The animal onesie: the fluffy scourge of Generation Y

Adults, myself included, are regressing to childhood - moving back in with their parents, job-hunting in between porn-viewing sessions and eating bowls of Frosties for dinner. Who could blame us?

Even as a ten-year-old, I couldn’t stand fancy dress. One World Book Day, where primary school children dress as their favourite literary characters, I loopholed my way out of wearing a humiliating Harry Potter costume by writing Ellie; a two-page semi-autobiographical novella. I went to school that day dressed as the book’s protagonist: me. The last Halloween costume I wore (2011) was similarly half-arsed. I scribbled the Euro symbol onto a white shirt in permanent marker and told everyone at the party I’d come as failing currency.

But grown-up fancy dress is no longer purely the stuff of stag nights and themed parties. It’s seeping into everyday life with the insidiousness of something truly sinister. I’m referring to the fluffy scourge of Generation Y; the animal onesie.

In recent years, my fellow twenty-somethings have taken to dressing as cuddly fauna. Pandas, giraffes, monkeys, foxes – one-piece suits shaped like all of these critters can be seen covering a young person near you. They wear them everywhere from parties to nights out, to lying comatose on the sofa in front of Deal or No Deal. So ubiquitous is the animal onesie that I wouldn’t look twice if I were stuck behind a human kangaroo at the Sainsbury’s checkout, or fighting for bar space with a set of badgers. In fact, I recently spent a train journey tightly engulfed by a sweaty-crotched tedium of humans dressed as the contents of London Zoo.

As a recent Time cover story reminded everyone, millennials are widely disliked by older generations. They call us lazy, they call us entitled, they call us mollycoddled. The animal onesie brazenly confirms that we are all of these things and more. From Thatcher to Britain’s Got Talent, a great number of socio-economic factors have paved the turd-strewn way for my generation. These various obstacles have resulted in what’s been referred to by many as prolonged adolescence. Adults, myself included, are moving back in with their parents, job-hunting in between porn-viewing sessions and eating bowls of Frosties for dinner. Who could blame us? The graduate job market looks like a recently-flushed toilet. (Yes, yes, I know, but at least if it were un-flushed there’d be something in it). And there’s one bear/rabbit/chicken-shaped item of clothing that so neatly encapsulates the pathos of the situation.

Wearers of animal onesies are resigning themselves to the overgrown child stereotype. This isn’t even prolonged adolescence; it’s prolonged infancy. When a person in his or her twenties puts on a rabbit costume, they’re saying: “I give up.” Nihilists with bunny ears are collectively curling into the foetal position and jamming their thumbs firmly into their mouths. No act could be more submissive, more docile, more supine.

Admittedly, I’ve flirted with the idea of buying an animal onesie myself. One afternoon in bed, my eyes glued to an episode of Here Comes Honey Boo Boo, while periodically shovelling Haribo Tangfastics down my throat, I thought to myself: “What could make this better?” My conclusion? Being dressed as a giraffe. As my cursor hovered over the “add to basket” icon of an online animal onesie shop, I had an epiphany. It was this: “Margolis, you suck.”

When I nearly bought that animal onesie, I was about to contribute to a generation-dooming stereotype. Not only this, but I also ventured dangerously close to the realm of kookiness. Kookiness – that self-conscious, wide-eyed, nail-biting effort to be “different” and, oh God I hate this word… “quirky”. This brand of cutesy, pseudo self-deprecating, supposed originality touted by the likes of zany (ugh) actress Zooey Deschanel is yet another element of the zeitgeist that badly needs exorcising.

Just consider this: animal onesies are the opposite of funny. They’re so unfunny, in fact, they make me want to stick kebab skewers in my ears. They’re malevolence with a bushy tail. And, for the love of all that’s holy, please stop taking pictures of people in them. They’re not “genius”, they’re grown-ups pretending to be hilarious squirrels in a land where you can pay off your mortgage in fondant fancies. Stop encouraging them.

But grown-up fancy dress is no longer purely the stuff of stag nights and themed parties. Photograph: Getty Images.

Eleanor Margolis is a freelance journalist, whose "Lez Miserable" column appears weekly on the New Statesman website.

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Theresa May’s stage-managed election campaign keeps the public at bay

Jeremy Corbyn’s approach may be chaotic, but at least it’s more authentic.

The worst part about running an election campaign for a politician? Having to meet the general public. Those ordinary folk can be a tricky lot, with their lack of regard for being on-message, and their pesky real-life concerns.

But it looks like Theresa May has decided to avoid this inconvenience altogether during this snap general election campaign, as it turns out her visit to Leeds last night was so stage-managed that she barely had to face the public.

Accusations have been whizzing around online that at a campaign event at the Shine building in Leeds, the Prime Minister spoke to a room full of guests invited by the party, rather than local people or people who work in the building’s office space.

The Telegraph’s Chris Hope tweeted a picture of the room in which May was addressing her audience yesterday evening a little before 7pm. He pointed out that, being in Leeds, she was in “Labour territory”:

But a few locals who spied this picture online claimed that the audience did not look like who you’d expect to see congregated at Shine – a grade II-listed Victorian school that has been renovated into a community project housing office space and meeting rooms.

“Ask why she didn’t meet any of the people at the business who work in that beautiful building. Everyone there was an invite-only Tory,” tweeted Rik Kendell, a Leeds-based developer and designer who says he works in the Shine building. “She didn’t arrive until we’d all left for the day. Everyone in the building past 6pm was invite-only . . . They seemed to seek out the most clinical corner for their PR photos. Such a beautiful building to work in.”

Other tweeters also found the snapshot jarring:

Shine’s founders have pointed out that they didn’t host or invite Theresa May – rather the party hired out the space for a private event: “All visitors pay for meeting space in Shine and we do not seek out, bid for, or otherwise host any political parties,” wrote managing director Dawn O'Keefe. The guestlist was not down to Shine, but to the Tory party.

The audience consisted of journalists and around 150 Tory activists, according to the Guardian. This was instead of employees from the 16 offices housed in the building. I have asked the Conservative Party for clarification of who was in the audience and whether it was invite-only and am awaiting its response.

Jeremy Corbyn accused May of “hiding from the public”, and local Labour MP Richard Burgon commented that, “like a medieval monarch, she simply briefly relocated her travelling court of admirers to town and then moved on without so much as a nod to the people she considers to be her lowly subjects”.

But it doesn’t look like the Tories’ painstaking stage-management is a fool-proof plan. Having uniform audiences of the party faithful on the campaign trail seems to be confusing the Prime Minister somewhat. During a visit to a (rather sparsely populated) factory in Clay Cross, Derbyshire, yesterday, she appeared to forget where exactly on the campaign trail she was:

The management of Corbyn’s campaign has also resulted in gaffes – but for opposite reasons. A slightly more chaotic approach has led to him facing the wrong way, with his back to the cameras.

Corbyn’s blunder is born out of his instinct to address the crowd rather than the cameras – May’s problem is the other way round. Both, however, seem far more comfortable talking to the party faithful, even if they are venturing out of safe seat territory.

Anoosh Chakelian is senior writer at the New Statesman.

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