My love-hate relationship with National Express

Nothing makes you question the nature of your inner life more than eight hours alone on a glorified bus with seatbelts, writes Holly Baxter.

When I first got told that the New Statesman was desperate to hear from an insider about the "red-headed stepchild of transport", I had to agree with their assessment of coach travel. Coach travel is unglamorous. In fact, it’s no understatement to say that coach travel has been the bane of my otherwise plain-sailing twentysomething life: hailing from Newcastle and living in London, it’s both an alluringly cheap and experientially horrific form of travelling from Hoxton hipsters to Geordies in a "mere" eight and a half hours. In fact, I’ve been drawn in so often by the National Express website’s glittering promises of £5 rides from London Pride to Newcastle Brown Ale that I even went to Belgium on one a couple of months ago. In case you’re wondering, that one had its horrific moments too – but I’d do it again in an instant.

Nothing makes you question the nature of your inner life more than eight hours alone on a glorified bus with seatbelts. The terror sets in the day before: am I interesting enough to sustain myself intellectually for almost an entire waking day, sandwiched (in all likelihood) between a screaming child and an impossibly fat man, with only my iPod to separate myself from them socially? Will they attempt to speak to me? Will I feel compelled by British politeness to reply, and so end up in a long conversation about the nuances of my upbringing somewhere along the M21? Will I cry? Even worse, am I one of those people who isn’t quite calm or stupid or drunk enough to immerse myself fully in back-to-back albums of Indie Artist A with nary a thought in my head, but also not quite profound enough to retract into my various deep and meaningful ruminations, feeding for hours off the various philosophical scenarios that they offer up? Inevitably, yes, you are one of those people. You are traversing the country at a steady and constant 50mph, stuck between "bored of Leonard Cohen after four hours" and "bored of my own theories on the use of anarchist spaces in urban environments after one". Folk rock and a hard place.

If you have a companion on these arduous journeys, the whole situation can be made even worse. My friend Sean and I, for instance, have travelled back home together a handful of times, and no longer do so for the sake of our friendship. The near-fatal argument came when Sean convinced me to branch out into the £1 Megabus, despite my previous lifetime loyalty to the lush pleather seats and the plentiful wifi of the National Express. About five minutes into stepping aboard, the coach heated up to about 40˚C (unexpectedly, since it was the middle of December) and stayed this way for the entire journey. The man across the row from us was visibly panting. Sean and I had to keep swapping seats in order to take turns pressing ourselves against the condensation on the windows to temporarily cool down. Regrettable words were passed between us – but a year on, the wounds are beginning to heal. It may have ultimately made us stronger.

The coach is an increasingly niche form of transport: the most recent reports by the ONS found that many coach passengers are – for want of a much better cliché – jumping ship. Trains are becoming the preferred method of public transport for those who previously hopped on the coach, although most of those who work choose to drive ourselves. To travel by coach nowadays, you’re most likely to be either very young or very old: 17-20, or well into your retirement. This may say something about these demographics having the least amount of money (or, indeed, sense) at their disposal; but I prefer to see it as symptomatic of the undying optimism of kindly grandmothers and The Youth. It’s cheap, it’s easy to access, it comes with the tantalising possibility of being scenic; you can kick back with a pear cider and a headphone splitter and ask your boyfriend what he thinks of your band’s latest album before you arrive at Glastonbury. The coach driver will probably be a laugh. Everyone will glance at each other knowingly when the boxy vehicle takes a turn too sharply, because being squashed into such close confines at such low prices comes with its own wartime-esque camaraderie guarantee.

For this sort of experience, the train doesn’t really cut it. For one thing, trains are and have always been segregated by class, never mind planes and types of cars: Geordie legend has it that when Queen Victoria passed by Newcastle on the rail network, she requested that all the first class blinds be closed lest she catch a glimpse of the filthy waters of the Tyne and its filthier residents dwelling above. There is no class system on a National Express coach. Everyone has to follow the same treacherous motorway choreography to the toilet. There are no delusions of joining the Mile High(way?) Club. Orgasms on the dual carriageway? Pah! Even an inadvisedly microwaved panini from the buffet car is out of reach: almost all passengers will have a cellophaned sandwich in their hand luggage, tucked away for the fourth hour, at which point everyone will simultaneously set their lunches free and the one unthinking sushi-bringer will be judged harshly but fairly.

If that’s not enough to tempt you into a slippery pleather seat, then consider that coaches are six times less polluting than an aircraft, four times cleaner than a car, and twice as environmental as a train. They are seven times safer than driving on your own, and if you get through the journey from the South to the North of England in one piece while journeying alongside a companion, the trauma (and the subsequent "funny story") will almost definitely cement your relationship for life.

And that’s without even factoring in what can happen if you carry on into Scotland.

This piece is part of A to B, the New Statesman's week of posts about travel and transport.

A woman passes a coach. Photograph: Getty Images
Holly Baxter is a freelance journalist who writes regularly for The Guardian and The New Statesman. She is also one half of The Vagenda and releases a book on the media in May 2014.
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Cabinet audit: what does the appointment of Andrea Leadsom as Environment Secretary mean for policy?

The political and policy-based implications of the new Secretary of State for Environment, Food and Rural Affairs.

A little over a week into Andrea Leadsom’s new role as Secretary of State for Environment, Food and Rural Affairs (Defra), and senior industry figures are already questioning her credentials. A growing list of campaigners have called for her resignation, and even the Cabinet Office implied that her department's responsibilities will be downgraded.

So far, so bad.

The appointment would appear to be something of a consolation prize, coming just days after Leadsom pulled out of the Conservative leadership race and allowed Theresa May to enter No 10 unopposed.

Yet while Leadsom may have been able to twist the truth on her CV in the City, no amount of tampering will improve the agriculture-related side to her record: one barely exists. In fact, recent statements made on the subject have only added to her reputation for vacuous opinion: “It would make so much more sense if those with the big fields do the sheep, and those with the hill farms do the butterflies,” she told an audience assembled for a referendum debate. No matter the livelihoods of thousands of the UK’s hilltop sheep farmers, then? No need for butterflies outside of national parks?

Normally such a lack of experience is unsurprising. The department has gained a reputation as something of a ministerial backwater; a useful place to send problematic colleagues for some sobering time-out.

But these are not normal times.

As Brexit negotiations unfold, Defra will be central to establishing new, domestic policies for UK food and farming; sectors worth around £108bn to the economy and responsible for employing one in eight of the population.

In this context, Leadsom’s appointment seems, at best, a misguided attempt to make the architects of Brexit either live up to their promises or be seen to fail in the attempt.

At worst, May might actually think she is a good fit for the job. Leadsom’s one, water-tight credential – her commitment to opposing restraints on industry – certainly has its upsides for a Prime Minister in need of an alternative to the EU’s Common Agricultural Policy (CAP); a policy responsible for around 40 per cent the entire EU budget.

Why not leave such a daunting task in the hands of someone with an instinct for “abolishing” subsidies  thus freeing up money to spend elsewhere?

As with most things to do with the EU, CAP has some major cons and some equally compelling pros. Take the fact that 80 per cent of CAP aid is paid out to the richest 25 per cent of farmers (most of whom are either landed gentry or vast, industrialised, mega-farmers). But then offset this against the provision of vital lifelines for some of the UK’s most conscientious, local and insecure of food producers.

The NFU told the New Statesman that there are many issues in need of urgent attention; from an improved Basic Payment Scheme, to guarantees for agri-environment funding, and a commitment to the 25-year TB eradication strategy. But that they also hope, above all, “that Mrs Leadsom will champion British food and farming. Our industry has a great story to tell”.

The construction of a new domestic agricultural policy is a once-in-a-generation opportunity for Britain to truly decide where its priorities for food and environment lie, as well as to which kind of farmers (as well as which countries) it wants to delegate their delivery.

In the context of so much uncertainty and such great opportunity, Leadsom has a tough job ahead of her. And no amount of “speaking as a mother” will change that.

India Bourke is the New Statesman's editorial assistant.