Mannequins are a reflection of the way we see our ideal selves. Photo: Getty
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Size 16 shop mannequins are bad for women’s health – but not in the way you think

The way we present the female form spreads the idea that physical pleasingness is the primary guarantee of a woman’s acceptability to society.

The day you chuck your thin wardrobe is the day that you’ve decided the weight you’ve put on isn’t coming off again. The old you, the ghost you who could slip into those trousers and shiver inside that dress – she has been eaten into submission; she isn’t coming back. And I suspect that when chief medical officer Dame Sally Davies criticises the introduction of size 16 mannequins in Debenhams, it’s because she thinks they represent that moment of surrender on a national scale. We could have a sugar tax and install a cycle network, but maybe this is who we are now: maybe we’ve simply come to an accommodation with our bigger selves. (Whether our livers or our cardiovascular systems can be as tolerant as our self-esteem is, of course, another matter.)

The comments about mannequins aren’t really the most important part of Davies’ report, but there’s substance to them. Selling clothes always means selling an idea about the kind of person your target consumer can be. As the exchange of cash for garb gets nearer, the ideal is shuffled delicately closer to the actual until it seems so close you believe you could just stretch out and pluck it from the rail. The wistful, remote, skinny beauty of the catwalk becomes the slightly less alienating thinness of the fashion magazine, then transmutes into the shop window figure that looks like it could almost be you on a good day, before passing through the most important conversion and leaving the store in carrier bag, swinging hopefully by your side. There is one last miracle, and that’s the one where you put on your new clothes and realise that, rather than changing you into the kind of person who wears this marvellous outfit, you’ve just turned this outfit into the kind of thing that a slightly disappointing person like you wears.

All is vanity, all is dust. And for the most part, fashion relies on it being that way. Your unhappiness is the engine that keeps commerce ticking. Every product is the answer to a problem, one way or another, and if the clothes-buying portion of the world woke up one day and decided they had no problems to which a side-buttoning denim skort was the answer, the British high street would be in a bad way. Maybe it’s a kindness to remove one portion of that perpetual misery by installing mannequins that are closer to the actual size of women. At any rate, if we have to have a model figure, surely better that it’s Debenhams reasonably sized woman rather than something like the Venezuelan “operated mannequins” with their hoisted tits and globular buttocks, designed to match that country’s surgically hewn ideal of beauty. At least you can see yourself fitting into the injection-moulded pattern of the UK’s new standard without having four bags of silicone slipped through four incisions in your body.

But a standard mannequin is still a beauty myth, even if that myth has got bigger. Accepting largeness as a form of loveliness is not the same as accepting every woman’s body on its own terms. A friend confided a while ago that she felt like a misfit on account of her size – not because she thought she was too big, but because she’d started to feel that her size 16 was insufficient to qualify her for the “fatshion” scene, where the attractive standard starts around size 20 and comes in a smartly maintained 50s pin-up package. In line with mainstream fashion imagery, that package is overwhelmingly white – which, given that Black African, Black Caribbean and Pakistani women are disproportionately likely to be obese (pdf), is a notable enforcement of the usual beauty standards in the middle of something that casts itself as an aesthetic rebellion. And it’s a rebellion that can act like a regiment: several fat accepters have found that the scene’s body positivity started to run out when, whether deliberately or through illness, they stopped having quite so much body to be positive about.

Obesity isn’t a uniquely female problem. But the self-torturing belief that our bodies are somehow an offence to decency by being the wrong sort is. Anorexia, plastic surgery, obsessive dieting and feeling like the wrong sort of fat – these are issues that, in the vast majority of cases, plague women and not men, because it’s women and not men who learn that their physical pleasingness is the primary guarantee of their acceptability to society. It’s women who learn that they exist to be looked at, and it’s women who are encouraged to make drastic alterations when they inevitably fail to match the shape they’re asked to be, whether that shape is a wispily unobtrusive size 0, an hourglassy 16, or a voluptuous 20 snapping hot selfies with a kebab in hand. The chief medical officer is right that mannequins are bad for our health. I’m just not sure she understands exactly how right she is.

Sarah Ditum is a journalist who writes regularly for the Guardian, New Statesman and others. Her website is here.

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Is there such a thing as responsible betting?

Punters are encouraged to bet responsibly. What a laugh that is. It’s like encouraging drunks to get drunk responsibly, to crash our cars responsibly, murder each other responsibly.

I try not to watch the commercials between matches, or the studio discussions, or anything really, before or after, except for the match itself. And yet there is one person I never manage to escape properly – Ray Winstone. His cracked face, his mesmerising voice, his endlessly repeated spiel follow me across the room as I escape for the lav, the kitchen, the drinks cupboard.

I’m not sure which betting company he is shouting about, there are just so many of them, offering incredible odds and supposedly free bets. In the past six years, since the laws changed, TV betting adverts have increased by 600 per cent, all offering amazingly simple ways to lose money with just one tap on a smartphone.

The one I hate is the ad for BetVictor. The man who has been fronting it, appearing at windows or on roofs, who I assume is Victor, is just so slimy and horrible.

Betting firms are the ultimate football parasites, second in wealth only to kit manufacturers. They have perfected the capitalist’s art of using OPM (Other People’s Money). They’re not directly involved in football – say, in training or managing – yet they make millions off the back of its popularity. Many of the firms are based offshore in Gibraltar.

Football betting is not new. In the Fifties, my job every week at five o’clock was to sit beside my father’s bed, where he lay paralysed with MS, and write down the football results as they were read out on Sports Report. I had not to breathe, make silly remarks or guess the score. By the inflection in the announcer’s voice you could tell if it was an away win.

Earlier in the week I had filled in his Treble Chance on the Littlewoods pools. The “treble” part was because you had three chances: three points if the game you picked was a score draw, two for a goalless draw and one point for a home or away win. You chose eight games and had to reach 24 points, or as near as possible, then you were in the money.

“Not a damn sausage,” my father would say every week, once I’d marked and handed him back his predictions. He never did win a sausage.

Football pools began in the 1920s, the main ones being Littlewoods and Vernons, both based in Liverpool. They gave employment to thousands of bright young women who checked the results and sang in company choirs in their spare time. Each firm spent millions on advertising. In 1935, Littlewoods flew an aeroplane over London with a banner saying: Littlewoods Above All!

Postwar, they blossomed again, taking in £50m a year. The nation stopped at five on a Saturday to hear the scores, whether they were interested in football or not, hoping to get rich. BBC Sports Report began in 1948 with John Webster reading the results. James Alexander Gordon took over in 1974 – a voice soon familiar throughout the land.

These past few decades, football pools have been left behind, old-fashioned, low-tech, replaced by online betting using smartphones. The betting industry has totally rebooted itself. You can bet while the match is still on, trying to predict who will get the next goal, the next corner, the next throw-in. I made the last one up, but in theory you can bet instantly, on anything, at any time.

The soft sell is interesting. With the old football pools, we knew it was a remote flutter, hoping to make some money. Today the ads imply that betting on football somehow enhances the experience, adds to the enjoyment, involves you in the game itself, hence they show lads all together, drinking and laughing and putting on bets.

At the same time, punters are encouraged to do it responsibly. What a laugh that is. It’s like encouraging drunks to get drunk responsibly, to crash our cars responsibly, murder each other responsibly. Responsibly and respect are now two of the most meaningless words in the football language. People have been gambling, in some form, since the beginning, watching two raindrops drip down inside the cave, lying around in Roman bathhouses playing games. All they’ve done is to change the technology. You have to respect that.

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 05 February 2015 issue of the New Statesman, Putin's war