A to B: Flying home, wherever home may be

When Alex Andreou boarded a plane from Greece, he knew it would be nine years before he saw his home again.

“Good morning ladies and gentlemen, this is your captain speaking. Welcome to Easyjet flight 5156 from Mykonos to London Gatwick. My name is…” I zone out. Meaningless information I have heard five dozen times before, about the flight duration, the cabin crew and the weather back home.

The weather back home is what it is. Knowing about it after boarding is pretty pointless. It's not as if I could magically produce an umbrella, a cagoule and a pair of galoshes from the matchbox hand luggage, which their rules allow as a carry-on. What are the current rules, anyway? Smaller and lighter than the average adult Madagascar marmoset, after a light meal, I think. The inexorable journey towards a dystopian future in which, if you choose a budget airline, all you will be allowed is a G-string made out of your passport – everything else attracts a small charge.

The weather back home… Is London now officially “back home”? Or is Greece, still? I am suddenly steeped in the duality of existence that plagues all immigrants. “Every time we say goodbye, I die a little”, muses Ella in my mind's iPod. I have been dying a little, regularly, for twenty-three years now. Every time I leave each place I call home, the excitement of seeing family is marred by the anticipation of missing friends and vice-versa. I am never truly fully present in either place. Anywhere I go, I long for someone.

A woman who looks like Sue Pollard is showing me how to fasten a seatbelt. The illusion is helped by the bright uniform and the Nottingham accent. You pull the strap to tighten it, do you, Sue? Thanks. I flash back to that first flight to London Gatwick, in 1990. A continent of possibilities stretched before me. Granted, some of the possibilities were terrifying, but you don't think about those when you're nineteen. A neat little, multilingual, cocky bundle produced by the European Project. A proud European citizen, who travelled around and chose the UK to study and make a life for himself. 

Why did I choose the UK? London seemed to me so supremely civilised; so fabulously cosmopolitan. You could wear and do whatever you wanted and nobody batted an eyelid. Later, I discovered this also meant you could get mugged in the street and nobody batted an eyelid. As my English improved it allowed me to strip away veneers of civility and recognise they occasionally hid thoughts that were ugly, imperial, patronising, racist, snobbish; it allowed me to know the difference between politeness and politesse. But you take the rough with the smooth and, on the whole, I remain convinced that the UK is, at least to me, the best country in the world. Although, lately, I find myself adding “just about” to that statement.

I remember that first night in the tiny, squalid bedsit on the Seven Sisters road. I remember how astonishingly bold I felt. I was the imperialist now. I would conquer this city. But I also remember my instant shock at the price of food, accommodation and transport. The realisation that the money I had believed would last three months, would stretch to maybe four weeks. If I was really careful, which I wasn't. I remember the predictive ache of how much I would miss Greece - condemned, as I was, to stay away for nine cruel years, by a brutal army service that did not recognise objectors. What would I do without the sand, the rock, the fig and prickly pear, the way the sunlight turned the sea to blood at sunset, my mother's cooking?

I do the cooking for my mother these days. That gift was one of the first things Alzheimer's stole from her. All she has left now is the love she put into every meal, but none of the knowledge. The knowledge survives in me. Every grain of salt and cumin, every clove of garlic, every sliver of octopus, every silly superstition that will prevent a bèchamel from curdling; they live on like squatters of my soul. My mother's condition has complicated things considerably. It has added to every trip the feeling that I am abandoning her, vulnerable and confused.  

“Please stow away your emotional baggage in the overhead compartment”, says Sue. Soon, Easyjet will be charging for that, too.

The plane is rattling down the runway now; the fillings in my teeth are shaking loose, it feels like. As a “seasoned flyer”, I consider it my duty to play cool, in order to counterbalance the adrenaline of fellow, infrequent passengers freaking out. I put on an air of calm, maybe even yawn a little – that's how blasé I am about all this. Inside me, meanwhile, a little child is screaming: “PLEASE GOD MAKE IT FLY”. The adult in me (it is crowded in my head) silently responds: “stop dithering, you prat; you're an atheist”. This is what it means to be a seasoned flyer. You're still just as petrified, but you are vastly more experienced at covering it.

The little child, I should explain, is me on my first flight, at the age of six. Mykonos to Athens on a little 30-seater with massive propellers – was it a Cessna or a Saab? – terrified but also excited. Why are my ears hurting? Free orange juice? And a boiled sweet? Wow. Then, from Athens to Patra by car and on to the ferry to Ancona. A two-week family Christmas road trip through Italy and France beckoned. My first taste of travel. My first taste of Europe. My first realisation that a border is just a line – you cross it and nothing changes. No, everything changes. You are in another world, which is both exactly the same and entirely different.

And I find that “terrified but also excited” is still the mingle I experience, each time I leave home to go home. Only, each time for different reasons. Will I get that West End part I'm up for? Yes. It was a good audition. Will my father still be alive the next time I return? No. Pancreatic cancer is swift like a scythe. I won't even make the funeral. Will people think I gained weight or lost weight, during my absence? Probably both. Will this feeling of duality ever subside? Never. 

The only certainty which remains inside me, unshakeable like a granite monolith, is that I am a product of both countries now and I am a richer man for it. And, if I may eschew my British humility and embrace my Greek boldness for a moment, both my countries are richer for it, too.

Sue interrupts my daze. “Do you require a landing card, Sir?” I don't know. Do I? I recently read that a Home Office spokesman said: "We are focusing on cutting out the abuse of free movement between EU member states”. I wonder what that means. How can I abuse my legal right? I wonder where that leaves me. Whether in six months, or a year, or five, I will be asked to pack a life's worth of belongings and leave the country in which I have lived and worked and fallen in love and watched cricket and gone on marches and got drunk and cooked my mother's recipes and helped make what it is, for twenty-three years.

I wonder if those who delight in dehumanising immigrants realise how much more of a conscious choice it is for someone like me to love this country and see it as my home. And at what personal cost.

Sweet heaven, I think it is Sue Pollard!

This post is part of A to B, the New Statesman's week of posts on travel and transport.

A plane transects the moon. Photograph: Getty Images

Greek-born, Alex Andreou has a background in law and economics. He runs the Sturdy Beggars Theatre Company and blogs here You can find him on twitter @sturdyalex

Felipe Araujo
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Hull revisited: What happens when a Brexit stronghold becomes City of Culture?

We report from Hull, to find out if you can replace the kind of nostalgia that led to a Leave vote with cultural investment.

At 75 metres long, the offshore wind turbine blade erected across Queen Victoria Square, in the heart of Hull, is a sculpture intended to mark a new chapter in the city’s history. For the next 12 months, Hull, a city of more than a quarter of a million people in the northeast of England, will be the UK’s City of Culture.

The 28-tonne blade hails from the local Siemens plant. The German technology company employs around 1,000 people in the area, making it Hull’s biggest single employer.

Seen up close in this context – laid dormant in the middle of a town square instead of spinning up in the air generating energy – the structure is meant to remind passersby of a giant sea creature. It is also, I’m told, an allusion to Hull’s rich maritime history.


All photos: Felipe Araujo

Nostalgia is a big thing in this part of the country. At one point, Hull was the UK’s third largest port but technology and privatisation drastically changed that. The battle over cod fishing with Iceland in the waters of the North Sea 40 years ago has also dealt a major blow to a region with a long and proud trawling tradition.

People here still talk about a bygone era when the fishing industry provided jobs for everyone and there was enough money to go around.

Fast forward to 2017, and the country’s new capital of culture is the same city that voted 67 per cent in favour of leaving the EU last June. Its new-found prestige, it seems, is not enough to erase years of neglect by a political class “too busy for commoners like us”, as one resident puts it.

“More than a message to Brussels, it [the Brexit vote] was a message to Westminster,” Paul Leeson-Taylor, a filmmaker born and bred in Hull, tells me. “For the first time in a long time people in Hull felt like they had the chance to change something, and they took it.”

But while speaking to people on the high street and hanging out with locals at the Community Boxing Club in Orchard Park, one of the city’s most deprived areas, there is one word that consistently popped up in conversation – more than any specific policy from Westminster or the much-hated rules “dictated” by Brussels. Foreigners.

According to official figures, Hull’s population is 89.1 per cent white British. Still, immigration is big on people’s minds here.

During my two-day stay in the city, I find myself being the only black person in most places I visit – I’m certainly the only black guy at the boxing club. So when someone begins a sentence with “I’m not racist but…”, I know a tirade on immigrants is about to ensue.

“There are just too many of them,” Nick Beach, an estate agent whose Polish clientele is a big part of his business, tells me as he is about to teach a boxing class to local children. Beach was born in Shepherd’s Bush, in West London, but has been living in Hull for the last 20 years.

“When I go down there these days and go into Westfield shopping centre, it is very rare you get an English person serving you now,” he says. “I just find it disappointing that you go into your capital city and you are a minority there.”

These are the much-discussed “left behind”, a white working-class community that has gained particular prominence in a time of Brexit and Donald Trump. Under economic pressure and facing social change, they want to have their say in running a country they claim to no longer recognise.

For Professor Simon Lee, a senior politics lecturer at the University of Hull, immigration is only a superficial layer when it comes to explaining the resentment I witness here. For him, the loss of the empire 70 years ago is still something that as a country Britain hasn’t come to terms with.

“The reason for us to be together as a United Kingdom has gone, so what is the project?”

As destiny would have it, a foreign company will now play a major role on Hull’s economic future, at least in the short term. In the wake of the Brexit vote, there were widespread fears Siemens would pull out of the region and take its factory elsewhere. With the massive blade looming large in the background, Jason Speedy, director of the blade factory in Hull, assures me that isn’t the case.

“The Brexit decision has made no difference. We have made our investment decision, so Siemens, together with the Association of British Ports, has put in £310m. It’s all full steam ahead.”

As Hull becomes the country’s cultural hub for the next few months, the hope is that its residents stop looking back and start looking forward.

For Professor Lee, though, until there is a complete change in the power structures that run the country, the north-south divide will remain – with or without the EU. “The way you kill nostalgia is to have something new,” he said. “The reason why people here are nostalgic is because there is nothing to replace it with.”

Felipe Araujo is a freelance journalist based in London. He writes about race, culture and sports. He covered the Rio Olympics and Paralympics on the ground for the New Statesman. He tweets @felipethejourno.