How to "flaunt" it: A brief guide to baby bumps

You don't just go about your life when you're pregnant. You "debut" your bump, and then "flaunt" it.

Baby bump: a stomach swollen to beyond its usual size due to the presence of a fetus. Precise size of bump will vary, dependent on age of fetus, genetic heritage of stomach owner and sheer bloody randomness. And, um, that’s about it as far as baby bumps are concerned, only that’s not saying much. So here are some further facts I’ve compiled, mainly out of annoyance at all the inexplicable admiration that the Duchess of Cambridge is getting merely for having a small one:

  • If you are famous, it is not possible merely to go out and about while in possession of a bump. You “debut” said bump, then “flaunt” it. To be fair, you might then go on to do a nude magazine cover with arms “tastefully” covering your tits but at this point why not? Might as well be hung for a sheep as a lamb.
  • Small bumps are, generally, good.* For instance, if you’re the Kate Middleton-as-was it’s really classy. Reporters can’t shut up about how petite it is, with the Express claiming that Kate “will be the envy of many pregnant women as she’s still modelling a tiny figure despite being six months gone”. Meanwhile reality TV star Kim Kardashian “blooms”, that is to say she is distastefully large. So too are Jessica Simpson, Lara Stone and “Channing Tatum’s wife Jenna Dewan” – pregnant porkers, one and all. Bet William’s relieved he didn’t pick one of them to produce his heir.
  • It is possible to “dress” a baby bump. For instance, in this picture Kate has dressed her bump in a “gorgeous blue cocktail dress”. Unfortunately she’s ended up having to put the rest of herself in it as well – meaning it doesn’t look any different from just her wearing a dress – but it’s the thought that counts, at least until they develop invasive intra-uterine styling.
  • Alongside housing a fetus, one of the main purposes of a baby bump is for use in advertisements for body lotion and financial services. Or any other advertisement seeking comic effect via the owner of a bump grumpily demanding rubbish food combinations in the early hours of the morning.
  • Once you have a baby bump, you are public property in a way that you weren’t previously. People will smile benevolently, even take the liberty of patting your stomach. It’s annoying, yes, but worth remembering that those who beam at you on the bus one week will be glaring at you the next if you dare to stagger on with a screaming newborn. So you still have to “enjoy” it while you can.
  • Baby bumps can be used for making political statements. You could write “100% pro-choice” on yours. Or “future anarchist leader”. Or you could just put “baby on board”, “under construction” and/or “it started with a kiss”. But know that I will judge you for it.
  • Once a baby is born, a baby bump becomes part of what is known as “baby weight” i.e. that weird, liminal fat that clings to a woman’s post-pregnancy body but isn’t really her. According to Grazia, you can “get rid of your post-baby mum tum with the Gowri Wrap […] an elasticated corset that helps restore your pre-pregnancy stomach” and costs £75. Or you can just not. Personally I’d recommend not.

So those are my baby bump facts. Personally I miss having one but do appreciate the whole “being able to lie on your own stomach” thing. And also the “being able to get drunk” thing. And there’s also the “having the actual children around” thing. So yes. Swings and roundabouts, really.

*Small bumps are sometimes rubbish and a sign that you’re a bad mother who’s not taking care of herself aka her baby (see Kate Moss)

This post first appeared on Glosswitch's blog here

The Duchess of Cambridge "flaunting" her bump while John Bishop tries to plant a tree. Photograph: Getty Images

Glosswitch is a feminist mother of three who works in publishing.

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The decline of the north's sporting powerhouse

Yorkshire historically acted as a counterweight to the dominance of southern elites, in sport as in politics and culture. Now, things are different.

On a drive between Sheffield and Barnsley, I spotted a striking painting of the Kes poster. Billy Casper’s two-fingered salute covered the wall of a once-popular pub that is now boarded up.

It is almost 50 years since the late Barry Hines wrote A Kestrel for a Knave, the novel that inspired Ken Loach’s 1969 film, and it seems that the defiant, us-against-the-world, stick-it-to-the-man Yorkshireness he commemorated still resonates here. Almost two-thirds of the people of south Yorkshire voted to leave the EU, flicking two fingers up at what they saw as a London-based establishment, detached from life beyond the capital.

But whatever happened to Billy the unlikely lad, and the myriad other northern characters who were once the stars of stage and screen? Like the pitheads that dominated Casper’s tightly knit neighbourhood, they have disappeared from the landscape. The rot set in during the 1980s, when industries were destroyed and communities collapsed, a point eloquently made in Melvyn Bragg’s excellent radio series The Matter of the North.

Yorkshire historically acted as a counterweight to the dominance of southern elites, in sport as in politics and culture. Yet today, we rarely get to hear the voices of Barnsley, Sheffield, Doncaster and Rotherham. And the Yorkshire sporting powerhouse is no more – at least, not as we once knew it.

This should be a matter of national concern. The White Rose county is, after all, the home of the world’s oldest registered football club – Sheffield FC, formed in 1857 – and the first English team to win three successive League titles, Huddersfield Town, in the mid-1920s. Hull City are now Yorkshire’s lone representative in the Premier League.

Howard Wilkinson, the manager of Leeds United when they were crowned champions in 1992, the season before the Premier League was founded, lamented the passing of a less money-obsessed era. “My dad worked at Orgreave,” he said, “the scene of Mrs Thatcher’s greatest hour, bless her. You paid for putting an axe through what is a very strong culture of community and joint responsibility.”

The best-known scene in Loach’s film shows a football match in which Mr Sugden, the PE teacher, played by Brian Glover, comically assumes the role of Bobby Charlton. It was played out on the muddy school fields of Barnsley’s run-down Athersley estate. On a visit to his alma mater a few years ago, David Bradley, who played the scrawny 15-year-old Billy, showed me the goalposts that he had swung from as a reluctant goalkeeper. “You can still see the dint in the crossbar,” he said. When I spoke to him recently, Bradley enthused about his lifelong support for Barnsley FC. “But I’ve not been to the ground over the last season and a half,” he said. “I can’t afford it.”

Bradley is not alone. Many long-standing fans have been priced out. Barnsley is only a Championship side, but for their home encounter with Newcastle last October, their fans had to pay £30 for a ticket.

The English game is rooted in the northern, working-class communities that have borne the brunt of austerity over the past six years. The top leagues – like the EU – are perceived to be out of touch and skewed in favour of the moneyed elites.

Bradley, an ardent Remainer, despaired after the Brexit vote. “They did not know what they were doing. But I can understand why. There’s still a lot of neglect, a lot of deprivation in parts of Barnsley. They feel left behind because they have been left behind.”

It is true that there has been a feel-good factor in Yorkshire following the Rio Olympics; if the county were a country, it would have finished 17th in the international medals table. Yet while millions have been invested in “podium-level athletes”, in the team games that are most relevant to the lives of most Yorkshire folk – football, cricket and rugby league – there is a clear division between sport’s elites and its grass roots. While lucrative TV deals have enriched ruling bodies and top clubs, there has been a large decrease in the number of adults playing any sport in the four years since London staged the Games.

According to figures from Sport England, there are now 67,000 fewer people in Yorkshire involved in sport than there were in 2012. In Doncaster, to take a typical post-industrial White Rose town, there has been a 13 per cent drop in participation – compared with a 0.4 per cent decline nationally.

Attendances at rugby league, the region’s “national sport”, are falling. But cricket, in theory, is thriving, with Yorkshire winning the County Championship in 2014 and 2015. Yet Joe Root, the batsman and poster boy for this renaissance, plays far more games for his country than for his county and was rested from Yorkshire’s 2016 title decider against Middlesex.

“Root’s almost not a Yorkshire player nowadays,” said Stuart Rayner, whose book The War of the White Roses chronicles the club’s fortunes between 1968 and 1986. As a fan back then, I frequently watched Geoffrey Boycott and other local stars at Headingley. My favourite was the England bowler Chris Old, a gritty, defiant, unsung anti-hero in the Billy Casper mould.

When Old made his debut, 13 of the 17-strong Yorkshire squad were registered as working-class professionals. Half a century later, three of the five Yorkshiremen selec­ted for the last Ashes series – Root, Jonny Bairstow and Gary Ballance – were privately educated. “The game of cricket now is played in public schools,” Old told me. “Top players are getting huge amounts of money, but the grass-roots game doesn’t seem to have benefited in any way.”

“In ten years’ time you won’t get a Joe Root,” Rayner said. “If you haven’t seen these top Yorkshire cricketers playing in your backyard and you haven’t got Sky, it will be difficult to get the whole cricket bug. So where is the next generation of Roots going to come from?” Or the next generation of Jessica Ennis-Hills? Three years ago, the Sheffield stadium where she trained and first discovered athletics was closed after cuts to local services.

This article first appeared in the 19 January 2017 issue of the New Statesman, The Trump era