I’d rather be labelled “another crazy lesbian” than treat my mental health as taboo

While dealing with the beak-faced bastard of her own depression, Eleanor Margolis worries she's a traitor for perpetuating the “crazy lesbian” stereotype.

 

The “crazy lesbian” is everywhere. From the dreary melodrama dragged out again and again by programmes like The L Word and Lip Service, to Natalie Portman sprouting feathers of the mind and having unhinged girl-on-girl sex in Black Swan; popular culture seems to have diagnosed all gay women with non-specific mental illness.

I’ve suffered from depression since I was a teenager and after a thankfully short and unsuccessful career as a tortured adolescent poet, I’m just beginning to get used to my status as “another crazy lesbian”. Girls I’ve dated have even rolled their eyes at me when I’ve opened up to them about head stuff (FYI, I try not to do this on first dates, but lesbian emotional over-sharing is a definite thing). For lesbians, the stereotypical deranged dyke has become an in-joke . But how much of my own depression and anxiety (which is far from derangement, incidentally) is actually rooted in being gay?

A number of studies have shown that LGBT people are more likely to have poor mental health than heterosexuals. According to the NUS, we are ten times more likely to commit suicide than straight people. With the huge pressure that often surrounds coming out and the prevalence of homophobic bullying, this is hardly surprising. As illustrated by the recent tragic case of Lucy Meadows , the country’s most widely-read newspapers are about as kind to the LGBT community as The Meat Trades Journal is to the cow community. There are even charities like MindOut (an offshoot of Mind) and PACE that focus entirely on the mental health of non-straight people.

I was diagnosed with clinical depression around the same time as I came out. I was nineteen and I’d been spending entire weeks in bed, wondering if I was ever going to stop feeling like one of those bird-masked plague doctors was trying to push my brain through a sieve. Depression is like a physical presence. A lot of people subscribe to Winston Churchill’s description of it as a black dog; for me, it’s more a beak-faced bastard watching indifferently through a pair of eyeholes. As a teenager, the trouble I was having accepting my sexuality was a major contributor to my fragile mental health. I was prescribed antidepressants (which I still take), I was given some counselling and things slowly started to level out.

But I’m certain that my depression wasn’t and isn’t entirely a by-product of lesbianism. I remember having my first major panic attack when I was about nine and I tried to comprehend infinity. I was a quiet, pensive kid. The word “daydreamer” always cropped up in my school reports and I had my first therapy session when I was eleven. When my older brother went through a Satanist phase, his goth friends liked me because I was “spooky”. To this day, Wednesday Addams is a style icon of mine.

So I was prone to rumination and depressive episodes long before my sexuality became a major worry. What’s more, when my family and friends were fully supportive of my coming out, and even when I started getting comfortable with my sexuality, the depression lingered on like a squatter in the attic bedroom. The problem I now have is that I feel like a traitor for perpetuating the “crazy lesbian” stereotype. Every time I bring up my mental health, I can’t help feeling that I’m letting the team down.

But I’ve come to realise that I can’t allow other people’s misconceptions about mental illness to silence me. I’d rather be labelled “another crazy lesbian” than treat my mental health as taboo. “Crazy” is only how the eye-rollers choose to see me when they hear buzzwords like “depression”. In reality, I use antidepressants in the same way that diabetics use insulin. They don’t alter my personality; they stabilise my mood and prevent panic attacks. In fact, an unexpected side-effect of my depression is that I’m never surprised by anything that goes on in my head. I just know it all so well. When you spend so much time locked inside your own mind, you learn to find your way around. You get to know every dark corner and the spectres that lurk there become less and less horrifying. Craziness is a lazy, superficial and ultimately meaningless concept that hints at being out of control. That’s exactly what I’m not.    

 

Natalie Portman as "yet another crazy lesbian" in Black Swan.

Eleanor Margolis is a freelance journalist, whose "Lez Miserable" column appears weekly on the New Statesman website.

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Is there such a thing as responsible betting?

Punters are encouraged to bet responsibly. What a laugh that is. It’s like encouraging drunks to get drunk responsibly, to crash our cars responsibly, murder each other responsibly.

I try not to watch the commercials between matches, or the studio discussions, or anything really, before or after, except for the match itself. And yet there is one person I never manage to escape properly – Ray Winstone. His cracked face, his mesmerising voice, his endlessly repeated spiel follow me across the room as I escape for the lav, the kitchen, the drinks cupboard.

I’m not sure which betting company he is shouting about, there are just so many of them, offering incredible odds and supposedly free bets. In the past six years, since the laws changed, TV betting adverts have increased by 600 per cent, all offering amazingly simple ways to lose money with just one tap on a smartphone.

The one I hate is the ad for BetVictor. The man who has been fronting it, appearing at windows or on roofs, who I assume is Victor, is just so slimy and horrible.

Betting firms are the ultimate football parasites, second in wealth only to kit manufacturers. They have perfected the capitalist’s art of using OPM (Other People’s Money). They’re not directly involved in football – say, in training or managing – yet they make millions off the back of its popularity. Many of the firms are based offshore in Gibraltar.

Football betting is not new. In the Fifties, my job every week at five o’clock was to sit beside my father’s bed, where he lay paralysed with MS, and write down the football results as they were read out on Sports Report. I had not to breathe, make silly remarks or guess the score. By the inflection in the announcer’s voice you could tell if it was an away win.

Earlier in the week I had filled in his Treble Chance on the Littlewoods pools. The “treble” part was because you had three chances: three points if the game you picked was a score draw, two for a goalless draw and one point for a home or away win. You chose eight games and had to reach 24 points, or as near as possible, then you were in the money.

“Not a damn sausage,” my father would say every week, once I’d marked and handed him back his predictions. He never did win a sausage.

Football pools began in the 1920s, the main ones being Littlewoods and Vernons, both based in Liverpool. They gave employment to thousands of bright young women who checked the results and sang in company choirs in their spare time. Each firm spent millions on advertising. In 1935, Littlewoods flew an aeroplane over London with a banner saying: Littlewoods Above All!

Postwar, they blossomed again, taking in £50m a year. The nation stopped at five on a Saturday to hear the scores, whether they were interested in football or not, hoping to get rich. BBC Sports Report began in 1948 with John Webster reading the results. James Alexander Gordon took over in 1974 – a voice soon familiar throughout the land.

These past few decades, football pools have been left behind, old-fashioned, low-tech, replaced by online betting using smartphones. The betting industry has totally rebooted itself. You can bet while the match is still on, trying to predict who will get the next goal, the next corner, the next throw-in. I made the last one up, but in theory you can bet instantly, on anything, at any time.

The soft sell is interesting. With the old football pools, we knew it was a remote flutter, hoping to make some money. Today the ads imply that betting on football somehow enhances the experience, adds to the enjoyment, involves you in the game itself, hence they show lads all together, drinking and laughing and putting on bets.

At the same time, punters are encouraged to do it responsibly. What a laugh that is. It’s like encouraging drunks to get drunk responsibly, to crash our cars responsibly, murder each other responsibly. Responsibly and respect are now two of the most meaningless words in the football language. People have been gambling, in some form, since the beginning, watching two raindrops drip down inside the cave, lying around in Roman bathhouses playing games. All they’ve done is to change the technology. You have to respect that.

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 05 February 2015 issue of the New Statesman, Putin's war