Making your employees wear a uniform is trying to blend them into sameness and insignificance

Stay strong, women of Virgin: no one should have the power to dictate your underwear, says Sarah Ditum.

A uniform might convey authority or it might be the costume of the subclass, but what’s important is that it marks the wearer as the member of a caste rather than an individual. Still, even for an outfit designed to depersonalise, it’s a bit much for it to show off your tits, which is why Virgin rail’s female staff are digging their heels in over a uniform redesign that involves a strikingly see-through blouse

They’re “cheap and nasty”, complained one Virgin employee. Virgin has countered with an offer of twenty quid for staff members to spend on “suitable undergarments”, which presumably means a red bra and leaves the women of Virgin in exactly the same position: your lingerie might not be visible, but thanks to the publicity, everyone on board will know that under the blouse is something in an unprofessional shade of scarlet.

One of the problems with uniforms is that the people who design them so rarely have to wear them, and often simply being someone who wears a uniform makes you someone whose opinion is unlikely to be sought. Some of course show your devotion to a proud vocation: the doctor’s white coat, the blue nurse’s tunic, the soldier’s fatigues. But there are more cases which match justice secretary Grayling’s wheeze of putting new prisoners in a uniform: these costumes blur their wearers into sameness and insignificance, making the weakest even easier to spot.

My only brushes with uniform wearing have involved bottom-of-the-heap jobs in the service industry, and putting the costume on always involved putting off a certain amount of my dignity. Working in the Co-op required a royal blue tabbard over a polyester blouse decorated with fetching sprays of stylised yellow and red florals. I’d delay the moment of putting it on until as close to the beginning of my shift as I could manage, because once it was on, I became property of the shop and every customer had a claim on you. 

I’m fairly sure that one of the regulars had only a dim idea that there were many girls all dressed in the same outfit: he seemed to expect the check-out staff to have some kind of race memory, possibly bonded within our synthetic fibres, of whether he did or did not possess a Dividend Card. (And, incredibly rude man of Oakham, I knew you didn’t! I just kept asking because you were such a jerk about it!)

Out of the sameness, me and my friends developed a sort of perverse pride in finding ways to subvert the petrochemical nightmare of our outfits. Getting a tabbard that fitted was the highest goal of the stylish customer service assistant, and every delivery of new uniform would be fallen on furiously by teenage girls desperate to walk off with the sacred size 10. If you did really well for yourself, you might even scrounge up a spare so you wouldn’t have to serve each shift wearing yesterday’s spillage. 

Then, by taking a bit of licence with the poppers, you could wrangle the uniform into a vaguely feminine shape, and bit of skilled sweeping would produce whatever kind of ponytail had been deemed the style of aisle six that week. This stuff mattered, and that is perennial weakness of the uniform that someone doesn’t want to wear: it provides a template for subversion, a canvas on which small deviations have disproportionate power. Me and my check-out sorority knew this particularly because were only just out of school, where we’d had plentiful opportunity to practise fine gradations of skirt length and tie-knots. But no one should have to tolerate a higher power dictating their foundation garments. Women of Virgin rail, stay strong in your quest for a heavier weave.

A worker stands at the tills of the world's largest McDonalds, in London. Photograph: Getty Images

Sarah Ditum is a journalist who writes regularly for the Guardian, New Statesman and others. Her website is here.

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The decline of the north's sporting powerhouse

Yorkshire historically acted as a counterweight to the dominance of southern elites, in sport as in politics and culture. Now, things are different.

On a drive between Sheffield and Barnsley, I spotted a striking painting of the Kes poster. Billy Casper’s two-fingered salute covered the wall of a once-popular pub that is now boarded up.

It is almost 50 years since the late Barry Hines wrote A Kestrel for a Knave, the novel that inspired Ken Loach’s 1969 film, and it seems that the defiant, us-against-the-world, stick-it-to-the-man Yorkshireness he commemorated still resonates here. Almost two-thirds of the people of south Yorkshire voted to leave the EU, flicking two fingers up at what they saw as a London-based establishment, detached from life beyond the capital.

But whatever happened to Billy the unlikely lad, and the myriad other northern characters who were once the stars of stage and screen? Like the pitheads that dominated Casper’s tightly knit neighbourhood, they have disappeared from the landscape. The rot set in during the 1980s, when industries were destroyed and communities collapsed, a point eloquently made in Melvyn Bragg’s excellent radio series The Matter of the North.

Yorkshire historically acted as a counterweight to the dominance of southern elites, in sport as in politics and culture. Yet today, we rarely get to hear the voices of Barnsley, Sheffield, Doncaster and Rotherham. And the Yorkshire sporting powerhouse is no more – at least, not as we once knew it.

This should be a matter of national concern. The White Rose county is, after all, the home of the world’s oldest registered football club – Sheffield FC, formed in 1857 – and the first English team to win three successive League titles, Huddersfield Town, in the mid-1920s. Hull City are now Yorkshire’s lone representative in the Premier League.

Howard Wilkinson, the manager of Leeds United when they were crowned champions in 1992, the season before the Premier League was founded, lamented the passing of a less money-obsessed era. “My dad worked at Orgreave,” he said, “the scene of Mrs Thatcher’s greatest hour, bless her. You paid for putting an axe through what is a very strong culture of community and joint responsibility.”

The best-known scene in Loach’s film shows a football match in which Mr Sugden, the PE teacher, played by Brian Glover, comically assumes the role of Bobby Charlton. It was played out on the muddy school fields of Barnsley’s run-down Athersley estate. On a visit to his alma mater a few years ago, David Bradley, who played the scrawny 15-year-old Billy, showed me the goalposts that he had swung from as a reluctant goalkeeper. “You can still see the dint in the crossbar,” he said. When I spoke to him recently, Bradley enthused about his lifelong support for Barnsley FC. “But I’ve not been to the ground over the last season and a half,” he said. “I can’t afford it.”

Bradley is not alone. Many long-standing fans have been priced out. Barnsley is only a Championship side, but for their home encounter with Newcastle last October, their fans had to pay £30 for a ticket.

The English game is rooted in the northern, working-class communities that have borne the brunt of austerity over the past six years. The top leagues – like the EU – are perceived to be out of touch and skewed in favour of the moneyed elites.

Bradley, an ardent Remainer, despaired after the Brexit vote. “They did not know what they were doing. But I can understand why. There’s still a lot of neglect, a lot of deprivation in parts of Barnsley. They feel left behind because they have been left behind.”

It is true that there has been a feel-good factor in Yorkshire following the Rio Olympics; if the county were a country, it would have finished 17th in the international medals table. Yet while millions have been invested in “podium-level athletes”, in the team games that are most relevant to the lives of most Yorkshire folk – football, cricket and rugby league – there is a clear division between sport’s elites and its grass roots. While lucrative TV deals have enriched ruling bodies and top clubs, there has been a large decrease in the number of adults playing any sport in the four years since London staged the Games.

According to figures from Sport England, there are now 67,000 fewer people in Yorkshire involved in sport than there were in 2012. In Doncaster, to take a typical post-industrial White Rose town, there has been a 13 per cent drop in participation – compared with a 0.4 per cent decline nationally.

Attendances at rugby league, the region’s “national sport”, are falling. But cricket, in theory, is thriving, with Yorkshire winning the County Championship in 2014 and 2015. Yet Joe Root, the batsman and poster boy for this renaissance, plays far more games for his country than for his county and was rested from Yorkshire’s 2016 title decider against Middlesex.

“Root’s almost not a Yorkshire player nowadays,” said Stuart Rayner, whose book The War of the White Roses chronicles the club’s fortunes between 1968 and 1986. As a fan back then, I frequently watched Geoffrey Boycott and other local stars at Headingley. My favourite was the England bowler Chris Old, a gritty, defiant, unsung anti-hero in the Billy Casper mould.

When Old made his debut, 13 of the 17-strong Yorkshire squad were registered as working-class professionals. Half a century later, three of the five Yorkshiremen selec­ted for the last Ashes series – Root, Jonny Bairstow and Gary Ballance – were privately educated. “The game of cricket now is played in public schools,” Old told me. “Top players are getting huge amounts of money, but the grass-roots game doesn’t seem to have benefited in any way.”

“In ten years’ time you won’t get a Joe Root,” Rayner said. “If you haven’t seen these top Yorkshire cricketers playing in your backyard and you haven’t got Sky, it will be difficult to get the whole cricket bug. So where is the next generation of Roots going to come from?” Or the next generation of Jessica Ennis-Hills? Three years ago, the Sheffield stadium where she trained and first discovered athletics was closed after cuts to local services.

This article first appeared in the 19 January 2017 issue of the New Statesman, The Trump era