A to B: Flying home, wherever home may be

When Alex Andreou boarded a plane from Greece, he knew it would be nine years before he saw his home again.

“Good morning ladies and gentlemen, this is your captain speaking. Welcome to Easyjet flight 5156 from Mykonos to London Gatwick. My name is…” I zone out. Meaningless information I have heard five dozen times before, about the flight duration, the cabin crew and the weather back home.

The weather back home is what it is. Knowing about it after boarding is pretty pointless. It's not as if I could magically produce an umbrella, a cagoule and a pair of galoshes from the matchbox hand luggage, which their rules allow as a carry-on. What are the current rules, anyway? Smaller and lighter than the average adult Madagascar marmoset, after a light meal, I think. The inexorable journey towards a dystopian future in which, if you choose a budget airline, all you will be allowed is a G-string made out of your passport – everything else attracts a small charge.

The weather back home… Is London now officially “back home”? Or is Greece, still? I am suddenly steeped in the duality of existence that plagues all immigrants. “Every time we say goodbye, I die a little”, muses Ella in my mind's iPod. I have been dying a little, regularly, for twenty-three years now. Every time I leave each place I call home, the excitement of seeing family is marred by the anticipation of missing friends and vice-versa. I am never truly fully present in either place. Anywhere I go, I long for someone.

A woman who looks like Sue Pollard is showing me how to fasten a seatbelt. The illusion is helped by the bright uniform and the Nottingham accent. You pull the strap to tighten it, do you, Sue? Thanks. I flash back to that first flight to London Gatwick, in 1990. A continent of possibilities stretched before me. Granted, some of the possibilities were terrifying, but you don't think about those when you're nineteen. A neat little, multilingual, cocky bundle produced by the European Project. A proud European citizen, who travelled around and chose the UK to study and make a life for himself. 

Why did I choose the UK? London seemed to me so supremely civilised; so fabulously cosmopolitan. You could wear and do whatever you wanted and nobody batted an eyelid. Later, I discovered this also meant you could get mugged in the street and nobody batted an eyelid. As my English improved it allowed me to strip away veneers of civility and recognise they occasionally hid thoughts that were ugly, imperial, patronising, racist, snobbish; it allowed me to know the difference between politeness and politesse. But you take the rough with the smooth and, on the whole, I remain convinced that the UK is, at least to me, the best country in the world. Although, lately, I find myself adding “just about” to that statement.

I remember that first night in the tiny, squalid bedsit on the Seven Sisters road. I remember how astonishingly bold I felt. I was the imperialist now. I would conquer this city. But I also remember my instant shock at the price of food, accommodation and transport. The realisation that the money I had believed would last three months, would stretch to maybe four weeks. If I was really careful, which I wasn't. I remember the predictive ache of how much I would miss Greece - condemned, as I was, to stay away for nine cruel years, by a brutal army service that did not recognise objectors. What would I do without the sand, the rock, the fig and prickly pear, the way the sunlight turned the sea to blood at sunset, my mother's cooking?

I do the cooking for my mother these days. That gift was one of the first things Alzheimer's stole from her. All she has left now is the love she put into every meal, but none of the knowledge. The knowledge survives in me. Every grain of salt and cumin, every clove of garlic, every sliver of octopus, every silly superstition that will prevent a bèchamel from curdling; they live on like squatters of my soul. My mother's condition has complicated things considerably. It has added to every trip the feeling that I am abandoning her, vulnerable and confused.  

“Please stow away your emotional baggage in the overhead compartment”, says Sue. Soon, Easyjet will be charging for that, too.

The plane is rattling down the runway now; the fillings in my teeth are shaking loose, it feels like. As a “seasoned flyer”, I consider it my duty to play cool, in order to counterbalance the adrenaline of fellow, infrequent passengers freaking out. I put on an air of calm, maybe even yawn a little – that's how blasé I am about all this. Inside me, meanwhile, a little child is screaming: “PLEASE GOD MAKE IT FLY”. The adult in me (it is crowded in my head) silently responds: “stop dithering, you prat; you're an atheist”. This is what it means to be a seasoned flyer. You're still just as petrified, but you are vastly more experienced at covering it.

The little child, I should explain, is me on my first flight, at the age of six. Mykonos to Athens on a little 30-seater with massive propellers – was it a Cessna or a Saab? – terrified but also excited. Why are my ears hurting? Free orange juice? And a boiled sweet? Wow. Then, from Athens to Patra by car and on to the ferry to Ancona. A two-week family Christmas road trip through Italy and France beckoned. My first taste of travel. My first taste of Europe. My first realisation that a border is just a line – you cross it and nothing changes. No, everything changes. You are in another world, which is both exactly the same and entirely different.

And I find that “terrified but also excited” is still the mingle I experience, each time I leave home to go home. Only, each time for different reasons. Will I get that West End part I'm up for? Yes. It was a good audition. Will my father still be alive the next time I return? No. Pancreatic cancer is swift like a scythe. I won't even make the funeral. Will people think I gained weight or lost weight, during my absence? Probably both. Will this feeling of duality ever subside? Never. 

The only certainty which remains inside me, unshakeable like a granite monolith, is that I am a product of both countries now and I am a richer man for it. And, if I may eschew my British humility and embrace my Greek boldness for a moment, both my countries are richer for it, too.

Sue interrupts my daze. “Do you require a landing card, Sir?” I don't know. Do I? I recently read that a Home Office spokesman said: "We are focusing on cutting out the abuse of free movement between EU member states”. I wonder what that means. How can I abuse my legal right? I wonder where that leaves me. Whether in six months, or a year, or five, I will be asked to pack a life's worth of belongings and leave the country in which I have lived and worked and fallen in love and watched cricket and gone on marches and got drunk and cooked my mother's recipes and helped make what it is, for twenty-three years.

I wonder if those who delight in dehumanising immigrants realise how much more of a conscious choice it is for someone like me to love this country and see it as my home. And at what personal cost.

Sweet heaven, I think it is Sue Pollard!

This post is part of A to B, the New Statesman's week of posts on travel and transport.

A plane transects the moon. Photograph: Getty Images

Greek-born, Alex Andreou has a background in law and economics. He runs the Sturdy Beggars Theatre Company and blogs here You can find him on twitter @sturdyalex

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An alternative Trainspotting script for John Humphrys’ Radio 4 “Choose Life” tribute

Born chippy.

Your mole often has Radio 4’s Today programme babbling away comfortingly in the background while emerging blinking from the burrow. So imagine its horror this morning, when the BBC decided to sully this listening experience with John Humphrys doing the “Choose Life” monologue from Trainspotting.

“I chose not to choose life: I chose something else. And the reasons? There are no reasons. Who needs reasons when you’ve got Radio 4?” he concluded, as a nation cringed.

Introduced as someone who has “taken issue with modernity”, Humphrys launched into the film character Renton’s iconic rant against the banality of modern life.

But Humphrys’ role as in-studio curmudgeon is neither endearing nor amusing to this mole. Often tasked with stories about modern technology and digital culture by supposedly mischievous editors, Humphrys sounds increasingly cranky and ill-informed. It doesn’t exactly make for enlightening interviews. So your mole has tampered with the script. Here’s what he should have said:

“Choose life. Choose a job and then never retire, ever. Choose a career defined by growling and scoffing. Choose crashing the pips three mornings out of five. Choose a fucking long contract. Choose interrupting your co-hosts, politicians, religious leaders and children. Choose sitting across the desk from Justin Webb at 7.20 wondering what you’re doing with your life. Choose confusion about why Thought for the Day is still a thing. Choose hogging political interviews. Choose anxiety about whether Jim Naughtie’s departure means there’s dwindling demand for grouchy old men on flagship political radio shows. Choose a staunch commitment to misunderstanding stories about video games and emoji. Choose doing those stories anyway. Choose turning on the radio and wondering why the fuck you aren’t on on a Sunday morning as well. Choose sitting on that black leather chair hosting mind-numbing spirit-crushing game shows (Mastermind). Choose going over time at the end of it all, pishing your last few seconds on needlessly combative questions, nothing more than an obstacle to that day’s editors being credited. Choose your future. Choose life . . .”

I'm a mole, innit.