“A kitten with a ball of wool”: The Brazilians by Danny Blanchflower - 4 January 1963

From the archive: Football legend Danny Blanchflower on the 1963 Brazilian team after their appearance at Wembley, "prince and heirs" to the crown of world football.

In an archive piece from 1963 the Tottenham Hotspur captain Danny Blanchflower - viewed in the game as a sort of Renaissance Man - wrote to commemorate the visit of the then world champions, Brazil. Even without some of their best players they posed a challenge for the England team, whom they met at Wembley.

Blanchflower is in an astute position to comment on the tactics of the visiting team. He notes the “casual rhythms” of the Brazilian midfield players, which frustrated the English attacks which “too often ... ended with the ball hopefully crossed from the wing to nobody in particular.” He marvels, above all, at their skilfulness and guile, maintaining possession and, in deadball situations, unleashing a “reverse banana shot” which led to their goal.

Given the country is soon to host the 2014 World Cup, the article serves as a reminder that though Brazil, then as now, are not “kings of world soccer”, they may well be “princes and heirs."

The Brazilians
4 January 1963

After consecutive World Cup triumphs in 1958 and 1962 Brazil established themselves as the true monarchs of world soccer and we had been looking forward to their 1963 tour of Europe. Before they arrived they announced their intentions as strictly experimental – the tour was a part of their team-building plans for 1966. Santos, Didi, Vava, Garrincha etc. were not to come but it seemed enough that we were to see Gylmar, Mauro, Zito, Amarildo and Pele, those bronze, coffee and black marvels whose names are now so familiar with soccer fans.

They lost their first game by a single goal to Portugal and though that seemed excusable it was something of a shock when the Belgians beat them by five goals and Holland taxed them with another single-goal defeat. However, before they came to England, they beat the West Germans by two goals to one, not as grand and convincing a performance on television as some of our daily newspapermen, who were there, wrote it up to be – though Pele scored an exciting goal – and that raised the expectations somewhat for the clash against England at Wembley.

Pele, the victim of a taxi’s argument with a tramcar, didn’t play, and Brazil were a disappointment to me at Wembley. England tried hard enough but they did not play well. If they had, they might easily have won by two or three goals. The defence, particularly Moore, was firm and efficient but the forwards were lured into mid-field delay by the casual rhythms of the Brazilians there, and when they neared the Brazilian goal they had not the room nor the imagination to break through the retreating defensive wall. Too often the England attacks ended with the ball hopefully crossed from the wing to nobody in particular and nobody was ever there to challenge for it. Still, England exerted most of the pressure and although they just managed to scramble their equaliser almost at the end of play, Brazil were a bit lucky to finish on level terms.

Brazil scored with a free kick; it must have been 30 yards out. Against this the common practice is for three or four defenders to form a protective wall blocking one side of the goal and expect the goalkeeper to look after the other half, the side open to the direct aim of the kicker. There has been much talk of the South American players swerving the ball around the wall and into the net where the keeper is least expecting it. They sometimes do but the whole thing has been greatly exaggerated by the likes of Kenneth Wolstenholme, the BBC television commentator. Pepe, the Brazilian outside-left, advanced to take the kick and Banks, the England keeper, must have had the banana shot in his mind. Pepe had taken three or four free-kicks the Sunday before in the televised game against West Germany and not one had finished anywhere near the target. This one, though, he hit hard past the slack wall of three England players. Banks swayed to anticipate the banana shot he had expected but the ball swerved a little the other way and into the side of the net Banks ought to have been protecting. I’m sure Pepe didn’t intend this reverse banana shot, but Banks looked foolish and no doubt it will all add to the myth.

The Brazilians are deceptive footballers, not easy to reduce to words on paper. Their control of the ball looks easy, their touch delicate. They remind me of a kitten with a ball of wool. It is remarkable how simply and effectively some of them take the ball down out of the air with their chest. They pass the ball more often with the outside of their foot whereas British and European players prefer the inside. Their great instinct is to keep possession of the ball rather than lose it by too readily taking a chance to break through, and thus their rhythm of play is smooth and relaxed like a flow of water swirling round searching for a small hole or crack in the other defence to surge through. In mid-field it can be almost siesta time – so relaxed that it can become boring.

In 1958 when I first saw them they inspired me with their play. Suddenly they would explode into the most exciting strike at goal – like a flash of lightning. Pele was just a 17-year-old then and although he did some startling things it was Garrincha who caused me most excitement. This little black figure with animal-like movement and speed would dart off bewilderingly and the whole stadium would gasp. Vava, too, forced his way through with great determination and strength. This is what I missed from them at Wembley – the sudden breakaway. There was no Garrincha, no Vava, no Pele. Their defence seemed capable and well-drilled although it lacked the composure of the 1958 squad. In mid-field they had nobody as crafty as Didi. And again on Sunday against the Italians they were disappointing. They are not kings of world soccer at the moment. But who is to say that they are not the princes and heirs? As they point out, their present intentions are strictly experimental. They have an 18-year-old called Ney who looks explosive to me. They’ll probably find another by 1966, and if they do not succeed again, then at least they will have the satisfaction of knowing they went about it in the right way.

The team that went on to win the World Cup were at Wembley in 1963. Photo: Getty Images.

Letters, articles and notes from the New Statesman's centenary archive.

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“Rise like lions after slumber”: why do Jeremy Corbyn and co keep reciting a 19th century poem?

How a passage from Percy Shelley’s The Masque of Anarchy became Labour’s battle cry.

“If I may, I’d like to quote one of my favourite poets, Percy Bysshe Shelley,” Jeremy Corbyn politely suggested to a huge Glastonbury audience. The crowd of nearly 120,000 – more accustomed to the boom of headline acts than elderly men reading out romantic poetry – roared its approval.

“Rise like lions after slumber, in unvanquishable number!” he rumbled. “Shake your chains to earth like dew, which in sleep had fallen on you: ye are many – they are few!”

The Labour leader told the crowd that this was his favourite line. It’s the final stanza of Shelley’s 1819 poem, The Masque of Anarchy, written in response to the Peterloo Massacre earlier that year, when a cavalry charged into a non-violent protest for the vote.

Though it was not published in Shelley’s lifetime – it was first released in 1832 – the poem has become a rallying cry for peaceful resistance. It has been recited at uprisings throughout history, from Tiananmen Square to Tahrir Square.

Corbyn’s turn on the Pyramid Stage was not the first time he’s used it. He recited the stanza during his closing speech on election night in Islington, and the audience began quoting along with him:


It was also used by comedian and celebrity Labour supporter Steve Coogan at a rally in Birmingham:


During Corbyn’s second leadership campaign, his ally Chris Williamson MP told a public meeting that this part of the poem should be “our battle cry” . He delivered on this the following year by reciting the poem to me in his Renault Clio while out on the campaign trail in England’s most marginal constituency (which he ended up winning).

You can hear it echoed in Labour’s campaign slogan: “For the many, not the few”.

Corbyn’s election guru, James Schneider, told the Standard at the time that “it would be a stretch” to say the slogan was taken directly from the poem, but that “Jeremy does know Shelley”. Yet even he took the time to recite the whole stanza down the phone to the journalist who was asking.

Corbyn is famously a fan of the novelist and author Ben Okri. The pair did a literary night at the Royal Festival Hall in London’s Southbank in July last year, in which the Shelley lines came up at the end of the event, as reported by Katy Balls over at the Spectator. Okri announced that he wanted to recite them, telling Corbyn and the audience:

“I want to read five lines of Shelley . . . I think there are some poems that ought to be, like you know those rock concerts, and the musician starts to sing and the whole audience knows the lines? And sings along with them? Well this ought to be one of those, and I’d like to propose that we somehow make it so that anytime someone starts with the word ‘Rise’, you know exactly what the lines are going to be.”

Which, of course, is exactly what Corbyn did at Glastonbury.

“We have this huge, abundant literature on the left and it’s hardly known”

The former left-wing Labour leader Michael Foot loved the poem and recited the lines at demos, and Stop the War – the campaign group Corbyn supports and chaired – took a line from it as the title of its 2014 film about anti-Iraq War action, We Are Many.

So why does the Labour left rally around some lines of poetry written nearly 200 years ago?

“It’s a really appropriate poem,” says Jacqueline Mulhallen, author of Percy Bysshe Shelley: Poet and Revolutionary (Pluto, 2015). “Shelley wrote a poem about the fact that these people were protesting about a minority taking the wealth from the majority, and the majority shouldn’t allow it to happen.

“He was writing at the beginning of industrial capitalism, and protested then, and 200 years later, we’ve still got the same situation: food banks, homeless people, Grenfell Tower, more debts – that’s why it has great resonance when Corbyn quotes it.”

“Shelley said there’s loads of us, it’s just a little corrupt crew – well, of course that applies now”

Michael Rosen, the poet and former Children’s Laureate, also describes the poignancy of Shelley’s words in Corbyn’s campaign. “You’ve got a sense of continuity,” he tells me. “Shelley was campaigning for freedom, for free thought, for free love. He was campaigning for a fairer society; it was a time of incredible oppression. He said there’s loads of us, it’s just a little corrupt crew – well, of course that applies now.”

Rosen celebrates the poem’s place in the Labour movement. “When any of us from the left quote people from the past, we’re saying that we have traditions... We’re making a claim on our authenticity,” he says. “Just in the same way as the right and the establishment draw on the pageantry of the Queen, or talk about Parliament or quote Winston Churchill. These are our traditions, which are different. You hardly ever come across it, either in newspapers or history lessons or anything.”

Rosen, a friend of Corbyn’s, believes his speech brings a left-wing tradition alive that is often forgotten. “We have this huge, abundant literature on the left and it’s hardly known. What’s great about Jeremy calling on it is to remind us . . . This stuff sits in old museums and libraries, gathering dust until it’s made active and live again. It’s made active and live particularly when being used in an environment like that [Glastonbury]. He was making the words come alive.”

Read more: 7 things we learned from Jeremy Corbyn on The One Show

The Masque of Anarchy’s final stanza has been recited at high-profile protests throughout history – including at the 20,000 garment workers’ strike in 1909 in New York, the student-led demo in China’s Tiananmen Square in 1989, anti-Poll Tax protests, and at Tahrir Square in Egypt during the Arab Spring, according to Mulhallen. The way civilians were treated by the authorities in many of these protests echoes what happened at Peterloo.

So does Corbyn’s penchant for the verse mark a similar radical turning-point in our history? “It’s indicating a change in attitude that people should start thinking about redistributing the wealth again,” says Mulhallen. “People are becoming much more aware.”

Anoosh Chakelian is senior writer at the New Statesman.

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