The best things in life are free – unless Hampstead’s horrible hedgies get their way

A parked Bentley with the number plate I H8 TAX summarises everything that's going wrong with our beloved Heath.

Once again, towards the end of the month, money starts getting tight, but the weather is still lovely and holiday-type things must be done – so, what to do? The Wallace Collection, for a start: that’s good free fun. It is, for some reason, an incredibly sexy place and not just because it has that amusing Fragonard showing a young man looking up the skirt of a girl on a swing.
 
Everything there is voluptuous somehow and Howard Jacobson chose well when he made it the scene of a lover’s tryst in his novel The Act of Love. That takes care of one afternoon, then.
 
Loafing around Regent’s Park with some bread, cheese and a chilled bottle takes care of another; but the third afternoon is the best, because someone has paid me unexpectedly early and although I could hardly call myself in rude financial health, I can at least top up the Oyster card and go somewhere on public transport. I’m only going to Hampstead Heath – my fellow columnist Mr Self regards pretty much everywhere on the mainland as being within walking distance, which I think is rather splendid, but I am not going to inflict a three-mile walk to the Heath on the Beloved, especially as we are going to be walking around a lot when we get there. Also, as she is not a native Londoner, she has never seen the Heath before and I am rather keen on introducing her to it.
 
The Heath figures prominently in the childhood of anyone who grew up, as I did, anywhere near it. I don’t think there was ever a time when I was not aware of it, of its improbable vastness in the middle of the city. And the older I get, the more amazing I consider it. As readers of this magazine will be acutely aware, these are terrible times, with our freedoms under threat from all sides – from freedom of association to the meanest use of the word “free”: that is, free from cost. You can still, thank goodness, just bowl up to the Heath and walk straight in. (I gather you are now supposed to pay to use the swimming ponds, which is academic for me, as the days in which I would expose my body clad in swimming trunks to the world have passed.)
 
So, one beaming Thursday, we do just that, along with a couple of buddies who know the Heath at least as well as I do – and it is marvellous. We do see some Lycra-wearing people walking up and then down, and then up and then down our chosen hill again, using those extremely silly walking poles, but they, too, have their liberty, so we confine ourselves to mild mockery while we eat our picnic.
 
Eventually our friends peel off and the B and I are alone, so I show her through paths I remember from my childhood to the tree you can climb inside, and then on, using only my nose to guide me, to the Spaniards Inn for a pint. I note with approval the blue plaque on the house next to it, which reminds us of Henrietta and Samuel Barnett, Christian socialist reformers who did much to make Hampstead such a pleasant place and to lift the poor out of squalor. It is on the way back to the Hovel that I notice the Bentley parked outside one of the impossibly adorable houses in the higgledy-piggledy streets between the Heath and Heath Street. It’s not so much the Bentley itself – after all, London is now seething with them – it’s the number plate: I H8 TAX. You geddit?
 
Now, while the relationship between the taxman and me is not a simple and straightforward one, it is a matter of my own incompetence rather than outright objection to the principle. So I am not, I must confess, very amused to see this number plate. It is not hard to come to some ungenerous conclusions about the charming man – it will be a man – who thinks this is a terrific joke.
 
I think back to the plaque for the Barnetts on their old home by the pub and speculate about the kind of people who now buy such properties. I imagine a London a hundred years hence and the plaques that will decorate the walls of Hampstead. “—, hedge-fund manager, lived here from 2012-2040.” “So and so, arms dealer, lived here off the blood of thousands between 2000 and 2020.”
 
You get the idea. We are living in an age that would seem to consider the very idea of positive social reform as a quaint mug’s game. London is now a playground for the rich and they have had enough of being within smelling distance of the poor. I am also aware that the body responsible for Hampstead Heath is the shadowy City of London Corporation and I wonder how long it will be before its overlords monetise it.
Ice cream on Hampstead Heath, sunglasses optional. Photograph: Getty Images.

Nicholas Lezard is a literary critic for the Guardian and also writes for the Independent. He writes the Down and Out in London column for the New Statesman.

This article first appeared in the 09 September 2013 issue of the New Statesman, Britain alone

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Quiz: Can you identify fake news?

The furore around "fake" news shows no sign of abating. Can you spot what's real and what's not?

Hillary Clinton has spoken out today to warn about the fake news epidemic sweeping the world. Clinton went as far as to say that "lives are at risk" from fake news, the day after Pope Francis compared reading fake news to eating poop. (Side note: with real news like that, who needs the fake stuff?)

The sweeping distrust in fake news has caused some confusion, however, as many are unsure about how to actually tell the reals and the fakes apart. Short from seeing whether the logo will scratch off and asking the man from the market where he got it from, how can you really identify fake news? Take our test to see whether you have all the answers.

 

 

In all seriousness, many claim that identifying fake news is a simple matter of checking the source and disbelieving anything "too good to be true". Unfortunately, however, fake news outlets post real stories too, and real news outlets often slip up and publish the fakes. Use fact-checking websites like Snopes to really get to the bottom of a story, and always do a quick Google before you share anything. 

Amelia Tait is a technology and digital culture writer at the New Statesman.