28 Dates Later by Willard Foxton: Part Three, the Nerd and her Iguana

In which Willard encounters a fiscally prudent herpetologist.

So, for my third date, I was theoretically back in the realms of "normal" dating. I could steer away from the completely ridiculous niche sites that I'm doing for your benefit, dear readers, and concentrate on actually trying to find someone who I might be able to fall in love with. Yeah, maybe I am being unrealistic - but that's why I'm actually doing this.

Of course, it's me, so it never ends up that way - here's the Facebook chat to a mate this particular foray out into the wastelands of the internet produced:

Don't worry, we'll get on to exactly how a reptile of the family iguanidae got involved in a date. To be fair, it was probably my own fault for going on a website called "Geek2Geek".

Now, it was my desire to meet someone I might actually have something in common with to choose this particular dating site for a "normal" date - I am pretty unashamedly a bit of geek myself. I'm also not the kind of "soft" geek who is like "oh, yeah, I saw Lord of the Rings once, you know, erm, hobbits are cool". Not the kind of person who owns two "ironic" Star Wars T-shirts. I'm the real deal. World of Warcraft account; weekly 2000AD reader; I used to blog about model soldiers, for goodness sake. I occasionally write bitter reviews of how I feel "let down" by notable sci-fi writers.

I've never been lucky enough to date a girl who did anything more than really tolerate my hobbies - indeed, my longest term girlfriend once turned round to me in bed (we were living together at the time) and said "If I asked you to choose between loving me and toy soldiers, what would you choose?" I of course, replied "If you really love me, you wouldn't ask me to choose". Which obviously meant "FUCK YOU, MODEL SOLDIERS".

Not really. If she'd asked me, I'd have very reluctantly boxed them up and sold them, but I'm honest enough to admit it would have really hurt. I'll admit to a certain jealousy of friends who have lovely wives they can sit down and play X-box with, or curl up under a duvet and watch Aliens for the 200th time. I suspect Geek2Geek may not fit everyone's definition of a normal, mainstream, dating site of the Match/Soulmates variety - or does it? My own gut feeling is this sort of person, of whatever gender, is pretty common these days. I recently discovered one of my most stunningly attractive female friends is an avid roleplayer, for example (tragically, she's not attracted to men).

So I figured I could meet someone in that bracket. Now, I wasn't looking for someone with identical likes to me, just someone who might not react with abject horror if I said "so how about we go to that Alien movie marathon at the Prince Charles Cinema". Geek2Geek's community is pretty enormous, and although it's clearly bigger in the US than the UK, there were plenty of people in and around London. Within a week of trying, I'd arranged a date.

So, after work, I popped to a local pub and sat waiting for the person I was due to meet. She was 28, worked in "digital engagement", and in her profile picture, looked lovely, smiling, and obviously enjoying the great outdoors with flowers looped into her hair. Thus, I was a little surprised when someone who looked nothing like the picture tapped me on the shoulder and said "Hello, are you Willard?" Now, I understand in this online dating game, it's common to lie on your profile, but using a flattering photo from 8-10 years ago probably does you no favours. Yes, the person may meet you, but when they meet you, their initial reaction is always going to be "you don't look like your picture".

Indeed, where she'd had the picture taken (I thought it might have been at a music festival), she talked about how much she'd "had" to photoshop it. So, yeah. Digitally manipulated photograph. At least she was definitely on the level about her computer skills... So, we got to talking, over a couple of drinks. She talked about:

  • Water Filters - she does social media for a well-known brand of water filter, so, to be fair, this was in response to "so, what do you do for a living?". But her enthusiasm for them was, erm, palpable.
  • Social Media Jargon - She did at one point say, "I really love how you've diversified your personal brand", non-ironically.
  • Pensions - She LOVED personal finance. Loved it. I learned a great deal about retirement planning, the NEST scheme, SERPS and tax relief. It's fair to say, as a freelance journalist I didn't have much to add to this, but the look on her face when I told her I didn't have a pension at all at 32 was pretty priceless. It was the sort of look people reserve for those who say things like "So I said to the doctor, psychotic episodes be damned, I'm coming off those pills!".
  • Her beloved pet Iguana, Jolyon. Now, I have nothing against exotic pets, but I just find reptiles a bit repulsive. Well, I'll be honest, totally repulsive. She had photos of it (sorry, him) curled up on her duvet, with her in the bed, which to her was super cute, but to me were like some 21st century Hieronymus Bosch nightmare vision of hellish torture.

So, after about an hour, I explained I had a really important article to write the following day, made my excuses, and left, but not before saying "We should totally do this again, as friends." Pretty sure it was mutual; neither of us walked away from that date thinking "OMG that was the ONE". Probably for the best; even writing this, the idea of being woken up by a giant lizard crawling over me is making me shiver.

Now, I'm sure there's a fiscally prudent herpetologist for her out there somewhere on Geek2Geek; it's fair to say, that is not me.  So, back into the wilderness, it seems...

This post originally appeared at 28 Dates Later. Stay tuned as we catch you up with all Willard's disastrous dates so far over the next week.

This is exactly what Willard's date looked like. Photograph: Getty Images

Willard Foxton is a card-carrying Tory, and in his spare time a freelance television producer, who makes current affairs films for the BBC and Channel 4. Find him on Twitter as @WillardFoxton.

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In defence of orientalism, the case against Twenty20, and why Ken should watch Son of Saul

My week, from Age Concern to anti-semitism.

Returning late from a party I never much wanted to go to, I leap up and down in the middle of the Harrow Road in the hope of flagging down a taxi, but the drivers don’t notice me. Either they’re haring down the fast lane or they’re too preoccupied cursing Uber to one another on their mobile phones. My father drove a black cab, so I have a deep loyalty to them. But there’s nothing like being left stranded in NW10 in the dead of night to make one reconsider one’s options. I just wish Uber wasn’t called Uber.

Just not cricket

Tired and irritable, I spend the next day watching sport on television – snooker, darts, cricket, anything I can find. But I won’t be following the Indian Premier League’s Twenty20 cricket again. It’s greedy, cynical, over-sponsored and naff. Whenever somebody hits a boundary, cheerleaders in cast-off gym kit previously worn by fourth-form Roedean girls wave tinsel mops.

Matches go to the final over where they’re decided in a thrashathon of sixes hit by mercenaries wielding bats as wide as shovels. Why, in that case, don’t both teams just play a final over each and dispense with the previous 19? I can’t wait for the elegant ennui of a five-day Test match.

Stop! Culture police!

I go to the Delacroix exhibition at the National Gallery to shake off the sensation of all-consuming kitsch. Immediately I realise I have always confused Delacroix with someone else but I can’t decide who. Maybe Jacques-Louis David. The show convincingly argues that Delacroix influenced every artist who came after him except Jeff Koons, who in that case must have been influenced by David. It’s turbulent, moody work, some of the best of it, again to my surprise, being religious painting with the religion taken out. Christ’s followers lamenting his death don’t appear to be expecting miracles. This is a man they loved, cruelly executed. The colours are the colours of insupportable grief.

I love the show but wish the curators hadn’t felt they must apologise for Delacroix finding the North Africans he painted “exotic”. Cultural studies jargon screams from the wall. You can hear the lecturer inveighing against the “appropriating colonial gaze” – John Berger and Edward Said taking all the fun out of marvelling at what’s foreign and desirable. I find myself wondering where they’d stand on the Roedean cheer-leaders of Mumbai.

Taking leave of the senses

My wife drags me to a play at Age Concern’s headquarters in Bloomsbury. When I see where she’s taking me I wonder if she plans to leave me there. The play is called Don’t Leave Me Now and is written by Brian Daniels. It is, to keep it simple, about the effects of dementia on the families and lovers of sufferers. I am not, in all honesty, expecting a good time. It is a reading only, the actors sitting in a long line like a board of examiners, and the audience hunched forward in the attitude of the professionally caring.  My wife is a therapist so this is her world.

Here, unlike in my study, an educated empathy prevails and no one is furious. I fear that art is going to get lost in good intention. But the play turns out to be subtly powerful, sympathetic and sharp, sad and funny; and hearing it read engages me as seeing it performed might not have done. Spared the spectacle of actors throwing their bodies around and singing about their dreams against a backdrop painted by a lesser, Les Mis version of Delacroix, you can concentrate on the words. And where dementia is the villain, words are priceless.

Mixing with the proles

In Bloomsbury again the next day for a bank holiday design and craft fair at Mary Ward House. I have a soft spot for craft fairs, having helped run a craft shop once, and I feel a kinship with the designers sitting bored behind their stalls, answering inane questions about kilns and receiving empty compliments. But it’s the venue that steals the show, a lovely Arts and Crafts house, founded in the 1890s by the novelist Mary Ward with the intention of enabling the wealthy and educated to live among the poor and introduce them to the consolations of beauty and knowledge. We’d call that patronising. We’re wrong. It’s a high ideal, to ease the burden of poverty and ignorance and, in Ward’s words, save us from “the darker, coarser temptations of our human road”.

An Oscar-winning argument for Zionism

Speaking of which, I am unable to empty my mind of Ken Livingstone and his apologists as I sit in the cinema and watch the just-released Academy Award-winning Son of Saul, a devastating film about one prisoner’s attempt to hold on to a vestige of humanity in a Nazi death camp. If you think you know of hell from Dante or Michelangelo, think again. The inferno bodied forth in Son of Saul is no theological apportioning of justice or deserts. It is the evisceration of meaning, the negation of every grand illusion about itself mankind has ever harboured. There has been a fashion, lately, to invoke Gaza as proof that the Holocaust is a lesson that Jews failed to learn – as though one cruelty drives out another, as though suffering is forfeit, and as though we, the observers, must choose between horrors.

I defy even Livingstone to watch this film, in which the Jews, once gassed, become “pieces” – Stücke – and not grasp the overwhelming case for a Jewish place of refuge. Zionism pre-dated the camps, and its fulfilment, if we can call it that, came too late for those millions reduced to the grey powder mountains the Sonderkommandos were tasked with sweeping away. It diminishes one’s sympathy for the Palestinian cause not a jot to recognise the arguments, in a world of dehumanising hate, for Zionism. Indeed, not to recognise those arguments is to embrace the moral insentience whose murderous consequence Son of Saul confronts with numbed horror. 

This article first appeared in the 05 May 2016 issue of the New Statesman, The longest hatred