I’d rather be labelled “another crazy lesbian” than treat my mental health as taboo

While dealing with the beak-faced bastard of her own depression, Eleanor Margolis worries she's a traitor for perpetuating the “crazy lesbian” stereotype.

 

The “crazy lesbian” is everywhere. From the dreary melodrama dragged out again and again by programmes like The L Word and Lip Service, to Natalie Portman sprouting feathers of the mind and having unhinged girl-on-girl sex in Black Swan; popular culture seems to have diagnosed all gay women with non-specific mental illness.

I’ve suffered from depression since I was a teenager and after a thankfully short and unsuccessful career as a tortured adolescent poet, I’m just beginning to get used to my status as “another crazy lesbian”. Girls I’ve dated have even rolled their eyes at me when I’ve opened up to them about head stuff (FYI, I try not to do this on first dates, but lesbian emotional over-sharing is a definite thing). For lesbians, the stereotypical deranged dyke has become an in-joke . But how much of my own depression and anxiety (which is far from derangement, incidentally) is actually rooted in being gay?

A number of studies have shown that LGBT people are more likely to have poor mental health than heterosexuals. According to the NUS, we are ten times more likely to commit suicide than straight people. With the huge pressure that often surrounds coming out and the prevalence of homophobic bullying, this is hardly surprising. As illustrated by the recent tragic case of Lucy Meadows , the country’s most widely-read newspapers are about as kind to the LGBT community as The Meat Trades Journal is to the cow community. There are even charities like MindOut (an offshoot of Mind) and PACE that focus entirely on the mental health of non-straight people.

I was diagnosed with clinical depression around the same time as I came out. I was nineteen and I’d been spending entire weeks in bed, wondering if I was ever going to stop feeling like one of those bird-masked plague doctors was trying to push my brain through a sieve. Depression is like a physical presence. A lot of people subscribe to Winston Churchill’s description of it as a black dog; for me, it’s more a beak-faced bastard watching indifferently through a pair of eyeholes. As a teenager, the trouble I was having accepting my sexuality was a major contributor to my fragile mental health. I was prescribed antidepressants (which I still take), I was given some counselling and things slowly started to level out.

But I’m certain that my depression wasn’t and isn’t entirely a by-product of lesbianism. I remember having my first major panic attack when I was about nine and I tried to comprehend infinity. I was a quiet, pensive kid. The word “daydreamer” always cropped up in my school reports and I had my first therapy session when I was eleven. When my older brother went through a Satanist phase, his goth friends liked me because I was “spooky”. To this day, Wednesday Addams is a style icon of mine.

So I was prone to rumination and depressive episodes long before my sexuality became a major worry. What’s more, when my family and friends were fully supportive of my coming out, and even when I started getting comfortable with my sexuality, the depression lingered on like a squatter in the attic bedroom. The problem I now have is that I feel like a traitor for perpetuating the “crazy lesbian” stereotype. Every time I bring up my mental health, I can’t help feeling that I’m letting the team down.

But I’ve come to realise that I can’t allow other people’s misconceptions about mental illness to silence me. I’d rather be labelled “another crazy lesbian” than treat my mental health as taboo. “Crazy” is only how the eye-rollers choose to see me when they hear buzzwords like “depression”. In reality, I use antidepressants in the same way that diabetics use insulin. They don’t alter my personality; they stabilise my mood and prevent panic attacks. In fact, an unexpected side-effect of my depression is that I’m never surprised by anything that goes on in my head. I just know it all so well. When you spend so much time locked inside your own mind, you learn to find your way around. You get to know every dark corner and the spectres that lurk there become less and less horrifying. Craziness is a lazy, superficial and ultimately meaningless concept that hints at being out of control. That’s exactly what I’m not.    

 

Natalie Portman as "yet another crazy lesbian" in Black Swan.

Eleanor Margolis is a freelance journalist, whose "Lez Miserable" column appears weekly on the New Statesman website.

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Cabinet audit: what does the appointment of Andrea Leadsom as Environment Secretary mean for policy?

The political and policy-based implications of the new Secretary of State for Environment, Food and Rural Affairs.

A little over a week into Andrea Leadsom’s new role as Secretary of State for Environment, Food and Rural Affairs (Defra), and senior industry figures are already questioning her credentials. A growing list of campaigners have called for her resignation, and even the Cabinet Office implied that her department's responsibilities will be downgraded.

So far, so bad.

The appointment would appear to be something of a consolation prize, coming just days after Leadsom pulled out of the Conservative leadership race and allowed Theresa May to enter No 10 unopposed.

Yet while Leadsom may have been able to twist the truth on her CV in the City, no amount of tampering will improve the agriculture-related side to her record: one barely exists. In fact, recent statements made on the subject have only added to her reputation for vacuous opinion: “It would make so much more sense if those with the big fields do the sheep, and those with the hill farms do the butterflies,” she told an audience assembled for a referendum debate. No matter the livelihoods of thousands of the UK’s hilltop sheep farmers, then? No need for butterflies outside of national parks?

Normally such a lack of experience is unsurprising. The department has gained a reputation as something of a ministerial backwater; a useful place to send problematic colleagues for some sobering time-out.

But these are not normal times.

As Brexit negotiations unfold, Defra will be central to establishing new, domestic policies for UK food and farming; sectors worth around £108bn to the economy and responsible for employing one in eight of the population.

In this context, Leadsom’s appointment seems, at best, a misguided attempt to make the architects of Brexit either live up to their promises or be seen to fail in the attempt.

At worst, May might actually think she is a good fit for the job. Leadsom’s one, water-tight credential – her commitment to opposing restraints on industry – certainly has its upsides for a Prime Minister in need of an alternative to the EU’s Common Agricultural Policy (CAP); a policy responsible for around 40 per cent the entire EU budget.

Why not leave such a daunting task in the hands of someone with an instinct for “abolishing” subsidies  thus freeing up money to spend elsewhere?

As with most things to do with the EU, CAP has some major cons and some equally compelling pros. Take the fact that 80 per cent of CAP aid is paid out to the richest 25 per cent of farmers (most of whom are either landed gentry or vast, industrialised, mega-farmers). But then offset this against the provision of vital lifelines for some of the UK’s most conscientious, local and insecure of food producers.

The NFU told the New Statesman that there are many issues in need of urgent attention; from an improved Basic Payment Scheme, to guarantees for agri-environment funding, and a commitment to the 25-year TB eradication strategy. But that they also hope, above all, “that Mrs Leadsom will champion British food and farming. Our industry has a great story to tell”.

The construction of a new domestic agricultural policy is a once-in-a-generation opportunity for Britain to truly decide where its priorities for food and environment lie, as well as to which kind of farmers (as well as which countries) it wants to delegate their delivery.

In the context of so much uncertainty and such great opportunity, Leadsom has a tough job ahead of her. And no amount of “speaking as a mother” will change that.

India Bourke is the New Statesman's editorial assistant.