Rung choice: a workman up a ladder paints traffic lights in 1933. Photo: Getty
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I know it’s silly but I am superstitious: I’m trapped in the Hovel by a ladder in the doorway

Down and Out with Nicholas Lezard. 

I have to go out but as I open the front door I see a ladder propped up bang in front of me. Like many rationalists who revere science and the rule of reason, I am deeply superstitious, all the more so for knowing that it is very silly. It is the very silliness that exercises its grip on me.

Anyway, there it is. It’s bad luck to walk under a ladder and now I am paralysed by wondering if opening a door to find yourself already under a ladder can be said to constitute walking under it; and then by trying to work out whether I am slightly to the left or right of its centre, so that if I sidle out in that direction, I can claim that I have not, strictly speaking, contravened the injunction by not having passed through its vertical axis.

All this is very annoying, as I am cutting it a bit fine for the thing I have to go to and do not have time to go back in, have a cup of tea and hope that the workmen painting the bit above the front door will have finished and gone away by the next time I try to leave.

I muse a lot on fortune, though. Long-term readers of this column with unusually retentive memories may recall that I used to invoke The Consolation of Philosophy by Boethius, in which he remarked, while in prison after falling spectacularly out of favour with Theodoric the Great, that life’s all ups and downs, innit, although he put it rather more elegantly than that. We are all at the mercy of fortune’s wheel, he said: consul one moment, awaiting execution and sharing your bread with rats the next.

Because of my great good fortune of having been born in an affluent country at an epoch in history in which there are anaesthetics and medications that relieve asthma (once, gasping without an inhaler in the middle of a spidery house in the middle of nowhere in France, I found an old medical textbook that confidently asserted that asthma attacks were “never fatal”; had I been born even a century earlier, nothing on the broader scale of time, I would have been killed by medical ignorance), there is a certain resistance to the downward motion of the wheel. If you’re born to a poor family in most parts of the globe (and, increasingly, this one), then your lowly position on the wheel isn’t going to change very much.

So I’m not grumbling. But there is a certain contingency to all lives and somehow it has to be acknowledged. I once thanked Providence that I had met a certain person; she said that this sounded a little bit like thanking God. Maybe it is but I tried to wriggle out of this one by saying that it is a neutral way of not taking things for granted and Providence is nothing more than a shorthand for “what has happened” or “the way things have turned out” – although, yes, I did capitalise the word in my head, just in case Providence turns out, despite the lack of unambiguous evidence, to be a matter of the Abrahamic God, or the Fates, or some Nordic crones with a thing for spinning wheels, who have a stake or an agency in what goes on. I like to cover my bets, for the precise reason that one never knows what might happen.

Meanwhile, I know that very bad things indeed can happen, even if you have been born to become an adult in 21st-century Britain. It may not feel like that at the moment, when the worst here merely looks like the rise of Nigel Farage or any of the other clowns who constitute the political scene, but there are terrible things out there – the imagination can become a fire hose spewing out nightmares if you let it run away with itself and even if touching wood and thanking Providence are obviously futile gestures that will have no bearing on anything, they at least represent, like the coin in the chugger’s bucket, a token of consideration, the homage made to the sense that one ought to do something, however small, however feeble the gesture. And I am still aware, as indeed are the National Westminster Bank and all my other creditors, that I am too near the precipice to be able to walk with a carefree swagger through life.

Anyway, after a while, I decide to sidle round the doorway as far to the right as possible, the people in the shop next door thinking that I, always clearly on the brink of madness, have finally sailed off the edge. Breathing a sigh of relief at having outwitted the Norns, or whoever, I get run over by a No 13 bus on Gloucester Place. All right, I don’t actually but it could have happened

Nicholas Lezard is a literary critic for the Guardian and also writes for the Independent. He writes the Down and Out in London column for the New Statesman.

This article first appeared in the 13 November 2014 issue of the New Statesman, Nigel Farage: The Arsonist

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I can’t follow Marie Kondo's advice – even an empty Wotsits packet “sparks joy” in me

I thought I’d give her loopy, OCD theories a go, but when I held up an empty Wotsits bag I was suffused with so many happy memories of the time we’d spent together that I couldn’t bear to throw it away.

I have been brooding lately on the Japanese tidying freak Marie Kondo. (I forgot her name so I typed “Japanese tidying freak” into Google, and it was a great help.) The “Japanese” bit is excusable in this context, and explains a bit, as I gather Japan is more on the case with the whole “being tidy” thing than Britain, but still.

Apart from telling us that we need to take an enormous amount of care, to the point where we perform origami when we fold our underpants, which is pretty much where she lost me, she advises us to throw away anything that does not, when you hold it, “spark joy”. Perhaps I have too much joy in my life. I thought I’d give her loopy, OCD theories a go, but when I held up an empty Wotsits bag I was suffused with so many happy memories of the time we’d spent together that I couldn’t bear to throw it away.

After a while I gave up on this because I was getting a bit too happy with all the memories, so then I thought to myself, about her: “This is someone who isn’t getting laid enough,” and then I decided that was a crude and ungallant thought, and besides, who am I to wag the finger? At least if she invites someone to her bedroom no one is going to run screaming from it, as they would if I invited anyone to my boudoir. (Etym: from the French “bouder”, to sulk. How very apt in my case.) Marie Kondo – should bizarre circumstance ever conspire to bring her to the threshold – would run screaming from the Hovel before she’d even alighted the stairs from the front door.

I contemplate my bedroom. As I write, the cleaning lady is in it. To say that I have to spend half an hour cleaning out empty Wotsits packets, and indeed wotnot, before I let her in there should give you some idea of how shameful it has got. And even then I have to pay her to do so.

A girlfriend who used to be referred to often in these pages, though I think the term should be a rather less flippant one than “girlfriend”, managed to get round my natural messiness problem by inventing a game called “keep or chuck”.

She even made up a theme song for it, to the tune from the old Spiderman TV show. She would show me some object, which was not really rubbish, but usually a book (it may not surprise you to learn that it is the piles of books that cause most of the clutter here), and say, “Keep or chuck?” in the manner of a high-speed game show host. At one point I vacillated and so she then pointed at herself and said, “Keep or chuck?” I got the message.

These days the chances of a woman getting into the bedroom are remote. For one thing, you can’t just walk down the street and whistle for one much as one would hail a cab, although my daughter is often baffled by my ability to attract females, and suspects I have some kind of “mind ray”. Well, if I ever did it’s on the blink now, and not only that – right now, I’m not even particularly bothered that it’s on the blink. Because, for another thing, I would frankly not care to inflict myself upon anyone else at the moment.

It was all a bit of a giggle eight years ago, when I was wheeled out of the family home and left to my own devices. Of course, when I say “a bit of a giggle”, I mean “terrifying and miserable”, but I had rather fewer miles on the clock than I do now, and a man can, I think, get away with a little bit more scampish behaviour, and entertain a few more illusions about the future and his own plausibility as a character, when he is squarely in his mid-forties than when he is approaching, at speed, his middle fifties.

Death has rather a lot to do with it, I suppose. I had not actually seen, or touched, a dead body until I saw, and touched, my own father’s a few weeks ago. That’s what turns an abstract into a concrete reality. You finally put that to one side and gird up your loins – and then bloody David Bowie snuffs it, and you find yourself watching the videos for “Blackstar” and “Lazarus” over and over again, and reach the inescapable conclusion that death is not only incredibly unpleasant, it is also remorseless and very much nearer than you think.

And would you, dear reader, want to be involved with anyone who kept thinking along those lines? I mean, even if he learned how to fold his undercrackers into an upright cylinder, like a napkin at a fancy restaurant, before putting them in his drawer? When he doesn’t even have a drawer?

Nicholas Lezard is a literary critic for the Guardian and also writes for the Independent. He writes the Down and Out in London column for the New Statesman.

This article first appeared in the 05 February 2015 issue of the New Statesman, Putin's war