is thinking about having for dinner. But they were quiet as mice in the end – quieter, in fact. (I can sometimes hear Mousey as he rummages inside the blue recycling sack that sits open on the kitchen floor; what he hopes to find in there is beyond me, unless mice can digest cardboard. I have recurring dreams of vanquishing Mousey with the heel of my boot, but I’d hesitate to do so again, especially after the abuse I got on Twitter the last time.)

And then on the Monday evening at about half past seven she popped her head round the living-room door and announced she was leaving.

Now, it is rarely given to us to see how the outside world perceives us. “O wad some Power the giftie gie us/To see oursels as ithers see us!” as Burns put it, but what many people forget was that it was looking at a louse crawling on a fine lady’s bonnet in church that prompted him to make such a plea. What are the vermin that crawl upon us without our knowledge? What could I have done that would make someone up sticks and away before little more than a day had passed?

My friend K—— lasted a fortnight and that was bad enough, leading to a long period of fruitless introspection; but that was when Razors was living here with me, and we were perhaps too tightly knit for a third party to join. Also, we were probably insufferable.

One thing my conscience can be clear about is my propriety. No one who has lived here will ever be able to claim that I acted in a creepy way towards them – not even my worst enemies would accuse me of that. (And as my worst enemies include [name redacted at insistent legal request] and [ditto], they would be wise not to bring such a charge in the first place.)

But there must be something. F——, the occupant of 27 hours, said that the place she’d originally wanted to live in came up again – that’s her story and she’s sticking to it. And living in the Hovel is like being the Ringbearer: even if you were there for only the briefest of times, you will be able to claim the title of Hovel-dweller until your last breath.

I wonder if she could smell the failure and the desperation. I have been noticing, for the past few years, how it is men in their mid-forties to mid-fifties who seem to be bringing the most woe upon themselves, and on others. They are the ones most likely to kill themselves, or to run amok. The mid-life crisis is no longer the comedy business with the sports car and the secretary; it means the grim march to the jobcentre with the concealed kitchen knife, the family home that’s no longer his burned to the ground from the outside. It is a reaction to redundancy, in the broadest sense of the word – the all-pervading sense of uselessness in the face of a world that has decided to dispense with you.

This is not generally how I see myself, and readers know me as the happy-go-lucky scamp who whistles at misfortune. However, there are some misfortunes looming, which I will not go into, which would desiccate the most insouciant of lips, and I wonder whether it was some sense of these that made F—— decide that maybe it would be best if she took her chances south of the river. So the hunt is on for another lodger; but would I want to live with me? Would I really? Unlike others, I have no choice.

Nicholas Lezard is a literary critic for the Guardian and also writes for the Independent. He writes the Down and Out in London column for the New Statesman.

This article first appeared in the 19 March 2015 issue of the New Statesman, British politics is broken

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.