Trans people, pronouns and language

When it comes to pronouns or gendered descriptors, it's better to allow people autonomy over their identities rather than impose your own preconceptions.

In 1910, German sexologist Magnus Hirschfeld published The Transvestites: The Erotic Drive to Cross-Dress ­– the first investigation into the practice of wearing clothes designated for the “opposite” sex, and those who wanted to be the “opposite” sex or find space between “male” and “female”. With no recognised word to describe any of these positions or practices, Hirschfeld popularised “transvestite” from the Latin trans- (meaning “across”) and vestitus (“dressed”), variations on which had been used across Europe since the sixteenth century. (Zagria’s Gender Variance Who’s Who provides a potted history here.)

The sexological categorisation of gender-variant practices, and the new possibilities opened by scientific advances and changing attitudes throughout the twentieth century, posed a significant challenge to European languages, which had not previously been seriously demanded to accommodate areas between the two established sexes or genders. The definition of transvestite has been narrowed following the emergence of transsexual and genderqueer people, commonly referring to people who cross-dress for sexual pleasure without wishing for sex or gender reassignment, but a linguistic problem around gender variance that persists is that of pronouns – with just “he/him” and “she/her” in common English usage, little possibility traditionally existed for those between the gender binary, with third parties often unsure of how to address even those who have moved from male to female, or vice versa.

There exists a decades-long lag between trans activism and mainstream media discussion of trans people and politics, with the latter still struggling to catch up with the former. Before the internet, it was hard to find trans people talking about their lives in their voices – a search through the Guardian archives, for example, reveals that “transsexual” was first used in the Observer on 28 April 1974, in an article headlined “Trans-Sexuals” by medical correspondent Christine Doyle. It was not until the 1990s that any openly transsexual person was given any platform in the Guardian or the Observer, and not until the late 2000s that they were allowed more than one-off columns.

Kept out of the mainstream media, gender-variant people, many of whom could not “out” in their daily lives, communicated directly in spaces that allowed them to retain anonymity – fanzines and online forums. Sandy Stone’s brilliant essay The Empire Strikes Back: A Post-Transsexual Manifesto was written in 1987 in response to radical feminist Janice Raymond’s searing attacks on Gender Identity Clinics and transsexual people in The Transsexual Empire (1979) and circulated on early online communities, before being published in 1991. This called for transsexual people to move beyond “passing” and be open about their gender histories, but the wave of transgender activists and academics that coalesced in the early 1990s, such as Transgender Warriors author Leslie Feinberg, felt it was worth exploring a new linguistic framework to better describe their experiences, starting with pronouns such as “ze” and “hir” to create space between “he” and “she”, “him” and “her”, and generate a lexicon that was not imposed by the medical community.

Transgender History, written by San Francisco-based historian, filmmaker and activist Susan Stryker, well described where this discourse had reached by 2008:

Appropriate use of gender-neutral pronouns can be tricky. The practice often works well within transgender communities, where many people understand what’s being said, but can be confusing for outsiders. Changes in language structure usually happen very slowly and pronouns are among the linguistic elements most resistant to change, so trying to speed up a change of usage can sometimes sound forced or strange. Some transgender people – often those who have worked very hard to attain a gender status other than the one assigned to them at birth – take offence when gender-neutral pronouns, rather than the appropriate gendered ones, are applied to them because they perceive this usage as a way that others fail to acknowledge their attained gender.

So it’s recognised that making such changes to the English language is a difficult job, for so many reasons, but it’s interesting to note that the vocabulary needed to apprehend the way that computers changed the world never met with the same opprobrium as that needed to understand sexual diversity or gender variance. (Did you hear anyone complaining that “tweet used to be such a lovely word – now it just means anonymously calling someone a fucking dick?” or “Why should I have to use the word ‘internet’?” in a way that you do with “gay” or any trans-related terminology?)

Striving to close this gap, pressure group Trans Media Watch, which was formed in 2009 to monitor adverse print or broadcast portrayals of trans people and offer advice on how these may be improved, produced a Media Style Guide which, amongst other things, suggests to “Avoid using pronouns or gendered descriptors that conflict with an individual’s personal experience of their gender identity”. This is less complicated than cisgender (non-trans) people sometimes think – basically, if you’re unsure about someone’s gender identity and preferred terms, ask (politely). If you can’t ask, work on the basis that someone who wears male clothes and uses a male name, for example, would prefer “he” and “him”: allowing people autonomy over their identities is fairer than imposing your own preconceptions. Perhaps the way that the English language and English-language media deal with gender variance will continue to evolve in ways that we can predict for decades to come, but for now, the adoption of this principle would be a very good place for writers, publications and people to start.

If in doubt, ask (politely). Photograph: Getty Images

Juliet Jacques is a freelance journalist and writer who covers gender, sexuality, literature, film, art and football. Her writing can be found on her blog at and she can be contacted on Twitter @julietjacques.

Photo: Getty
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UnHerd's rejection of the new isn't as groundbreaking as it seems to think

Tim Montgomerie's new venture has some promise, but it's trying to solve an old problem.

Information overload is oft-cited as one of the main drawbacks of the modern age. There is simply too much to take in, especially when it comes to news. Hourly radio bulletins, rolling news channels and the constant stream of updates available from the internet – there is just more than any one person can consume. 

Luckily Tim Montgomerie, the founder of ConservativeHome and former Times comment editor, is here to help. Montgomerie is launching UnHerd, a new media venture that promises to pull back and focus on "the important things rather than the latest things". 

According to Montgomerie the site has a "package of investment", at least some of which comes from Paul Marshall. He is co-founder of one of Europe's largest hedge funds, Marshall Wace, formerly a longstanding Lib Dem, and also one of the main backers and chair of Ark Schools, an academy chain. The money behind the project is on display in UnHerd's swish (if slightly overwhelming) site, Google ads promoting the homepage, and article commissions worth up to $5,000. The selection of articles at launch includes an entertaining piece by Lionel Shriver on being a "news-aholic", though currently most of the bylines belong to Montgomerie himself. 

Guidelines for contributors, also meant to reflect the site's "values", contain some sensible advice. This includes breaking down ideas into bullet points, thinking about who is likely to read and promote articles, and footnoting facts. 

The guidelines also suggest focusing on what people will "still want to read in six, 12 or 24 months" and that will "be of interest to someone in Cincinnati or Perth as well as Vancouver or St Petersburg and Cape Town and Edinburgh" – though it's not quite clear how one of Montgomerie's early contributions, a defence of George Osborne's editorship of the Evening Standard, quite fits that global criteria. I'm sure it has nothing to do with the full page comment piece Montgomerie got in Osborne's paper to bemoan the deficiencies of modern media on the day UnHerd launched. 

UnHerd's mascot  – a cow – has also created some confusion, compounded by another line in the writing tips describing it as "a cow, who like our target readers, tends to avoid herds and behave in unmissable ways as a result". At least Montgomerie only picked the second-most famous poster animal for herding behaviour. It could have been a sheep. In any case, the line has since disappeared from the post – suggesting the zoological inadequacy of the metaphor may have been recognised. 

There is one way in which UnHerd perfectly embodies its stated aim of avoiding the new – the idea that we need to address the frenetic nature of modern news has been around for years.

"Slow news" – a more considered approach to what's going on in the world that takes in the bigger picture – has been talked about since at least the beginning of this decade.

In fact, it's been around so long that it has become positively mainstream. That pusher of rolling coverage the BBC has been talking about using slow news to counteract fake news, and Montgomerie's old employers, the Times decided last year to move to publishing digital editions at set points during the day, rather than constantly updating as stories break. Even the Guardian – which has most enthusiastically embraced the crack-cocaine of rolling web coverage, the live blog – also publishes regular long reads taking a deep dive into a weighty subject. 

UnHerd may well find an audience particularly attuned to its approach and values. It intends to introduce paid services – an especially good idea given the perverse incentives to chase traffic that come with relying on digital advertising. The ethos it is pitching may well help persuade people to pay, and I don't doubt Montgomerie will be able to find good writers who will deal with big ideas in interesting ways. 

But the idea UnHerd is offering a groundbreaking solution to information overload is faintly ludicrous. There are plenty of ways for people to disengage from the news cycle – and plenty of sources of information and good writing that allow people to do it while staying informed. It's just that given so many opportunities to stay up to date with what has just happened, few people decide they would rather not know.