A glorious, magical evening

Alice O'Keeffe's "Squeezed Middle" column.

"This thing is a bloody death trap." Curly is examining one of the light fittings in the caravan. We are on holiday, for the first time since baby Moe was born. It’s a free holiday, obviously; we have persuaded the parents of a friend to lend us their caravan in Essex. They warned me it was a little bit run-down but I assured them that I didn’t mind. I don’t mind anything that allows me to escape the four walls of the slightly-too-small flat for a whole weekend. The most exciting expedition I have had for months is to Ikea Edmonton; at this point, the Thames Estuary seems about as remote and exotic as the Galapagos Islands.

So I wasn’t bothered that caravan No 18 was the only one on the otherwise pristine campsite to be crumbling, peeling and propped up on bricks, or that the door swung on one hinge when we opened it, or that the steps had rusted and fallen apart. In fact, I was charmed by its retro interior, with the little lace curtains and 1950s-avocado green sofas.

I am slightly less cool, however, with the large scorch marks on the ceiling. The caravan is fitted with ancient gas-powered bulbs, which you have to light with a match. Each one has created its own blackened ring on the plywood roof. Every time I look at them, I hear a sinister voiceover from one of those TV reconstructions: “little did the young family know that, as they slept, the caravan was filling with deadly carbon monoxide . . .”

Bugger it, we’ll just have to use a torch. I throw open the door and, remembering just in time that there are no steps, jump out into the field outside. Everything is bathed in glorious evening light. The grassy slope runs gently down towards undulating salt marshes and a scrubby little beach. Gulls are swooping over the water and wood smoke drifts from one of the little huts lined up along the shore. In the distance, the looming cranes of Harwich harbour are strung with winking lights.

Larry, in a frenzy of excitement, is already halfway down the track to the beach. “Hurry up, Mummy. We need to go to where the pirates are to find the treasure.”

The little stretch of sand is deserted. After trying – and sadly failing – to find the pirates’ treasure, we collect some driftwood and light a fire. Curly produces a packet of marshmallows and helps Larry choose a suitable toasting stick. The sun is pink and low over the horizon.

“The sun has got its jim-jams on because it’s about to go to bed,” I explain.

“They’re even nicer than my jim-jams,” Larry says approvingly. He dangles his marshmallow over the flame, where it promptly catches fire. We rescue it just in time; melted sugar fluff oozing through sticky black caramel.

“Mmmmmm,” he says as he chows it down. “I like holidays.”

So if we do all die of carbon monoxide poisoning in the night, I reflect later as we snuggle up in the creaky double bed, at least we’ll have ended it all with a magical evening.

Alice O'Keeffe's "Squeezed Middle" column appears weekly in the New Statesman magazine.

Alice O'Keeffe is an award-winning journalist and former arts editor of the New Statesman. She now works as a freelance writer and looks after two young children. You can find her on Twitter as @AliceOKeeffe.

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The Tinder dating app isn't just about sex – it's about friendship, too. And sex

The lines between sex, love and friendship are blurrier than ever, as I found out quickly while using the app.

The first time I met someone using Tinder, the free dating app that requires users to swipe left for “no” and right for “yes” before enabling new “matches” to chat, it was an unqualified success. I should probably qualify that. I was newly single after five years in a committed relationship and wasn’t looking for anything more than fun, friendship and, well, who knows. A few weeks earlier I had tried to give my number to a girl in a cinema café in Brixton. I wrote it on a postcard I’d been using as a bookmark. She said she had a boyfriend, but wanted to keep the postcard. I had no date and I lost my page.

My Tinder date was a master’s student from Valencia called Anna (her name wasn’t really Anna, of course, I’m not a sociopath). When I arrived at the appointed meeting place, she told me I was far more handsome IRL (“in real life”) than my pictures suggested. I was flattered and full of praise for the directness of continental Europeans but also thought sadly to myself: “If only the same could be said about you.”

Anna and I became friends, at least for a while. The date wasn’t a success in the traditional sense of leading us into a contract based on exclusivity, an accumulating cache of resentments and a mortgage, but it had put me back in the game (an appropriate metaphor – people speak regularly of “playing” with the app).

According to Sean Rad, the co-founder who launched Tinder in late 2012, the service was invented for people like me. “It was really a way to overcome my own problems,” he told the editor of Cosmopolitan at an event in London last month. “It was weird to me, to start a conversation [with a stranger]. Once I had an introduction I was fine, but it’s that first step. It’s difficult for a lot of people.” After just one outing, I’d learned two fundamental lessons about the world of online dating: pretty much everyone has at least one decent picture of themselves, and meeting women using a so-called hook-up app is seldom straightforwardly about sex.

Although sometimes it is. My second Tinder date took place in Vienna. I met Louisa (ditto, name) outside some notable church or other one evening while visiting on holiday (Tinder tourism being, in my view, a far more compelling way to get to know a place than a cumbersome Lonely Planet guide). We drank cocktails by the Danube and rambled across the city before making the romantic decision to stay awake all night, as she had to leave early the next day to go hiking with friends. It was just like the Richard Linklater movie Before Sunrise – something I said out loud more than a few times as the Aperol Spritzes took their toll.

When we met up in London a few months later, Louisa and I decided to skip the second part of Linklater’s beautiful triptych and fast-track our relationship straight to the third, Before Midnight, which takes place 18 years after the protagonists’ first meet in Vienna, and have begun to discover that they hate each others’ guts.

Which is one of the many hazards of the swiping life: unlike with older, web-based platforms such as Match.com or OkCupid, which require a substantial written profile, Tinder users know relatively little about their prospective mates. All that’s necessary is a Facebook account and a single photograph. University, occupation, a short bio and mutual Facebook “likes” are optional (my bio is made up entirely of emojis: the pizza slice, the dancing lady, the stack of books).

Worse still, you will see people you know on Tinder – that includes colleagues, neighbours and exes – and they will see you. Far more people swipe out of boredom or curiosity than are ever likely to want to meet up, in part because swiping is so brain-corrosively addictive.

While the company is cagey about its user data, we know that Tinder has been downloaded over 100 million times and has produced upwards of 11 billion matches – though the number of people who have made contact will be far lower. It may sound like a lot but the Tinder user-base remains stuck at around the 50 million mark: a self-selecting coterie of mainly urban, reasonably affluent, generally white men and women, mostly aged between 18 and 34.

A new generation of apps – such as Hey! Vina and Skout – is seeking to capitalise on Tinder’s reputation as a portal for sleaze, a charge Sean Rad was keen to deny at the London event. Tinder is working on a new iteration, Tinder Social, for groups of friends who want to hang out with other groups on a night out, rather than dating. This makes sense for a relatively fresh business determined to keep on growing: more people are in relationships than out of them, after all.

After two years of using Tinder, off and on, last weekend I deleted the app. I had been visiting a friend in Sweden, and took it pretty badly when a Tinder date invited me to a terrible nightclub, only to take a few looks at me and bolt without even bothering to fabricate an excuse. But on the plane back to London the next day, a strange thing happened. Before takeoff, the woman sitting beside me started crying. I assumed something bad had happened but she explained that she was terrified of flying. Almost as terrified, it turned out, as I am. We wound up holding hands through a horrific patch of mid-air turbulence, exchanged anecdotes to distract ourselves and even, when we were safely in sight of the ground, a kiss.

She’s in my phone, but as a contact on Facebook rather than an avatar on a dating app. I’ll probably never see her again but who knows. People connect in strange new ways all the time. The lines between sex, love and friendship are blurrier than ever, but you can be sure that if you look closely at the lines, you’ll almost certainly notice the pixels.

Philip Maughan is Assistant Editor at the New Statesman.

This article first appeared in the 26 May 2016 issue of the New Statesman, The Brexit odd squad