Rung choice: a workman up a ladder paints traffic lights in 1933. Photo: Getty
Show Hide image

I know it’s silly but I am superstitious: I’m trapped in the Hovel by a ladder in the doorway

Down and Out with Nicholas Lezard. 

I have to go out but as I open the front door I see a ladder propped up bang in front of me. Like many rationalists who revere science and the rule of reason, I am deeply superstitious, all the more so for knowing that it is very silly. It is the very silliness that exercises its grip on me.

Anyway, there it is. It’s bad luck to walk under a ladder and now I am paralysed by wondering if opening a door to find yourself already under a ladder can be said to constitute walking under it; and then by trying to work out whether I am slightly to the left or right of its centre, so that if I sidle out in that direction, I can claim that I have not, strictly speaking, contravened the injunction by not having passed through its vertical axis.

All this is very annoying, as I am cutting it a bit fine for the thing I have to go to and do not have time to go back in, have a cup of tea and hope that the workmen painting the bit above the front door will have finished and gone away by the next time I try to leave.

I muse a lot on fortune, though. Long-term readers of this column with unusually retentive memories may recall that I used to invoke The Consolation of Philosophy by Boethius, in which he remarked, while in prison after falling spectacularly out of favour with Theodoric the Great, that life’s all ups and downs, innit, although he put it rather more elegantly than that. We are all at the mercy of fortune’s wheel, he said: consul one moment, awaiting execution and sharing your bread with rats the next.

Because of my great good fortune of having been born in an affluent country at an epoch in history in which there are anaesthetics and medications that relieve asthma (once, gasping without an inhaler in the middle of a spidery house in the middle of nowhere in France, I found an old medical textbook that confidently asserted that asthma attacks were “never fatal”; had I been born even a century earlier, nothing on the broader scale of time, I would have been killed by medical ignorance), there is a certain resistance to the downward motion of the wheel. If you’re born to a poor family in most parts of the globe (and, increasingly, this one), then your lowly position on the wheel isn’t going to change very much.

So I’m not grumbling. But there is a certain contingency to all lives and somehow it has to be acknowledged. I once thanked Providence that I had met a certain person; she said that this sounded a little bit like thanking God. Maybe it is but I tried to wriggle out of this one by saying that it is a neutral way of not taking things for granted and Providence is nothing more than a shorthand for “what has happened” or “the way things have turned out” – although, yes, I did capitalise the word in my head, just in case Providence turns out, despite the lack of unambiguous evidence, to be a matter of the Abrahamic God, or the Fates, or some Nordic crones with a thing for spinning wheels, who have a stake or an agency in what goes on. I like to cover my bets, for the precise reason that one never knows what might happen.

Meanwhile, I know that very bad things indeed can happen, even if you have been born to become an adult in 21st-century Britain. It may not feel like that at the moment, when the worst here merely looks like the rise of Nigel Farage or any of the other clowns who constitute the political scene, but there are terrible things out there – the imagination can become a fire hose spewing out nightmares if you let it run away with itself and even if touching wood and thanking Providence are obviously futile gestures that will have no bearing on anything, they at least represent, like the coin in the chugger’s bucket, a token of consideration, the homage made to the sense that one ought to do something, however small, however feeble the gesture. And I am still aware, as indeed are the National Westminster Bank and all my other creditors, that I am too near the precipice to be able to walk with a carefree swagger through life.

Anyway, after a while, I decide to sidle round the doorway as far to the right as possible, the people in the shop next door thinking that I, always clearly on the brink of madness, have finally sailed off the edge. Breathing a sigh of relief at having outwitted the Norns, or whoever, I get run over by a No 13 bus on Gloucester Place. All right, I don’t actually but it could have happened

Nicholas Lezard is a literary critic for the Guardian and also writes for the Independent. He writes the Down and Out in London column for the New Statesman.

This article first appeared in the 13 November 2014 issue of the New Statesman, Nigel Farage: The Arsonist

ELLIE FOREMAN-PECK FOR NEW STATESMAN
Show Hide image

The triumph of Misbah-ul-Haq, the quiet grafter

How Misbah redeemed Pakistani cricket.

It was an incongruous sight: the entire Pakistani cricket team doing press-ups on the revered pitch at Lord’s, led by its captain, Misbah-ul-Haq. This unusual celebration marked not merely a Test match victory over England on Sunday but something greater: the rehabilitation of Pakistani cricket.

Seven years earlier, the Sri Lankan team bus was en route to the cricket stadium in Lahore for the third day of a Test match against Pakistan when it was attacked by Islamist militants. Gunfire killed six police officers and a driver; several Sri Lankan cricketers were also injured. That was the last Test match played in Pakistan, which, despite protestations, opponents consider too dangerous to visit.

A year later, Pakistan toured England for a Test series. The News of the World alleged that in the final match at Lord’s three Pakistani cricketers had conspired to bowl no-balls in exchange for money. All three received bans of five years or more for corruption. The entire squad was lampooned; police had to shield its members from abuse as they arrived home.

Misbah was on the periphery of all of this. Aged 36 at the time, he was dropped from the squad before the English tour and seemed unlikely to play international cricket again. But the turbulence engulfing Pakistani cricket forced the selectors to reassess. Not only was Misbah recalled but he was made captain. “You have to ask yourself,” he later said: “‘Have I been the captain because they supported me, or because they had no alternatives?’”

Pakistani cricket prizes and mythologises teenage talent plucked from obscurity and brought into the international side. During his decade as captain, Imran Khan picked 11 teenagers to make their debuts, often simply on the basis of being wowed by their performance in the nets. Misbah shows that another way is possible. He grew up in Mianwali, a city that was so remote that: “The culture there wasn’t such that you thought about playing for Pakistan.”

At the behest of his parents, he devoted his early twenties not to his promising batting but to gaining an MBA. Only at 24 did he make his first-class debut, strikingly late in an age when professional sportsmen are expected to dedicate all their energy to the game from their teenage years.

Pakistani cricket has always been “a little blip of chaos to the straight lines of order”, Osman Samiuddin writes in The Unquiet Ones. Misbah has created order out of chaos. He is unflappable and methodical, both as a captain and as a batsman. His mood seems impervious to results. More than anything, he is resilient.

He has led Pakistan to 21 Test victories – seven more than any other captain. He has done this with a bowling attack ravaged by the 2010 corruption scandal and without playing a single match at home. Because of security concerns, Pakistan now play in the United Arab Emirates, sometimes in front of fewer than a hundred supporters.

Misbah has developed a team that marries professionalism with the self-expression and flair for which his country’s cricket is renowned. And he has scored runs – lots of them. Over his 43 Tests as captain, he has averaged at 56.68. Few have been so empowered by responsibility, or as selfless. He often fields at short leg, the most dangerous position in the game and one usually reserved for the team’s junior player.

Misbah has retained his capacity to surprise. As a batsman, he has a reputation for stoic defence. Yet, in November 2014 he reached a century against Australia in just 56 balls, equalling the previous record for the fastest ever Test innings, held by Viv Richards. The tuk-tuk had become a Ferrari.

Late in 2015, Misbah tried to retire. He was 41 and had helped to keep Pakistani cricket alive during some of its darkest days. But the selectors pressured him to stay on, arguing that the team would need him during its arduous tours to England and Australia.

They were right. His crowning glory was still to come. The team arrived in England following weeks of training with the national army in Abbottabad. “The army people are not getting much salaries, but for this flag and for the Pakistani nation, they want to sacrifice their lives,” Misbah said. “That’s a big motivation for all of us. Everyone is really putting effort in for that flag and the nation.”

Now 42, almost a decade older than any cricketer in England’s side, Misbah fulfilled a lifetime’s ambition by playing in a Test match at Lord’s. In Pakistan’s first innings, he scored a century and celebrated with push-ups on the outfield, in homage to the army’s fitness regime and those who had had the temerity to mock his age.

When Pakistan secured victory a little after 6pm on the fourth evening of the game, the entire team imitated the captain’s push-ups, then saluted the national flag. The applause for them reverberated far beyond St John’s Wood.

“It’s been a remarkable turnaround after the 2010 incident,” Misbah-ul-Haq said, ever undemonstrative.

He would never say as much, but he has done more than anyone else to lead Pakistan back to glory. 

Tim Wigmore is a contributing writer to the New Statesman and the author of Second XI: Cricket In Its Outposts.

This article first appeared in the 21 July 2016 issue of the New Statesman, The English Revolt