Crib Sheet: The motherhood-as-misery exposé

In the first of a new regular series looking at parenting books, Glosswitch takes on Jessica Valenti's "Why have kids?" and other miserable-mummy manuals.

Expecting your first baby? Then allow me to patronize the living daylights out of you! I already have kids, you see, which makes me wise and all-knowing, whereas you don’t have a single clue about what awaits you. You might think you do, but you don’t. It’s not all gurgles, cuddles and fluffy bootees. Here, for instance, are some of the cold, hard facts about kids:

  • Newborns are, basically, rubbish at everything
     
  • Toddlers are marginally more interesting than newborns, but make crap conversationalists
     
  • As soon as your children can communicate fluently, you will embark on a lifetime of exchanging knowing glances with other parents before noting sagely that it was so much better “before they could answer back”

It’s not that I don’t love my children; they just don’t fulfill and complete me as a person. However, admitting to this involves breaking a massive taboo. So look at me, everyone! I’ve just gone and said the unsayable! What’s that you say? Betty Friedan and Marilyn French got there first, followed up in more recent times by Rachel Cusk? Gah! Is there nothing sacred for the likes of me to piss all over?

The motherhood-as-misery exposé should, of course, be essential reading for any woman planning to reproduce. Unfortunately, you’re unlikely to find the motivation to read such a book unless you’re already pregnant, at which point you find yourself in some terrible no man’s land, having already taken the plunge but unable, as yet, to confirm whether or not motherhood is as bad as they say. You half suspect that it can’t be all that terrible, otherwise no one would ever have more than one child. But then again, perhaps by the time you’ve had one you’ve ruined your life to such a degree that there’s nothing left to do but plunge headlong into further misery. Who knows? I do, obviously, for I have bred. But so too has Jessica Valenti.

In the somewhat plaintively titled Why have kids? Valenti seeks to explore, yet again, “the truth about parenting and happiness”. Unfortunately this truth is based on the assumption that before she actually experiences motherhood, every single broody woman is a complete idiot:

Women expect to get pregnant relatively easily […]; they expect to have a healthy baby, to breastfeed without complications, that their significant others will pick up half the slack, and that their children will fill them with happiness so pure that they’ll be content staring at their wee faces for hours without regard for life, limb or bathroom breaks.

I read this and can’t help feeling grateful – albeit briefly – that I’m one of life’s pessimists. I sure as hell didn’t think that. My feelings were more “well, I really, really want a baby, but I don’t know why, since they’re dead tiring and expensive. Oh well. Probably hormones or something”. Then I spent most of my first pregnancy panicking that I’d made a terrible mistake, usually because colleagues who were parents already seemed to take a huge amount of pleasure in sauntering up to my desk just to let me know how terrible their lives were and how I’d got “all this to come”. And it’s true, many things about the day-to-day practicalities of parenting are rather rubbish. Valenti writes of “the ennui, the feeling that this could not possibly be it, all that parenthood is cracked up to be”, and while it’s a step up from the “shit and string beans” depicted by French in The Women’s Room, life as a parent is far from perfect. It’s nothing like in the adverts, but then nothing ever is.

Valenti traces her own dissatisfaction as a parent to the traumatic premature birth of her daughter and her early fears that her daughter would die. I can identify with this; one of my children was very ill in the first few weeks of his life, and it did make the initial bonding far more tentative and fearful. All the same, the most miserable parenting memory I have is far more mundane than that. It involves sitting in a room with two children, one two, one seven months old. The two-year-old is obsessed with playing with wooden trains but continually tearful and frustrated at not being able to make incredibly long trains turn corners without coming off the tracks. The seven-month-old wants to stand up, all the time, but obviously he is unable to do so, so he insists that Mummy holds him up with both hands. He screams whenever she puts him down to do something else (such as put some wooden trains back on the track). Mummy is sleep-deprived, bored out of her mind and spends hours, days in fact, in the two-year-old’s bedroom with the wooden trains and the screaming baby. It is Hell, and it’s not even exciting Hell. It’s other people, sure, but Sartre never mentioned that said others would be your own kids.

And yet, it’s not all that bad, really. I’ve done equally boring things at other times, in other places. I used to do voluntary work for Oxfam, standing behind a till listening to the muzak equivalent of African tribal drums played on a loop for hours on end. Like looking after children, it was worthy and unpaid, but I hated it. That, surely, is more of a taboo than saying that childcare is boring. Working in Oxfam is boring (but worth doing, too, obviously. Not least because you get first dibs on all the second-hand clothes). I suppose none of this matters as long as you don’t feel the pressure to be “fulfilled”. Perhaps that’s the real difference between Valenti and me.

Valenti wants to change perceptions of motherhood (and on that I’m with her 100 per cent)  but she also wants us to be HAPPY, dammit, in a way I find quite terrifying:

But just because parental joy isn’t necessarily a given – or because it can be a dangerous expectation – doesn’t mean we can’t strive for it. Or that we can’t put an end to all of the things that are making us miserable. The truth is, we should try to get happy for our sake and for the sake of our children’s sake. Kids who have depressed parents are interacted with less than their counterparts with happy, non-depressed parents; kids of dads with depression have smaller vocabularies at two years old than kids of non-depressed dads. We owe it to our kids – and to the kids who aren’t ours – to ask questions about why parenthood is so hard, what we can do to make it an easier, happier endeavour, and what we’re lacking to ensure that happiness.

Bloody hell. I now feel horrendously guilty and unhappy about having been slightly guilty and unhappy to begin with. Can’t we just focus on valuing parents and children and understanding their needs, without this desperation to banish common-or-garden Weltschmerz? I might be a mummy, but I’m still not ready to throw out my Joy Division cassettes (moreover, I’m not all that keen on suggesting to parents with clinical depression that they’re harming their children simply by being sad).  

The truth is, I have more empathy with Rachel Cusk. When A Life’s Work was published in 2001, I didn’t have children, but the extreme reactions it provoked suggested to me that Cusk might have a point. Having re-read it since becoming a mother myself, I have a lot of time for the view that motherhood is devalued precisely because it is so laborious, so repetitive, and yet so central to our very existence. All the same, there is a part of me who looks at Cusk’s prose and thinks “crikey, aren’t you over-thinking things a bit, love?” Then I feel that I am too stupid, or at least not quite thoughtful enough, to grasp the magnitude of what I am doing, and that I am too selfish to have allowed motherhood to change me in more fundamental ways. For instance, here’s Cusk describing shopping for clothes in Oxford Street without her daughter:

I want to buy clothes, to make up for two years in which I have been as far from fashion as an anthropologist on a long field trip; but the rack of things looks incomprehensible and unrelated to me, like costumes for a drama in which I no longer have a part. I lack the desire for myself that would teach me what to choose; I lack the sense of stardom in my own life that would urge me to adorn myself. I am backstage, attendant. I have the curious feeling that I no longer exist in synchronicity with time, but at a certain delay, like someone on the end of a transatlantic phone call. This, I think, is what it is to be a mother.

Cripes! Looking at my bank account, I really wish I had that problem. Since having children, I have had no problem at all in wandering off on my own to over-spend on garments just for me. In fact, since breastfeeding has left me a bit smaller “on top” and thus a more average size than I used to be, a whole new world of clothing over-spend has opened up to me (wish I’d had that in the Oxfam days). That’s something they never mention in the books.

Don’t get me wrong; I do think it’s important to view parenthood in an honest light, and it frustrates me when mothers in particular are merely patted on the head and told that they’re doing “the most important job in the world”, as though such praise compensates for no one listening to their concerns. Even so, it worries me that parenthood is taken quite so seriously by some. Yes, it’s a huge undertaking, but providing you don’t get too wrapped up in metaphors of transience and loss, it doesn’t have to destroy you. Sure, there will be times when you regret having kids, but you know that if you hadn’t, there’d have been times when you regretted not having kids. It’s just one of many lives that got away.

And anyhow, once they’re there, they’re there. Certainly, I have moments of feeling overwhelmed by it all. My children will be tearing each other apart and I’ll say to myself “okay, it’ll all get easier when - *runs through childhood, fraught teenage years, exams, relationships, experimentation with drugs and alcohol, expensive higher ed and/or unemployment* - oh, actually, I forgot, it never gets easier”. But with moments like that, you just have to push it all to the back of your mind.

It’s rather like being vaguely aware of your own mortality, coping with the knowledge of what having kids really entails. You don’t need a book to help you through it, just as long as you don’t think too far ahead and don’t ever ask yourself what it’s all for.
 

Shopping, mummy-style. Photograph: Getty Images

Glosswitch is a feminist mother of three who works in publishing.

Felipe Araujo
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Hull revisited: What happens when a Brexit stronghold becomes City of Culture?

We report from Hull, to find out if you can replace the kind of nostalgia that led to a Leave vote with cultural investment.

At 75 metres long, the offshore wind turbine blade erected across Queen Victoria Square, in the heart of Hull, is a sculpture intended to mark a new chapter in the city’s history. For the next 12 months, Hull, a city of more than a quarter of a million people in the northeast of England, will be the UK’s City of Culture.

The 28-tonne blade hails from the local Siemens plant. The German technology company employs around 1,000 people in the area, making it Hull’s biggest single employer.

Seen up close in this context – laid dormant in the middle of a town square instead of spinning up in the air generating energy – the structure is meant to remind passersby of a giant sea creature. It is also, I’m told, an allusion to Hull’s rich maritime history.


All photos: Felipe Araujo

Nostalgia is a big thing in this part of the country. At one point, Hull was the UK’s third largest port but technology and privatisation drastically changed that. The battle over cod fishing with Iceland in the waters of the North Sea 40 years ago has also dealt a major blow to a region with a long and proud trawling tradition.

People here still talk about a bygone era when the fishing industry provided jobs for everyone and there was enough money to go around.

Fast forward to 2017, and the country’s new capital of culture is the same city that voted 67 per cent in favour of leaving the EU last June. Its new-found prestige, it seems, is not enough to erase years of neglect by a political class “too busy for commoners like us”, as one resident puts it.

“More than a message to Brussels, it [the Brexit vote] was a message to Westminster,” Paul Leeson-Taylor, a filmmaker born and bred in Hull, tells me. “For the first time in a long time people in Hull felt like they had the chance to change something, and they took it.”

But while speaking to people on the high street and hanging out with locals at the Community Boxing Club in Orchard Park, one of the city’s most deprived areas, there is one word that consistently popped up in conversation – more than any specific policy from Westminster or the much-hated rules “dictated” by Brussels. Foreigners.

According to official figures, Hull’s population is 89.1 per cent white British. Still, immigration is big on people’s minds here.

During my two-day stay in the city, I find myself being the only black person in most places I visit – I’m certainly the only black guy at the boxing club. So when someone begins a sentence with “I’m not racist but…”, I know a tirade on immigrants is about to ensue.

“There are just too many of them,” Nick Beach, an estate agent whose Polish clientele is a big part of his business, tells me as he is about to teach a boxing class to local children. Beach was born in Shepherd’s Bush, in West London, but has been living in Hull for the last 20 years.

“When I go down there these days and go into Westfield shopping centre, it is very rare you get an English person serving you now,” he says. “I just find it disappointing that you go into your capital city and you are a minority there.”

These are the much-discussed “left behind”, a white working-class community that has gained particular prominence in a time of Brexit and Donald Trump. Under economic pressure and facing social change, they want to have their say in running a country they claim to no longer recognise.

For Professor Simon Lee, a senior politics lecturer at the University of Hull, immigration is only a superficial layer when it comes to explaining the resentment I witness here. For him, the loss of the empire 70 years ago is still something that as a country Britain hasn’t come to terms with.

“The reason for us to be together as a United Kingdom has gone, so what is the project?”

As destiny would have it, a foreign company will now play a major role on Hull’s economic future, at least in the short term. In the wake of the Brexit vote, there were widespread fears Siemens would pull out of the region and take its factory elsewhere. With the massive blade looming large in the background, Jason Speedy, director of the blade factory in Hull, assures me that isn’t the case.

“The Brexit decision has made no difference. We have made our investment decision, so Siemens, together with the Association of British Ports, has put in £310m. It’s all full steam ahead.”

As Hull becomes the country’s cultural hub for the next few months, the hope is that its residents stop looking back and start looking forward.

For Professor Lee, though, until there is a complete change in the power structures that run the country, the north-south divide will remain – with or without the EU. “The way you kill nostalgia is to have something new,” he said. “The reason why people here are nostalgic is because there is nothing to replace it with.”

Felipe Araujo is a freelance journalist based in London. He writes about race, culture and sports. He covered the Rio Olympics and Paralympics on the ground for the New Statesman. He tweets @felipethejourno.