The response to Lance Armstrong's admissions is ghoulish

If Americans are so invested in their sporting heroes that they are distraught when they turn out to be merely human then that's the nation's sickness, not just Armstrong's.

Last night more than three million people gazed at a man's eyes, waiting greedily to be the first to spot a tear. When he finally did break down, in describing the pain of admitting his crimes to his oldest son, the public reaction to his grief was glee.

Yes, Lance Armstrong lied. Worse, he also embarked upon bitter and unfounded lawsuits to maintain his lies. He was a bully to those around him, a hubristically unpleasant and arrogant man, and that is not to be defended: bullying is heinous. But – and this is the crux of the issue – we don't go after footballers with rape convictions with as much bile as we reserved for this man.

The Guardian's first words in the story covering last night's interview were therefore, "Lance Armstrong cried." The New York Times opened on "Amid tears." The New York Post did similar. So did ABC News. And Fox, E! Weekly. And the Daily Mirror. What is this obsession with tears? We saw it first in Britain after Princess Diana died – the national outpouring of grief that led to anger at those who were actually mourning at their failure to show weakness. What catharsis is it for the mob to see the strong break down and cry? What vindication does it represent?

Last night the words "public betrayal" was being thrown around, as if Armstrong had sold the nation out to its enemies instead of simply admitting to cheating. If I was a non-doping cyclist, I said on Twitter last night, then I would have been rightfully cross. But it looks as if those were pretty few and far between in Armstrong's era anyway.

I'll admit it: Armstrong was never my hero. I don't cry at sports games. Nor would I feel the victim of treason if, say, Bradley Wiggins or Jessica Ennis's performances in summer – which I enjoyed immensely – turned out to be spurious;  they would have been, to borrow a teachers' cliché, only letting themselves down. (I should point out that there is absolutely no reason to believe this might be the case.)

Yes, Armstrong started a charity by selling a narrative of sporting prowess that turned out not to be genuine. But he did genuinely overcome cancer to get there; moreover, Livestrong does and always did good work. What's honestly better – to tell the truth, and not save other lives, or lie to start a successful charity?

Moreover, there is something else at play than mere egotism. Sport is an industry in the US that so depends on such 'heroes' to sell products to the rest of us that they will turn a blind eye to almost anything, from doping to sexual violence unless it risks tarnishing their image – and pay them astronomical amounts of money to do so. Armstrong is set to lose more than $75m dollars in sponsorship money.

America, a young nation, idolises its heroes more much more than we British do. We look at ours with a sort of nostalgic fondness; just look at Michael Sheen's portrayal of Brian Clough, or Gary Lineker's self-deprecating advertising work for Walkers' crisps. We like a bit of weakness in our heroes; a touch of the bottle, maybe; a spot of darkness. America, in contrast, is the nation that invented the Hall of Fame: here, sporting heroes are golden calves to be worshipped unconditionally. That's why, when Armstrong or Tiger Woods turn out to be merely human, it hits fans so brutally, as a personal betrayal.

Armstrong has a tremendously long way to fall. But if Americans are so invested in their sporting heroes that they are distraught when they turn out to be merely human – egotistic, fame-hungry, and all the rest of it – then that's the nation's sickness, not just Armstrong's.

A man watches Lance Armstrong's interview with Oprah Winfrey in a bar in downtown Los Angeles. Photograph: Getty Images.

Nicky Woolf is a writer for the Guardian based in the US. He tweets @NickyWoolf.

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New Digital Editor: Serena Kutchinsky

The New Statesman appoints Serena Kutchinsky as Digital Editor.

Serena Kutchinsky is to join the New Statesman as digital editor in September. She will lead the expansion of the New Statesman across a variety of digital platforms.

Serena has over a decade of experience working in digital media and is currently the digital editor of Newsweek Europe. Since she joined the title, traffic to the website has increased by almost 250 per cent. Previously, Serena was the digital editor of Prospect magazine and also the assistant digital editor of the Sunday Times - part of the team which launched the Sunday Times website and tablet editions.

Jason Cowley, New Statesman editor, said: “Serena joins us at a great time for the New Statesman, and, building on the excellent work of recent years, she has just the skills and experience we need to help lead the next stage of our expansion as a print-digital hybrid.”

Serena Kutchinsky said: “I am delighted to be joining the New Statesman team and to have the opportunity to drive forward its digital strategy. The website is already established as the home of free-thinking journalism online in the UK and I look forward to leading our expansion and growing the global readership of this historic title.

In June, the New Statesman website recorded record traffic figures when more than four million unique users read more than 27 million pages. The circulation of the weekly magazine is growing steadily and now stands at 33,400, the highest it has been since the early 1980s.