Who's afraid? The wolves are gathering, says Nick Lezard. Photo: Ronnie Macdonald/Flickr
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An email makes me cry. I pull myself together... then get another from my accountant

Down and Out with Nicholas Lezard.

Three emails, hard on each other’s heels. (I know this is the second week in a row I have used recent emails as the kick-off for a column but you know what? They’re among the few human interactions I have these days.)

Email No 1 asks me to accept a 20 per cent pay cut for something. No 2 is from a TV company, which is making a programme on a subject the producers’ would rather I was quiet about pro tem. They want to bend my ear, for reasons that do not entirely elude me. No 3 is from another organisation, which is asking me to be on a panel for something related to the London Book Fair. It can pay my travel expenses but nothing else.

The first email involves me having a little bit of a panic and a cry, followed by a period of pulling myself together and replying – mindful that a 100 per cent pay cut is never going to be entirely out of the question and too outraged a tone might be catastrophically counterproductive – that a 10 per cent pay cut might be more acceptable at this end.

Email No 2 is easier to deal with, especially after email No 1. I tell them that in my experience, being interviewed by a TV company involves having people pinch my ideas for nothing – unless you count an undistinguished cup of coffee something – and then not being on the telly. I take some satisfaction from writing this. (When in doubt, ask yourself: what would Beckett do? And as far as I know, he never appeared on telly.)

I feel a bit worse about the London Book Fair gig but by this time my dander is up and I’m full of piss and vinegar. Even though the person chairing the panel is someone for whom I not only have a lot of professional respect but whose beauty maddens me like wine, I reply curtly that I do not work for free.

Then another email. It is from my accountants. As you might have suspected, for I have hinted at this for some time, I hide from my accountants. To get charged a substantial three-figure sum to be told that I am f***ed goes against what I consider to be the life well lived. And although they did go through my books some years ago and tell me that they had never seen someone so honest quite so f***ed – and went through such rudimentary books as I had at a level of detail that means I would happily pay them to have done so, for they deserve to be paid, if I were not f***ed – I am f***ed, so I can’t quite pay them right at this moment.

But anyway, there they are in my in-box and very politely so, considering the circumstances, if I may add. One detail does not escape me and that is the HMRC officers’ take on all this, which my accountants have thoughtfully passed on. They, too, have been patient but it is along the lines of “the wheels of justice grinding slow but fine”. And if I thought I was f***ed at the end of the first paragraph of my accountants’ email, that was nothing.

When, in the relevant paragraph, I see the penalties, I go into a kind of fugue state, for they are amazing. But not unjustifiable, on their part. I can see their point of view.

Maybe if I wasn’t so f***ed, I would hire an accountant to bring the figure down a bit but at the moment what I really need is the testimony of a mental health panel and I do not have the time or non-f***ed-upness to sort that kind of thing out, which is itself a kind of testimony. After all, if my friend Professor BetterNotNameHimOrHer can, after years of trying to persuade the relevant people that HeOrShe has attention deficit disorder, somehow manage to get a teaching post at a very prestigious university, why can’t I, with my piles of books, my inability even to ask for money I am even owed and my generally disastrous circumstances, persuade them of the same thing?

The answer to email No 1 comes back. They will accept my terms, which comes as a pleasant surprise. Email No 2 is answered with an assurance that I will be paid a small, three-figure sum for my time. This, too, is acceptable. Email No 3 has not, at the time of writing, received an answer but this is understandable, for I had been very curt, what with one thing and another, and had not made a jokey comment about how the chairperson’s beauty maddened me like wine, and so on.

But the wolves are gathering around the door and, in true bohemian style, my tiny hands are frozen. I was inoculated against TB at school but it’ll be something else that gets me, I warrant.

Nicholas Lezard is a literary critic for the Guardian and also writes for the Independent. He writes the Down and Out in London column for the New Statesman.

This article first appeared in the 09 December 2014 issue of the New Statesman, How Isis hijacked the revolution

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.