Girls with toy guns and boys with doll's houses - what on earth is the problem?

A crumb of comfort from Sweden on the aggressive gender stereotyping of toys as a manufacturer reverses gender roles in its catalogue.

This Christmas my youngest son will be receiving a pink doll’s house. I am sure that when he opens it, certain relatives will be convinced that Mummy and Daddy only bought it “to make a point”. They will assume that despite his apparent joy, Youngest is secretly yearning for a mega murder machine, or whatever it is boys are meant to want. This isn’t true, though; we got him the doll’s house because he saw one in Toys R Us and has had his heart set on it ever since (hence we got him a second-hand, not-quite-as-good-but-he’ll-never-notice-it version off eBay).

You may think I’m wrong to second-guess the reactions of my nearest and dearest to our stereotype-busting purchase. Believe me, they’ve got form. Two years ago my eldest son got a dressing up set so he could look like the witch in Julia Donaldson’s Room On The Broom. All day he ran around the house chanting “I’m a witch, I’m a witch” and every single time a helpful grandparent felt the need to chip in with “no, you’re a wizard”. But he wasn’t a wizard. Apart from anything else, “wizard” wouldn’t scan or rhyme if you tried to put it into the story. “You’ll confuse him”, they said. Yet my son wasn’t feeling remotely confused, at least not until he was told he couldn’t be who he was pretending to be and that he had to pretend to be a person whom he hadn’t even imagined yet.

I don’t have particularly strict ideas about which toys my children should or shouldn’t play with, although I prefer it if said things are one, cheap and two, not mind-numbingly boring. I buy some things which are deemed to be for boys and some things which aren’t. This shouldn’t be a big deal, yet it is. Giving your children gifts that transgress “accepted” gender boundaries can be surprisingly controversial. Even so, those who object the most tend to be the same people who’ll tell you “but they’re only toys!” the minute you point out how rubbish the gender stereotyping that goes into all the advertising can be.

This year the Swedish toy chain Top Toy has caused something of a stir by producing a gender-reversed toy catalogue, in which girls play with toy guns and boys with doll’s houses. This is just for Sweden, mind. They’ve produced the same catalogue for Denmark, but with everything back to “normal” – the same layout but with the boys getting their guns and the girls trooping back to the home. Funny, that. The fact that Top Toy have previously been sanctioned – in Sweden but not in Denmark – for using stereotypical images does suggest that there’s more than a little cynicism in this apparently revolutionary vision. Either that, or they’re just taking the piss. Ah, well. It’s not great but if you’re a parent who’s against aggressive gender stereotyping, you’ll take whatever crumbs of comfort you can find. So I’m still slightly heartened by this.

The catalogue isn’t gender-neutral – they’ve picked up on the same binary roles but switched them around. Hence a terribly lazy criticism to make – and one which occurs frequently in response to Sarah Ditum’s Guardian piece on the subject – is “ha! They’ve got girls playing with guns! Is that what you feminists want?” To be honest, I’d rather not have anyone playing with guns (this is why I bought plastic light sabres instead. On reflection, this was not much better, but I’m less worried about my sons getting drawn into Jedi gang warfare later in life). Another desperate criticism is that this kind of “reversal” stops children from exploring their “gender identity” – which, apparently, they already have, right from the moment they draw their first breath. It’s a strange kind of fear that drives this. On the one hand we’re told to just let the children play, but on the other there’s a massive desire to police this supposed “freedom”.

It strikes me that gender stereotyping in toys is worse than it used to be. When I was a child there were girls’ toys (which I received and played with), boys’ toys (which my brother received and I played with) and neutral toys (which everyone played with, usually ending in a massive fight). These days nothing is allowed to be in-between. Two days ago I came across a special “girlz talk” edition of Jenga. Jenga! It’s “the original wood stacking game, with a pretty pink twist, and cool questions”! So now you can pull out a pretty pink block and get asked to “name someone you have a crush on right now”. Whatever happened to just pulling out a normal bit of wood and making sure the tower didn’t fall over? Is that now considered too unfeminine? I realise that toy manufacturers are always on the lookout for new angles and USPs, but can’t they do better than this? Hell, I could sit around all day coming up with things that haven’t yet been dyed pink. How about a pink Star Wars Death Star that asks you whether you’d rather snog Han Solo or cuddle an Ewok? Am I the first one to think of that, or is George Lucas just wavering on the copyright?

There’s the odd occasion when all this is useful. Like the time when we bought some Children in Need cupcakes and my five-year-old noticed that the cake cases were pink so “only Mummy is allowed to eat them”. Obviously I told him this was wrong, but only after I’d eaten the cakes. That was good. But the rest of the time it’s rubbish. Perhaps we focus on children because when it comes to adult gender stereotyping there’s nowhere left to go. Women are doing a million and one things which were meant to turn us into hysterical, sexless husks yet the fact is we’re still fully functioning human beings. I bet that’s annoying for sexists. At least with children you’re still in with a chance of telling them what they’re meant to like and having them believe you.

Anyhow, I’m looking forward to the grand opening of the pink doll’s house come Christmas Day, at least once I get the present for my five-year-old sorted. Following a trip to the Gloucester Waterways Museum he’s requested a life-size, fully operational canal lock. He wants it so much he’s even written to Santa for the first time ever. I have to say, whether it’s available in pink or blue will be the least of my worries.

One of the apparently controversial images from the Swedish toy catalogue.

Glosswitch is a feminist mother of three who works in publishing.

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The decline of the north's sporting powerhouse

Yorkshire historically acted as a counterweight to the dominance of southern elites, in sport as in politics and culture. Now, things are different.

On a drive between Sheffield and Barnsley, I spotted a striking painting of the Kes poster. Billy Casper’s two-fingered salute covered the wall of a once-popular pub that is now boarded up.

It is almost 50 years since the late Barry Hines wrote A Kestrel for a Knave, the novel that inspired Ken Loach’s 1969 film, and it seems that the defiant, us-against-the-world, stick-it-to-the-man Yorkshireness he commemorated still resonates here. Almost two-thirds of the people of south Yorkshire voted to leave the EU, flicking two fingers up at what they saw as a London-based establishment, detached from life beyond the capital.

But whatever happened to Billy the unlikely lad, and the myriad other northern characters who were once the stars of stage and screen? Like the pitheads that dominated Casper’s tightly knit neighbourhood, they have disappeared from the landscape. The rot set in during the 1980s, when industries were destroyed and communities collapsed, a point eloquently made in Melvyn Bragg’s excellent radio series The Matter of the North.

Yorkshire historically acted as a counterweight to the dominance of southern elites, in sport as in politics and culture. Yet today, we rarely get to hear the voices of Barnsley, Sheffield, Doncaster and Rotherham. And the Yorkshire sporting powerhouse is no more – at least, not as we once knew it.

This should be a matter of national concern. The White Rose county is, after all, the home of the world’s oldest registered football club – Sheffield FC, formed in 1857 – and the first English team to win three successive League titles, Huddersfield Town, in the mid-1920s. Hull City are now Yorkshire’s lone representative in the Premier League.

Howard Wilkinson, the manager of Leeds United when they were crowned champions in 1992, the season before the Premier League was founded, lamented the passing of a less money-obsessed era. “My dad worked at Orgreave,” he said, “the scene of Mrs Thatcher’s greatest hour, bless her. You paid for putting an axe through what is a very strong culture of community and joint responsibility.”

The best-known scene in Loach’s film shows a football match in which Mr Sugden, the PE teacher, played by Brian Glover, comically assumes the role of Bobby Charlton. It was played out on the muddy school fields of Barnsley’s run-down Athersley estate. On a visit to his alma mater a few years ago, David Bradley, who played the scrawny 15-year-old Billy, showed me the goalposts that he had swung from as a reluctant goalkeeper. “You can still see the dint in the crossbar,” he said. When I spoke to him recently, Bradley enthused about his lifelong support for Barnsley FC. “But I’ve not been to the ground over the last season and a half,” he said. “I can’t afford it.”

Bradley is not alone. Many long-standing fans have been priced out. Barnsley is only a Championship side, but for their home encounter with Newcastle last October, their fans had to pay £30 for a ticket.

The English game is rooted in the northern, working-class communities that have borne the brunt of austerity over the past six years. The top leagues – like the EU – are perceived to be out of touch and skewed in favour of the moneyed elites.

Bradley, an ardent Remainer, despaired after the Brexit vote. “They did not know what they were doing. But I can understand why. There’s still a lot of neglect, a lot of deprivation in parts of Barnsley. They feel left behind because they have been left behind.”

It is true that there has been a feel-good factor in Yorkshire following the Rio Olympics; if the county were a country, it would have finished 17th in the international medals table. Yet while millions have been invested in “podium-level athletes”, in the team games that are most relevant to the lives of most Yorkshire folk – football, cricket and rugby league – there is a clear division between sport’s elites and its grass roots. While lucrative TV deals have enriched ruling bodies and top clubs, there has been a large decrease in the number of adults playing any sport in the four years since London staged the Games.

According to figures from Sport England, there are now 67,000 fewer people in Yorkshire involved in sport than there were in 2012. In Doncaster, to take a typical post-industrial White Rose town, there has been a 13 per cent drop in participation – compared with a 0.4 per cent decline nationally.

Attendances at rugby league, the region’s “national sport”, are falling. But cricket, in theory, is thriving, with Yorkshire winning the County Championship in 2014 and 2015. Yet Joe Root, the batsman and poster boy for this renaissance, plays far more games for his country than for his county and was rested from Yorkshire’s 2016 title decider against Middlesex.

“Root’s almost not a Yorkshire player nowadays,” said Stuart Rayner, whose book The War of the White Roses chronicles the club’s fortunes between 1968 and 1986. As a fan back then, I frequently watched Geoffrey Boycott and other local stars at Headingley. My favourite was the England bowler Chris Old, a gritty, defiant, unsung anti-hero in the Billy Casper mould.

When Old made his debut, 13 of the 17-strong Yorkshire squad were registered as working-class professionals. Half a century later, three of the five Yorkshiremen selec­ted for the last Ashes series – Root, Jonny Bairstow and Gary Ballance – were privately educated. “The game of cricket now is played in public schools,” Old told me. “Top players are getting huge amounts of money, but the grass-roots game doesn’t seem to have benefited in any way.”

“In ten years’ time you won’t get a Joe Root,” Rayner said. “If you haven’t seen these top Yorkshire cricketers playing in your backyard and you haven’t got Sky, it will be difficult to get the whole cricket bug. So where is the next generation of Roots going to come from?” Or the next generation of Jessica Ennis-Hills? Three years ago, the Sheffield stadium where she trained and first discovered athletics was closed after cuts to local services.

This article first appeared in the 19 January 2017 issue of the New Statesman, The Trump era